Personal

Election Day (of the Dead)

Well, it is Election Day in the U.S., the closest thing we have to a national civic ritual. And in California, that means another of our exceptionally long ballots. Here is this November’s sample ballot plus voter guide:


[Click to enlarge.]

I have to admit, as voter guides go, this one has a pretty cool cover with a detail of the spiral staircase at San Francisco City Hall. And although it’s not the largest we have had, but still pretty substantial.


[Click to enlarge.]

Indeed, elections here can be a bit unwieldy. I find myself voting on all sorts of things, like arcane budget issues or judges that I feel completely unqualified to make a decision on. Of course, there are fun things like having our Proposition 19 (legalization of marijuana for sale in the state) and serious things like Proposition 23, an attempt to suspend our leading climate and energy law – a law that is actually a point of pride for many of us as we watch the much of the country (and our national leaders) fail on the issue. One sign I particularly liked was a dual “Go Giants!” and “No on 23” banner hanging from a building on 3rd Street, with the subtitle “Beat Texas (Oil)”. As often happens, baseball and elections collide. Our celebrations yesterday may end up being short lived depending on how things go today.

In addition to a sense of civic duty, you get a cool sticker:

I quite like having English, Spanish and Chinese all represented – there is something that feels right about it, a sense of people from different backgrounds coming together for a collective purpose.  Of course it is not all the languages spoken by residents of the city, but it is still a decent cross section.  It also made me think about a statement I had heard yesterday, thinking more optimistically about the future, that demographics is currently on the side of those with a more cosmopolitan and progressive view of the world as the older generations with their traditional notions of racial, linguistic, religious, national and sexual boundaries fade away.  But that’s a story for another time.

My current polling place is at SOMArts Cultural Center, so going to vote also means taking in the current exhibition, the annual El Día de los Muertos (Day of the Dead) exhibition. This years theme was “Honoring Revolution with Visions of Healing”  and featured  “altars and installations that will honor the dead and provide offerings to the living.”  It was certainly interesting to have an exhibition with the theme of “revolution” adjacent to the place where I was voting.  And while the theme may be connected to the 100th anniversary of the Mexican Revolution, many of the pieces were more general in nature, honoring loved ones who have passed away, or tied to current events, such as disasters and war. For example, I was drawn to this piece because it featured musicians:

[Judy Johnson-Williams and Judy Shintani. Honoring Construction Workers, Rebuilding of the New Orleans, Revolution with Visions of Healing. (Click image to enlarge.)]

At first I was not quite sure what the construction workers were about. But once I understood that it honored the workers who were helping to rebuild New Orleans, the combination of music and construction made sense. It has a double resonance, looking back on Hurricane Katrina, but there are also echoes of the disastrous oil spill in the Gulf of Mexico this summer. The piece was a collaboration by Judy Johnson-Williams and Judy Shintani. The also had another piece nearby, “All Cats We Have Loved”:

[Judy Johnson-Williams and Judy Shintani. All the Cats We Have Loved.  (Click to enlarge.)]

Their accompanying statement was very touching:

For all our kitties who have been run over by autos, are missing in action, and disappeared into the ethery to go onto their next lives. Hopefully you are having fun pouncing and are purring up a storm! We miss you! Meow!

The passing of a loved was also the subject of one of the featured pieces, an alter by artist Adrian Arias to his mother who passed away this year.  The large installation was almost entirely white, but with bits of color in the arranged objects.  Please visit his blog for images of this piece, including a performance by the artist.  Individual remembrances were also part of Susana Aragon’s “Life is a Revolution.”  This piece featured tribute images on transparencies arranged on the wall, a series of moving screens onto which images were projected, and a mirror in which ones own reflection was project (as the artist suggests, it was a bit of a challenge to make the reflection work).  The piece has a very moody but also clean quality to it that kept my attention:

[Susana Aragon. Life is a Revolution.  (Click image to enlarge.)]

In their piece “Trapped”, Ytaelena and Bruce Lopez present a narrow and dark cave-like space which viewers can enter.  It seems inviting enough, with a warm earthy aroma.  But inside there is the faint sound of a person calling for help, and a detached hand in the middle of some vegetation.  The piece is inspired by the Gulf of Mexico oil spill and the earthquake in Chile.

Finally, on a more positive note, Lanell Dike invites viewers to write messages of love and gratitude, and place them on an array of lights in her interactive piece “Make a Love Offering.”

[Lanell Dike. Make a Love Offering (close-up view)]

I did decide to participate and left a message, not far away from where I cast my ballot only a little earlier.

