New Podcast: Fun w/ Emulator X and freesound.org harmonica samples

I spent a little time yesterday experimenting with modulated loop selection in Emulator X on a variety of sounds. One sound set that I particularly enjoyed playing was a set of blues harmonica samples at freesound created by TexasMusicForge. For those who are not familiar with the freesound project, it is a great collection of user-submitted samples licensed via the Creative Commons. Anyhow, I created a new EX instrument based on these samples and added multiple loops to a couple of them (actually up to 60 loops in one of the samples!), modulated with random LFOs. The result was quite playable – you can hear an example on the podcast. I would ultimately like to create a full composition with this instrument by refining this improvisation and combining it with other elements. It's not a sound I have used very much in the past, so I'm interested to see what I can do with it.







Weekend Cat Blogging #76 Roundup

Well, it seems like we have a bit of a theme going here this weekend:

At this moment, I'm lying on the couch w/ a purring Luna and a purring iBook resting on top. Life is good.

But I guess it's time to get up off our furry butts and start the Weekend Cat Blogging #76 Roundup. If you would like to be included, please leave a comment here or contact me.

At Jelly Pizza, a routine checkup for Taboo becomes anything but after she makes a snack out of a skink. So far so good, but hope she remains OK. Also, a reminder that googling for cat dangers and diseases can by very scary.

Cuteness alert! Chris Dolley presents Kai searching for Tribbles in all the wrong places. That last photo of Kai, Xena and a “tribble” is great!

It can be difficult for a cat to find good recipes in primate cookbooks, but over at burékaboy we have chez chaton culinaire. Luna's birthday is coming up soon and I was looking for somegood dinner options…

Ostara reports that it has been a gray and rainy week in Toronto, but that is good excuse for Sam to join us in our comfy napping. He also dreams of mailing himself to a warmer climate – it's pretty nice here in California right now.

Nothing is more exciting to a house cat than a forrrrbiiiiden roooooom. Over at Music and Cats, the McKittens get to explore the newly remodeled kitchen. Maybe they can try out some of those recipies from chez chaton culinaire?

The House of (Mostly) Black Cats treats us to one of those “separated at birth?” posts featuring Gree and Sophia. That a purrty good likeness, almost as good as that one I posted with the pope and the emperor from Star Wars…

Upsie is having a bad weekend because sher is sick with a fever and spending more time with two feral kitties learning to trust humans. Cheer up, Upsie. We at CatSynth recommend a nice nap!

Triple threat from thefoodpornographer: Pixel poses in her summer office, Billy Lee gets busted on the forbidden couch, and Pixel pops her head out of a box.

From Lali, Miss Prout sleeps with her friend Petit Tigré. Très mignon, indeed!

Kate in the Kitchen presents Animal Capers, the winter edition. Bustopher seems to enjoy being out in the cold, something that we at CatSynth have trouble understanding. We'll stay nice and warm inside, thank you. Also, a reminder that squirrels need food during the winter, too.

The comfy-resting-place theme continues. At A Cat in the Kitchen, Yoshi sits in his favorite spot, the “now broken” tumble dryer.

Tiggy the Tiny Tiger worries about mom Sarah going off to Japan. Don't worry, Tiggy, your Mom loves you, and Luna seemed to have a good time with the cat sitter last week, and probably will next week, too, when I go back to New York for the thanksgiving holiday weekend.

At Restaurant Window, we have some great pictures of the recently adopted Marble. Love those friendly tiger-kitty faces.

While most of us are enjoying a nice afternoon nap, over at The Westering Hills Colin hunts the laser pointer. There is a cute video of him making that clicking/squeaking sound that seems to be associated with hunting/stalking. Luna does the same thing when she hunts bugs or tracks critters through the window.

Looks like we've got a couple of “food-obsessed voyeurs” over at Rosa's Yummy Yums. But at least they are able to forget food long enough to join us for a weekend nap.

At xenogere, Vazra plans a great escape, albeit through a space not quite large enough for his head.

