CatSynth 2nd Anniversary (and Weekend Cat Blogging)!

July 19 is the Second Anniversary of CatSynth!

And by coincidence, we are hosting Weekend Cat Blogging (really, it is a coincidence). So we invite all our friends to participate and celebrate with us. As always, please leave a comment with your link, and we’ll post it during the roundup later this weekend.

Of course, we must post the photo of Luna that started it all on July 19, 2006:


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and some fun stats for the occasion. Over two years at CatSynth, we have:

657 articles.
2,476 comments.
106,000 visitors.
298 “catsynth pics.”

The latter is using some custom analysis tools I created for the occasion, which also provide the top 33 tags/categories here at CatSynth:

cats 738
synthesizers 444
luna 280
music 169
news 136
wordless wednesday 101
weekend cat blogging 97
wcb 94
art 90
highways 85
personal 79
modernism 54
san francisco 50
stats 39
electronic music 35
experimental 34
carnival of the cats 32
mathematics 29
podcast 29
mp3 28
kitty 27
keyboard 26
friday ark 25
analog 23
photography 22
reviews 22
video 22
cotc 21
black cat 20
cats on tuesday 20
festival 19
california 18
chaos 18

Some tags, such as “photography”, should really be much higher.

Many readers may recall that last year, on our first anniversary, the site went down due to a rather annoying problem with our service provider, and we were sent into exile at the CatSynth FEMA Trailer. So we are leaving an anniversary post at the trailer as well.

A year ago, we at CatSynth had no idea what was going to be in store for us over the next year. A new job, a new home, a new life.

We traded the sun and greenery of our old home:

for our new home:

and life in the big city:

But some things remain the same. Luna, of course, is always here. And our friends and family. And CatSynth!

And we’ll still be here, continuing to do what we always do…


Some other significant milestones this weekend:

The 200th Friday Ark boards this weekend at the modulator.

Our friend Dragonheart is two years old today.

This is week also includes several birthdays for friends, whom we won’t embarrass by announcing their ages on our rather public forum…

It’s only one weekend after the Bad Kitty Cats Festival of Chaos first anniversary, so let us include it as well. This weekend’s edition will be at Life from a Cat’s Perspective with Samantha and Tigger.


Guitars at Cafe Du Nord

With a bit of quiet here at CatSynth over the next few days, I can finally catch up on the many reviews and other articles waiting in the queue. And the show at Cafe du Nord a week ago is one I definitely wanted to review, as it falls in the “I’m really glad I went” category.

First, it was the main new-music show I could find the Monday after July 4. It was just a coincidence that it was the “night of guitars,” so to speak. But an impressive array of guitar talent, with Nels Cline, Jeff Parker and Jim Campilongo. Musically, I was more interested the Scott Amendola Band, which included Cline and Parker. They moved back and forth being grooves and more free-form pieces, which for me is a good mix for “club music.” The Campilongo Electric Trio was a bit more conventional, with more of a jazz and country feel in some pieces. But Campilongo did come out to play with the Scott Amendola Band as well. Yes, three virtuosic guitarists all at once.

I also ran into some folks I had recently met at Blue Six. We had talked quite a bit about making music, but didn’t exchange contact info. Quite the coincidence to run into them again so soon at Cafe du Nord. This time we made sure to stay in touch afterwards…

Pride 2008

Today was big Pride Parade here in San Francisco. And with the recent marriage ruling here in California, it was an even bigger celebration than previous years.

Of course, Zip was there for the festivities:

The parade is on Market Street, our main thoroughfare, which has been adorned with flags and other symbols for weeks in anticipation:


[Click to enlarge]

The parade is of course full of colorful characters:

Marriage was of course a major theme this year, with many couples displaying “Just Married” banners to thunderous applause.

This BART vehicle was decked out for trips to the chapel:

But with good fun there is also seriousness. We all need to be vigilant and make sure that our friends’ new-found rights are not taken away this November:

It is a not an issue of LGBT rights versus religion. Indeed, faith and religious groups were an important part of this year’s parade:

However, when this group from the “San Francisco Voice for Israel” marched by, it seemed like the crowds were strangely quiet.

I was actually invited last year to march with this group, after talking to a gay supporter of Israel while attending a birthday for a “nice Jewish girl” I was romantically interested in…but that is a story for another time.

Many city agencies were represented in the parade, including Animal Services, who had some amusing banners:

In all, a proud day for San Francisco and for California. And with the continued wildfires and other problems, we need something to celebrate.


In the shadow of the bridge

When nothing else is happening on a quiet weekend afternoon, I will often go for a walk through our neighborhood, South of Market (SOMA) and South Beach. Our neighborhood is in many ways more like New York than the rest of San Francisco, with its old industrial buildings, dilapidated piers on the waterfront, and new condo developments. But perhaps that adds to the sense of familiarity, and of “home”, amidst the concrete.