Autonomous Individuals Network, 23 SECONDS ov TIME,

I am happy to announce the release of 23 SECONDS OV TIME, a project of the Autonomous Individuals Network in which I am participating.

The collection contains 97 individual tracks, each exactly 23 seconds in length, with the total assemblage running for 37 minutes and 14 seconds. You can find my 23-second contribution, entitled “Four ideas in 23 seconds”, at track 80!

Volume One will be released in a limited edition of 123 hand numbered CD Copies.
This CD is planned for release on November 23,2010. Until November 23, you can download or stream the entire collection for free as a single MP3. In either format, I encourage everyone to check it out!

It is interesting to hear the pieces as a single unit, with such short durations they become phrases in a larger whole piece, sometimes with very sharp transitions.

You can also find out more about the Autonomous Individuals Network (and the significance of 23) at the official website.

Solo Electronic Set and Johnston-Nelson-Wright Trio at Luggage Store Gallery, September 16

[Note: for Weekend Cat Blogging, please scroll down or click here.]

Today we look back at my solo performance at the Luggage Store Gallery in San Francisco two weeks ago. This was part of the regular Outsound music series every Thursday, and on this night featured two very contrasting sets: my solo electronic work, and then an acoustic horn trio.

We being with a view of the setup:

My solo rig has slowly turned into a table from an Apple store, with an iPhone, iPad, and MacBook all in use. At the same time, I continue to blend old and new technology with the presence of the traditional Indian instruments, such as the ektar and gopichand, and Chinese instruments. I set up the monomer to mostly face the audience and provide interesting displays on the grid, unless I specifically needed to interact with it.

[Click image to enlarge]

From my perspective, as well as a couple of people I talked to in the audience, the most successful piece was the new string-centric piece that combined the guzheng model on the iPad with live sampling of the ektar and gopichand. This piece mixed traditional instruments of two cultures with advanced technology. In addition to the iPad, this piece used the mlr application with the monome for sample playback and looping. Most importantly, however, was how it came together musically with the harmonies and timbres of the instruments standing on their own to create a meditative soundscape.

The other piece that worked well was my update of the meditation with prayer bowl and DSI evolver, which also incorporated the Smule Ocarina on the iPhone. I used the feedback technique again where the iPhone is placed in front of a speaker and starts to play itself. Here is a video excerpt:

Overall, it was a good performance and provided an opportunity to try out new things. It was nowhere near as tight and polished as my set at the Quickening Moon Concert back in February, though (or as well attended).

I was followed on the program by the horn trio of Darren Johnston, Matt Nelson, and Cory Wright. Their improvised music moved back and forth freely between rhythmic avant-garde jazz, long drones and all-out skronking.

Although it was a completely different instrumentation and format, there were a few similarities between the trio and my set, particularly towards the beginning. The opened with a series of complex rhythms with pauses and odd time relations that reminded me a bit of the piece I did with the monome+mlr. Every so often, the rhythms came together into a uniform pattern and then into long notes that formed perfect intervals or occasional consonances with thirds. Then the drone broke apart. On the opposite end, there were noise elements, especially on the trumpet and more atonal harmonies. At one point, the sound was reduced to very soft breath noises, followed by a swell with staccato notes and warbles, getting ever busier and louder.

The next segment began with solo muted trumpet. While listening, I was thinking how muted trumpet always sounds “jazzy” no matter the style of music being played. The jazz feel was sustained as the other performers came in, building a texture that was both elaborate and nostalgic. The jazz feel gave way to more percussive sounds, such as rubbing the headjoint of the soxophone on the body of the instruments. The mutes themselves became percussion instruments, as did a beer bottle. The percussion sounds were loud and resonant, set against clarinet and saxophone headjoint.

The final piece opened with a nice strong baritone saxophone solo. At the same time, the other performers began dropping and throwing objects on the ground. Then everyone came in again on horns with fast and loud notes. The saxophone in particular kept the percussive quality going.

It was a short set, but overall quite good and kept my attention throughout.

Transbay Terminal overpass demolition

I often walk by the overpasses that connect (or once connected) to the soon-to-be-defunct Transbay Terminal here in San Francisco, including the Fremont Street “bridge to nowhere” and the curving elevated road over Howard Street. Both have been featured in Wordless Wednesday photos on CatSynth the posts Fremont Street Overpass and Shine.

[Click the above images to visit the original posts.]

The bridge to nowhere used to connect the Fremont Street exit off of I-80 to the Transbay Terminal. The Fremont Street ramp, which included the last remaining pieces of the Embarcadero Freeway, was truncated and left this bridge hanging. It was a particular favorite “architectural feature” of mine in the city, and in fact qualified as a “Thomasson” or hyper art structure in that was present and maintained but served no purpose.