Sad news from Bonnie and the Charlottesville SPCA that their big, beautiful, and beloved Maine Coon cat, Hans, has passed over The Rainbow Bridge. Our sympathies go out to his friends who loved him deeply.

Voting is now open for the Skeezix the Cat's Tales of Devoshun Kontest. But it's not too late to enter!

Speaking of tales of devotion, Mao Nichols finds out that his mom likes him best after reading her entry. Unfortunately, he is inelegible as a member of Skeezix's household. Grrr on those pesky ethics rules.

More contest fun – Rocky the Gutter Cat is slumming for votes as a finalist in the World's Coolest Cat contest. Looks like the competition is pretty stiff – I think some of the New Orleans “cool cats” should have entered, too.

We have a birthday girl this weekend! Glinda turns two years old, and you can see her over at annesfood, along with some baby photos with her littermates. Looks like Glinda is celebrating her birthday the way we are, with a nap.

Over at I Got Two Shoes, Kamikaze has his laser eyes ready to zap. Hmmm, if this is what passes for “contemplative,” I'd hate to run into him in an angry mood…

Pia lightens the mood with a a basket of kittens. No one can resist a basket of kittens. No one.

Well, that will do it for this weekend. Thanks to all those who participated. Time for a nap…






Weekend Cat Blogging #76

Well, it's been a tiring week here since my return – both Luna and I really just want to curl up and rest. But we at CatSynth are dedicated to doing Weekend Cat Blogging #76. Thanks to those who already sent in their links. You either leave a comment with your link on this entry, or send me a message.

Also, if you haven't had a chance, please check out last week's post featuring an article on the cats of New Orleans.





Summary of New Orleans / ICMC articles

Here is a list of all the New Orleans and ICMC articles in chronological order. New readers are encouraged to use this list as a starting point. Enjoy!


Weekend in New Orleans Part 1: Zip visits the French Quarter
Weekend in New Orleans Part 2: City views and Scultpure Garden
ICMC late concert on election night
Preparing for tomorrow's radio performance and more ICMC
After radio performance
NOLA Night Life
Weekend Cat Blogging #75: Cats of New Orleans
The Other New Orleans


The Other New Orleans

I conclude my series from New Orleans with a visit to the areas beyond the central city and tourist district, areas hardest hit by Katrina. Consider the following overall map of New Orleans:

The Garden District and Tulane University (where the ICMC conference was held) are in the lowel left section. The rectangular area encompasses much of downtown as well as the French Quarter and the Fauborg-Marigny district (home of the Spotted Cat featured in my article on night life). These are highlighted in red and yellow, respectively, below:

To the east of Marigny are the Bywater neighbhood and the Lower Ninth Ward. The latter is probably known to many readers as the site of some of the worst flooding and destruction from the storm.

Heading out of Marigny north on Elysian Fields Ave., the trendy crowded neighborhood gives way to a more spread-out “Los Angeles” style area of separated buildings, convenience stores. Much of this area appears to be functioning again. We then turn east onto Claiborne Ave. (LA 39), one of the main east-west streets in New Orleans. Heading east, one sees more and more of the severly damaged houses, but the scope of the disaster is most apparent after crossing the canal on a large bridge and descending into the Lower Ninth Ward:

It is more than destroyed homes. Entire blocks are either in ruins or empty, all the businesses are boarded up or destroyed. While there is car traffic and some work on houses, the district seems largely empty and devoid of people and activity:



The photos really don't capture the experience in the Lower Ninth Ward. Imagine the images above extending in every direction around you, with no end in sight. These really are ruins of a city. And it should be noted that this is over a year after Katrina and the promised rebuilding and recovery. Part of me thinks that this area should be left this way as a “monument” of sorts – though I suspect the former residents might feel differently.

Heading back west over the canal on Claiborne, we rejoin Elysian Fields heading north towards Lake Ponchartrain. Many of the neighborhoods along the lake were also hard hit by the storm and flooding:

Unlike the Lower Ninth Ward, the areas along the lake do show signs of recovery and of life.

