Milo enjoys some relaxation and pets. In the background, we see a couple of Buchla modules; these are clone modules by Roman Flippov, a 291 dual filter, and a 230 triple envelope follower.
From our friend Keith Winstanley via Facebook.
Haku investigates the Palette 62 Eurorack case from Intellijel. From our friend Erik Rebeiro via Facebook and Instagram.
This passed the Haku inspection. I love the @intellijel Palette 62. This is my second one. I also really like the 104hp version, but there’s something about the size of the 62. They also offer a really nice gig bag and Decksaver for it.
There is indeed something nice about the size of the 62. It’s great for gigging. I should really get that gig bag.
Cheetah returns to the pages of CatSynth, this time peeking out from behind a Eurorack case housing a Qu-Bit Data Bender module.
From our friend Matthew Goike via Facebook.
cheetah wanted to tune up the data bender.
Endiku sits ready to play the Hammond M-111 Organ. From our friends Ninah and Das of UB Radio Salon, Big City Orchestra, and other musical projects of note.
Ronnie sits atop a Novation MiniNova synthesizer and vocoder, demonstrating the adage “if it fits I sits.”
From jamluca on Instagram, who wrote:
He is my ghost producer everyone, and he is amazing at what he does, always helping me with mixing music in the “Studio” and making sure im not making trash 🎶😺 cheers Ronnie 👍
Nina naps on top of a Boss PC-2 “Percussion Synthesizer” pedal. From Frank Ros (@ros_frank on Instagram).
A bit about the Boss PC-2 from Vintage Synth Explorer:
The PC-2 is a very simplistic analog synthesizer featuring six controls to help shape various synth drum, percussion and effect sounds. It uses a single VCO with a triangle waveform and a knob to adjust its pitch. The sound is more often of the UFO bleep and bloop variety, although with a bit of help from the OEM manual, you can find the settings to make big bass drum sounds, castanets, tom toms, wood blocks and more. The Sweep knob can give the sound an ascending or descending pitch bend effect. The VCA envelope is limited to a simple Decay control (attack is a fixed hard transient). A simple LFO, switchable between Triangle or Square waveforms, with Depth and Rate controls can be used to modulate the VCO for subtle vibrato to crazy wobbly sounds.
Haku has found a nice napping spot above the PWM Mantis synthesizer. Below them, we see a Yamaha CS15, an Akai MPC60ii, and a couple of others.
From our friend Erik Ribeiro via Facebook.