The elevated road over Howard Street continued to function as a bus entrance to the terminal.

This past week both structures were demolished, as part of the project to replace the entire Transbay Terminal with a new modern transit center. Thanks to a tip from a close friend, I went to shoot some photos of the demolition in progress.

The Fremont Street bridge is completely orphaned on both sides. Only the single arch remained.

In the second photo, one can see the “Buses Only” ramp that temporarily replaced the bridge. That ramp was completely gone already.

The Howard Street overpass was being dismantled in pieces.

One could see the metal skeleton amidst the remaining concrete sections.

Here is a short video of the Howard Street overpass demolition in progress:

By Monday, the Fremont Street overpass was completely gone. And Howard Street structure will be gone soon as well. It is sad to so them go. For me, they were landmarks, part of the architectural landscape of the neighborhood. However, in a city where people get upset easily about architectural changes and preserving landmarks, these seem to have gone largely unremarked upon. I am glad I got a chance to see the demolition and take photos before they were gone. Indeed, some of the images can be quite beautiful in their own way. There is something about aging and decaying urban infrastructure, even when it is being reduced to a pile of concrete rubble and twisted rebar. But I would have rather seen it preserved – I wonder if San Francisco can ever do anything as creative with its old infrastructure as New York did with the High Line.

I may post more images in the near future.

Preparing for tonight’s performance

I have been busily preparing for tonight’s solo performance at the Luggage Store Gallery.

Because of all the other things going on in my life and the limited time to prepare, I had to scale back a bit and keep things simple.

On the bottom row is a custom analog noise synth with chaotic elements created by Travis Johns, the iPad running Smule Magic Piano, and the monome. Above this row, there is the Dave Smith Instruments Evolver, one of my Chinese metal bells, the iPhone running a looping app that I often use called TTW2, and the MacBook running “mlr2” and other programs with the monome. I am using a few other apps that are not in the photo, including the Smule Ocarina on the iPhone, and SoundThingy and a guzheng simulator on the iPad. This may still sound complex, but each device is small and self contained, and the interconnectivity is kept to a minimum. I can pick each one up and play it while others run independently.

I am organizing the set into three major pieces. The first mixes purely electronic sounds with an old NBC broadcast of Count Basie from the 1950s. The second features the guzheng simulator with some rhythmic elements and sample loops, set against the Indian string instruments (ektar and gopichand). The third mixes the Evolver with the Ocarina on the iPhone.

One thing that I have revived after not using them for a while is the “Big Band Remotes” recordings from the Internet Music Archive. I still have a recording project I want to finish that uses them, but it also “felt right” to incorporate them into this performance.

As she often does, Luna sat down on the beanbag chair to supervise the goings on.

At night, she tends to be even more camouflaged than usual. The beanbag chair seems to slowly roll over itself over the course of time in a geological manner. The label from the bottom is starting to show at the top.

For those in the area who wish to attend the show tonight, it is at 8PM at the Luggage Store Gallery, 1007 Market Street (near 6th) in San Francisco.

Weekend Cat Blogging #275

For Weekend Cat Blogging, some more photos:

Here we see Luna in mid-step in her favorite area for morning sunshine.  I like capturing her in mid motion.  The lines and curves of her limbs match the chrome bars on the chairs.

The extreme hours at my new job have been continuing, including this weekend.  And while I like the work I’m doing, the prolonged intensity is taking its toll.  But I am noticing that it is taking a toll on Luna as well.  She is a bit more stressed, although from her relaxed poses it would be hard to notice:

Spending time with Luna and working with these images, even if only for a few minutes, is a form of relief.

As mentioned in the previous article, the Peninsula Human Society and SPCA is working to help the animal victims and their human companions who were affected by the devastating fire in the nearby town of San Bruno this Thursday. Please visit their website to find out more.

Weekend Cat Blogging #275 will be hosted by LB and Breadchick at The Sour Dough.

The Carnival of the Cats will be up this Sunday at Mind of Mog.

And the Friday Ark is at the modulator.

on Thursday (not SFEMF)

I was hurrying home to San Francisco after 7PM yesterday to catch the first night of SFEMF. The radio programming was interrupted with an news update of a large fire in San Bruno, a town just south of San Francisco, near the airport. Specifically, it was near Skyline Blvd (CA 35) and not far from I-280, the highway on which I was traveling. Instantly, I thought it was wildfire out of control on a hillside. It is California, after all. The report then said that there were “several blocks in flames” and people hearing a large explosion and injured people being brought to local hospitals. This was something different. And I was on 280 heading north directly towards it. The smoke was visible above the ridge from miles away. As I approached the ramp from 280 to highway 35, it was closed off and covered with emergency vehicles. Beyond it was the column of smoke and the fire itself in the hills off to the left. The smell of the smoke and burning was intense, even inside the mostly enclosed car. A steady stream of cars jamming the streets down from the hills.