Arriving at the lake is another experience again. It felt a lot like traveling across San Francisco on Geary from downtown west to the ocean, a quieter area with rough waters and windswept shoreline:

The wind, water and trees provide a quiet, almost peaceful, contrast to the devastation, some of which still can be seen only a few blocks south. But one can see in the waves of the lake, only feet below the flood line on a normal somewhat story day, echoes of the storm surge. It was after all the lake and not the Mississippi River that provided much of the initial flooding.

It is here along the lake that I close this article and my reports from New Orleans. The surreal mixture of natural tranquility and destruction seems a fitting contrast and completion to the music and food, the busy conference and stately manors, streetcars and cats. Somehow it all works together.








Weekend Cat Blogging #75: Cats of New Orleans

WCB 75 is being hosted this weekend by Skeezix the Cat. My contribution this week is a special article on cats in New Orleans. Of course, this is a city steeped in its jazz heritage, and cats and jazz have always gone together at least when it comes to imagery and language. Certainly there were no shortages of artwork, posters, murals, etc., celebrating the “cool cat” of jazz:

The relationship of New Orleans to its real cats is a bit more ambiguous. This is definitely a “dog town” from the perspective of animal companions. People can be seen walking dogs everywhere, and there appear to be lots of guard dogs around as well. Cats were a little more elusive, though I did see a few during my many walks in the uptown area to and from Tulane for the conference. Please click on the images below to see large images of the furry New Orleans residents:

The middle picture is of a pet cat named Kramer who was very friendly and talkative. Most of the other cats I encountered were a bit skittish, many of them darting across streets and hiding under the raised fundations of the houses. Hiding under a house is most times a perfectly good strategy, but I do think with a bit of sadness how many kitties were caught hiding there when the floods came. Many cats were located and rescued in the aftermath of Katrina. Spray-painted notices such as these are still a common site around the city:

Of the groups most involved in locating and rescuing cats and other animals after Katrina was the Louisiana SPCA. Their shelter facility was destroyed in the storm, and they had to evacuate themselves and the animals in their care, no easy task. Upon returning, not only did they not have a facility, but were faced with the reality that so many people had left their pets behind – largely due to a government policy that disallowed pet evacuations, but has since been reversed. You can read more about the SPCA's efforts to rescue animals and rebuild – its both heart-breaking and uplifting.

I did have an opportunity to visit the SPCA's temporary facility. I would like to thank Lori Haeuser and Kate Pullen for taking the time and effort to provide me a tour and more information about their efforts with cats.

The temporary shelter is in a converted coffee warehouse on the Westbank, across the river from the main part of New Orleans and largely spared by the flooding. The warehouse is basically a huge non-insulated space with a concrete floor, not really set up to house large numbers of animals. The SPCA constructed a number of temporary housing units inside the warehouse for offices and animal facilities, including several units for the cats. There are separate units for kitties ready for adoption, healthy cats not quite ready for adoption, those with medical needs, and a separate area for feral cats. Each of the little buildings has its own climate and lighting control – the latter was particularly useful for the feral cats who prefer the shadows. Below is a picture from the adoption unit:

As you can see, they have quite a few black kitties at this time. As noted a few weeks ago around Halloween, black cats do have a harder time getting adopted. And more generally, it seems that culturally many people in the area, particularly those with a more rural background, as less likely to view cats as “pets” that one adopts from the shelter, but rather as functional animals that one might start feeding a befriending, and then perhaps take in. In someways, it is more a situation of the “cat adopting the human”, though those of us with cats know that is how it usually works anyway. They did say that cat adoptions are starting to pick up a bit now, so hopefully some of these kitties will find homes. In the meantime, it seems that they are being cared for as best they can under the circumstances. And they do get to come out and play, as was the case with this friendly little torbie (in photo to the right).