Our walk usually begins on Townsend Street, heading east towards the waterfront. This area is dominated by AT&T Park, home of the San Francisco Giants. But while crowds head towards the stadium in the summer, we often head in the opposite direction. There is a little park at the end of Townsend along the Embarcadero, where I often see older Eastern European folks. Across the park is the cul-de-sac that marks the end of Delancy Street, a name reminiscent of the Lower East Side of Manhattan. Here I often stop at a small cafe – it has a large garden that can be enjoyed on its own or for the glimpses of the bay it affords.

There are some books I only seem to read when I’m out at places like this, rather than at home. One such book is The Cat: A Tale of Feminine Redemption. I will stop and read a chapter while enjoying a coffee and the views. Though sometimes I opt for one of our free weekly papers instead. I like the idea of being contrary, reading esoteric books while a major sporting event is going on nearby. But in a large, cosmopolitan city, there are always people doing their own thing. One is never really alone.

Beyond the cafe is the southern portion of the Embarcadero, which contains glimpses of a seedy and crumbling past while being revitalized with the stadium and frenzied development.

Heading south along the Embarcadero, one approaches the Bay Bridge. Commercial buildings, as well as residential complexes, have sprung up in its shadow. I enjoy seeing these buildings fit comfortably beneath the bridge:

Some of them have appear older, more reminiscent of the 1970s or even earlier, while huge new high rises are going up all around them.

I then often turn back inward from the waterfront on Bryant Street. This is generally a wide street that crosses SOMA and the Mission District, but here it is a narrow alley between the steep approaches to the Bay Bridge and a residential block.

Again, the feeling is more of a residential section of New York, perhaps Riverdale in the Bronx, or the Upper West Side. Of course, the fact that this block interests Delancy Street adds to this impression.

Longtime residents and admirers of San Francisco often look down upon this area, but I find it a comforting place to walk and explore. Certainly, there is familiarity coming from New York, which has always defined “city” for me. And perhaps the sense that I am finally living the city life that I should have done long ago – I am finally home.

The narrow streets and tall buildings abut the hill and the approach to the bridge, with a complex array of staircases and ramps. I often find an excuse to climb at least one, such as this that connects the lower alley section of Bryant Street to the main section that begins on top of the hill.

At the top, one is amazingly close to the freeway and byzantine ramps that feed onto the bridge:

Heading back down the hill towards the west, one can take a detour through South Park, which has nothing to do with the popular cartoon. Instead, it is a small park surrounded by two-story residences that feels more like a neighborhood in Brooklyn. Although it is not far from the this section of freeway we featured a few weeks ago, such things seem invisible and far away. But step outside this oasis, and one is back in the “concrete jungle” and the streets that lead home.



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Gilbert and George, and the End of the Heatwave

Two weekends ago, I had the opportunity to the Gilbert and George retrospective at the de Young Museum here in San Francisco. They started out as performance artists, including themselves in their work as “living sculptures,” usually well groomed and well dressed in business suits. In addition to their live performances, they also made films such as Gordon’s Makes Us Drunk (basically, the pair getting drunk on Gordon’s gin).

Their most well-known works are their photo-montages, and these made up most of the exhibition. These are large scale works (measured in meters), with photos and graphics. It seems they always include themselves somewhere within the piece, along with both Christian and sexual symbolism. Some more basic, with black-and-white photos or subtle colors, such as England, 1980, while others, such as Death, from Death Hope Life Fear, are quite garish in their colors and graphics. You can see some examples here.

Although in most of the photo-montages it is easy to pick out the pair, in a couple it was more subtle, and one can play a kind of “Where’s Waldo” game. Indeed, one of my favorites was a wall of London street names, I could not find them anywhere in it, but I know they must be there somewhere.

I actually heard about Gilbert and George first in 2004. I had begun a collaborative art project and my partner gave be a book to read about artistic collaborations, focusing on conceptual art and performance art in the late 1960s and early 1970s. This was an era and style of art I often overlooked, and since then I’ve been more open to conceptual art, especially those based on words and text, but also in those that focus on the body. Needless to say, that collaborative art project never came to fruition.

The building in which the de Young Museum resides is itself a work of art. I have several pictures from past visits that will be subject of future “Wordless Wednesdays.” The architecture is characterized by grids of holes in the walls, some of which one can see through. There is also a tower with an observation deck, offering views of Golden Gate Park and the city. On this particular visit, one could see the fog rolling in from the west over the park and the outer districts:

The fog represented the end to the heatwave we experienced two weeks ago in San Francisco.