I know the area along Skyline Blvd moderately well. It is a high ridge between the Pacific Ocean and the suburban towns south of San Francisco, dotted with wooded hillsides, ocean views and surprisingly dense suburban developments, many of which had that iconic 1950s and 1960s look. I had explored the area when looking for a new home 2007 and I would sometimes escape into the hills along highways 35 and 1 as breaks when I worked in the area. I wondered if the houses and neighborhoods I had seen were among those now in flames.

After the concert, I came back online to get more information. I checked both our local newspaper online, where I found out it was caused by a huge gas line explosion, saw a map of the neighborhood affected, and saw horrific photos and videos. I simultaneously checked #sanbruno on Twitter. The location not a neighborhood I knew, but it could have been. 40 homes and 4 deaths officially. My thoughts are with those who lost their homes or loved ones.

And in the aftermath some attention turns to lost and missing pets as well. I read both about animals being rescued and about people who knew their pets were lost. In the immediate aftermath, a local PetCo accepted pets that were found during the emergency phase. The Peninsula Humane Society and SPCA have been involved, helping residents find lost pets, taking in animals that survived and were found. You can visit their site to find out more, and also how you can contribute. I did see one of their trucks when dropping off emergency donations on the way to work on Friday…once again driving on 280.

Finally, a few small bits of good news, including a man who able to go back and rescue his cat.

5216

It is a beautiful harsh sun this morning. Sitting out the patio with coffee, reading and writing.
As I contemplate whether to go on a sort trip, Maybe for photography or highway spotting, I realize I have everything I need right here. Our industrial and concrete surroundings. The geometric shapes from the structures and the artwork. The sounds from the nearby freeway like a gentle wind or waves along the ocean. The cadence of the trains coming to a stop.

Luna provides a bit of the wild and nature. The little black panther hunting in her native habitat.

I just read an article where the author derided cats for being so close to their natural cousins and thus I’ll suited to bring pets. I instead chose to celebrate how a creature can retain parts if her wild heritage and perfectly reflect the design of artificial surroundings.

And since it is Labor Day, it seems appropriate to reflect on the recent month I spent unemployed. I already had a new job lined up for August, and I had things pretty well mapped out with a combination of music, photography, time at home, and time just taking in the city.
The first Monday, I did one of my long walks through Chinatown, North Beach and along the Embarcadero feeling far more positive and optimistic than I had in a long time. I got sick that night. I am convinced it was all the toxic aspects of my previous job leaving my body. By the next evening it had passed I was feeling as healthy as i had all year. This coincided with the start of a yoga and meditation routine for prosperity and opportunity. And those did come. Lots of musical opportunities. Three different opportunities to do collaborate on photography. I rarely left the city during this period, preferring to take in everything i could by foot or by transit until the new job would force a new routine with a daily commute and sense of bring cut off from the things that make me feel most myself.

Which brings us back to today. My body needs a break from driving. It’s more important to edit and review and select from the photos I already have than make new ones. For music, i just need to spend time playing and exploring.

So staying here seems like the right choice.

Weekend Cat Blogging #274 and Photo Hunt: Heatwave

Summer has finally arrived with a heatwave that brought even San Francisco into the mid 90s F (30s C).  And our apartment tends to get even warmer:

Luna was a bit uncomfortable in the heat, but it was a good excuse to nap (as if cats need an excuse for that).  And a napping cat is a good excuse for experimenting with the camera (such as fun with low f-stop settings):

It’s been another busy week – yes, that is a familiar phrase here at CatSynth – and I haven’t been home very much.  So I left fans running for Luna, and even a small ice pad out for her on the hottest day. I think we’re both a little tired out, physically and mentally.  But it’s a long three-day weekend, and the fog has once again returned with its calming and creative influence.  I think we will enjoy it.

Weekend Cat Blogging #274 is hosted by the handsome pair Jules and Vincent at Judi’s Mind over Matter. Jules, the black cat, often appears when we host WCB, so we’re returning the favor this week.

Photo Hunt 229 is hosted by tnchick, with the apropos theme of Hot.

The Carnival of the Cats will be hosted this Sunday by Kashim, Othello and Salome.

The monthly Bad Kitty Cats Festival of Chaos will be hosted by Nikita and Elvira at Meowings of an Opinionated Pussycat.

And the Friday Ark is at the modulator.