Please visit the Lousiana SPCA website for more info and to support their work.







NOLA Night Life

In addition to the late-night events at the conference, I made of exploring other aspects of New Orleans’ famed night-time culture.

While the French Quarter at night is a rather unique experience, there’s only so much one can take of endless streams of loud, drunk tourists. One of the concerns after Katrina is that this would become the only story in New Orleans. There are, however, good opportunities to hear local music at small venues outside the tourist district.


One neighborhood that stood out was the Fauborg Marigny district. This is small triangle area to the east of the French Quarter, a lot funkier, with a feel more like a trendy “up-and-coming” neighborhood in New York or San Francisco. It seems to be the main hangout for the local crowd as well as local musicians outside the standard tourist circuit. I kind of “adopted” this neighborhood for many of my evenings – in particular, I found myself at a club called The Spotted Cat several times. It’s a cozy place, with interesting artwork and decor, and what is often described as some of the “best local live jazz in New Orleans.”

It’s a rather small operation, cash only – and it looks like their website “thespottedcat.com” is offline and (like more of New Orleans’ real estate) apparently in the hands of speculators. But it seems like a safe bet to just drop in a see who is playing. I heard quite a variety of music, a local character known as “Chaz Washboard” who played, not surprisingly, a washboard, but one augmented with a couple of resonant metal cans and a hotel bell. As someone interested in homemade and alternative instruments, this was a little bonus. The following night I heard an ad-hoc group playing jazz standards, but featuring a remarkable pedal-guitarist named “Dave” who could make his instrument sound like a “strummed piano.” The next band that night was a set of local jazz musicians doing an extended bebop jam – musica gratia musicae. One regular group, the New Orleans Jazz Vipers, plays old swing and popular jazz every Friday. I went with a couple of friends from the conference at the place was packed, spilling out into the sidewalk (where drinks are of course legal). This club was also a great place for socializing, and made friends with a few recent arrivals to the city.

I did finally get a chance to visit the Circle Bar last night. This is also a funky little place for local music, in this case more rock than jazz, and in a lot of ways felt more like a New York club than something unique to New Orleans. But from a local perspective, one can see how this fits into the scene. It’s located away from the tourist areas at the edge the Arts/Warehouse district, not too far from the freeway. It’s even “cozier” than the Spotted Cat, with the main room being a “parlor” of sorts, with it’s notable feature the overhead “k&b” clock – I believe this was a hold-over from a previous club at the same location (?).

I was keen to try the special of the night, Good Riddance Rummy (Baccardi and Coke), but opted for a nice safe Guiness as I was driving that night. The band playing was a local group called the Bipolaroids – straight ahead driving rock, with a bit of 60s British influence in chords and rhythm (e.g., triplets a la Penny Lane, flat seven chords, etc.) The keyboard player had a Minimoog along with a standard keyboard, but I could barely hear any of it with the band being as loud as they were.

So in summary, one should go see the French Quarter at night at least once, but then explore elsehwere in the city for something more real. Spotted Cat gets my strong recommendation for jazz! Circle Bar is cool as well for a funky, alternative night with local musicians.







After radio performance

It seems like the radio performance went well, and it was a good experience. In addition to my live performance of the Wooden Fish, we played two selections of the CD and I participated in an interview with regular WTUL electronic-music host Conner Richardson and guest-host-for-the-day Kristine Burns. The show actually took place outside in a courtyard, with our audio feed relayed to the studio via internet:

A small number of people from the conference, as well as one or two other curious indviduals, did stop in the courtyard to watch for a bit.

The setup and soundcheck went smoothly, and as can be seen below, the rig was nicely laid out:

Thanks to Kathryn Hobgood of Tulane University Communications for these photos.

Overall, I was fairly happy with the live performance, nothing went particularly wrong, and Conner noted it was quite an unusual piece. The interview, conducted mostly by Kristine Burns, focused on the pieces themselves, both the musical ideas behind them and the technology used to realize them – of course we talked about the CD – also about my musical background, including my having studied with Ruth Schonthal. Because the next participant was a no show, we had more time for both discussion and music.

Hopefully I will get a recording of the event, and if so will make a link available here.






Preparing for tomorrow's radio performance and more ICMC

In order prepare for tomorrow’s performance on WTUL 91.5FM, I have set up a “compact” system here in a corner of the hotel room with laptop, audio interface, mic, small tablet and keyboard:

The only thing I wasn’t able to get running simultaneously was the Evolver, which is only used for a small part of the performance – the problem was not enough nearby outlets.

Performing live on radio presents some additional challenges because of the time constraints, constant sound-level requirements, and of course the fact than any flaws in the technology or my performance will be part of the broadcast and what everyone listening hears…and remembers. So I have been spending extra time preparing and practicing.

Musicially, The Wooden Fish is not a difficult piece. Basically, it is a guided improvisation based on a few short rhythm patterns in 3/4 and a graphical score. The technologies for this performance are straight-forward as well. The initial delay/loop section and a tablet-controlled loop are programmed in OSW, and other variations of the patterns are done in Emulator X2, including one variation using the Twistaloop feature. Both applications are running simulataneously, allowing me to easily switch between at any given point. So far this seems to be working fine – I am just a little wary after a nasty crash at a performance a few weeks ago.

I did take some time out of today’s preparations to return to the conference for the SEAMUS concert and Max Matthews’ keynote address. Matthews, who turns 80 next week, is considered the “father of computer music” and was received very warmly by everyone. While it is inspiring to hear from giants in one’s field, I couldn’t help feel a little demoralized during his relating of past accomplishments and interactions with others – it’s hard live up to those kind of standards, or even see how one could try given the way the computer-music community has evolved. But on balance, it was inspiring – at the very least I would like to explore some of the books and records he recommended. It was also great to see someone who at 80 can talk at length not only about theories and foundational work on mainframes, but also on the latest laptop technologies (like Mac core-duo) and sensor technologies for interactive music performance.

I also found myself more aesthetically in tune with what the SEAMUS musicians were doing than many of the pieces from the ICMC.

Those who are interested in turning in to the radio performance tomorrow can click here for the live internet stream.

ICMC late concert on election night

Imagine yourself an ordinary New Orleans bus driver, doing your normal night route on St. Charles. Just two or three passengers, quiet. Maybe even a little quieter than usual given that many people are home watching election returns. Then suddenly you come to stop where twenty or so weird people with laptops and beeds get on the bus. That’s what happened to a bus driver last night when participants at the ICMC conference boarded to attend the offsite late-nite performance at the aptly named Columns Hotel.

The election so far went as well as one could expect at 11PM, with headlines suggesting things are about to change for the better – a takeover of the House, Virginia is the new Florida (with George “macaca” Allen trailing), and social conservatives (i.e., the littering religious right) lost a trifecta on abortion, stem cells and gay marriage. Plus, I get to watch all of this from the home (and district) of William “Frozen Assets” Jefferson.

So what better way to celebrate than with experimental electronic improv music in an old hotel parlor? First on the program was Pink Canoes, who hail from the Bay Area. I was acquainted with several members of the group by name only (and vice versa), so it was quite ironic to meet in person in New Orleans. Musically, they played free improvisation with guitars, effects pedals, analog synths and circuit-bend instruments, similar to some of the group improvisations I have done with friends in Santa Cruz. I get the sense that many of the academics at the conference hadn’t heard much of this sub-genre of electronic music. Personally I would like to see more hybridization among free electronic improv, traditional computer music, and even things like the jazz duo that was also playing in the hotel at the same time.

Pink Canoe was followed by the due Andre Castro + Martin Aeserud, featuring laptop and “prepared” acoustic guitar. I found the guitar quite interesting to watch as well as listen to, and gives me some ideas for projects with the guitar that’s sitting in pieces on the floor back home.

More on the conference later.