Fun with Highways: Washington, DC and Maryland

Today our “Primary Highways” series continues with a visit to our nation’s capital and the neighboring state of Maryland.

The oft-used phrase “inside the beltway” literally means inside the Capital Beltway (I-495 and I-95), which forms a wide circle outside of Washington, DC through the surrounding suburbs of Virginia and Maryland.

From the western side of the beltway, we begin on Interstate 66 and US 50 heading east from Virginia over the Potomac River. I-66 turns north while US 50 continues eastward as Constitution Avenue, passing alongside the National Mall and all the national memorials and monuments, which are arranged around the mall and the parkland along the Tidal Basin.


[By Alex Boykov (Own work) [CC-BY-SA-3.0 or GFDL], via Wikimedia Commons]

On the north side of US 50, opposite with Washington Monument, is the Ellipse, a public park that borders the iconic south lawn of the White House. This building and the privilege of occupying it are the nominal reason we are doing this series.

Past the White House and Washington Monument, US 50 meets US 1, and the two continue as Constitution Avenue alongside the eastern half of the Mall. This section of Mall houses the many museums of the Smithsonian Institution. As a child visiting Washington, DC, the “Smithsonian” was synonymous with the Air and Space Museum. It was of course exciting to connect with all things space. Years later, I visited the Air and Space Museum again with my family (and saw a Star Trek anniversary exhibit), but also was enticed by a welcoming sign to the interesting circular building that housed the neighboring museum. The Hirshhorn Museum is the center on the Mall for modern and contemporary art, and a place I try to visit when I have time alone in the capital. It’s a been a while, so I would like to visit again sometime soon. You can see the Hirshhorn in the image of the Mall shown above as the cylindrical building just left of the center. At the far eastern end of the Mall is the Capitol.

The huge building serves as model for many (though as we have seen, not all) state capitol buildings. Though it had a long history of designs and changes before acquiring its current design and the large iconic cast-iron dome we know today. You can read more about this history here. Of course, the institutions housed inside have served as models as well, sometimes in a less-than-ideal way.

The Capitol is surrounded by several blocks of grounds, including the Capitol Reflecting Pool. While wandering around these grounds on foot, one would probably not suspect that there was a major highway passing underneath. I-395 traverses the center of the city in the long Third Street Tunnel, connecting to US 50 (New York Avenue) in the northern sectors. The densely packed residential sections of the Capitol Hill neighborhood can be found to the east, and a lively urban neighborhood to the northwest around Logan Circle.


[By AgnosticPreachersKid (Own work) [CC-BY-SA-3.0], via Wikimedia Commons]

I would be remiss if I did not mention the Black Cat, and institution for independent music that also happens to have a great name.

South of the Third Street Tunnel, I-395 continues towards Virginia and a junction with the Beltway at the Springfield Interchange (aka, the Mixing Bowl). Before crossing the Potomac, it intersects with I-695, a short connector to the Anacosta Freeway in the southeast section of the city. It is signed as I-295 and also as DC 295. It is the only signed DC highway that currently exists, but it is another thing that gives the District of Columbia the trappings of a state, except of course that it isn’t a state and doesn’t have voting representatives in Congress. Hence another state-like item, the district’s license place, continues to bear the Revolutionary War slogan “Taxation without Representation”.

DC 295 continues northeast to the border with Maryland…


…where it continues as Maryland Route 295, the Baltimore-Washington Parkway. The parkway is partly maintained by the National Park Service. In this segment, it is a wide road through wooded surroundings, although industrial and suburban areas are never far away. Further north, it becomes an expressway through the suburbs south of Baltimore as it heads towards that city. The parkway ends at a I-95. Nearby, a larger and impressive junction over water takes the short I-395 (completely unrelated to the one we just left in Washington, DC.) until downtown Baltimore, passing by Camden Yards and just to the west of the Inner Harbor.


[By Fletcher6 (Own work) [CC-BY-SA-3.0; or GFDL;], via Wikimedia Commons]

The Inner Harbor is considered an urban planning achievement, turning a moribund harbor in a major tourist and business destination. It look quite vibrant, with modern buildings and attractions like the National Aquarium.

Baltimore has quite a diversity of architecture and landscape. It is most well-known for its rowhouses. A particularly unique set is the colorful row in the Charles Village neigbhorhood:

Perhaps more typical are the long stretches of similar brick rowhouses. Sadly, many seem to be in disrepair, as along this street in a neighborhood west of the Inner Harbor.


[Photo by larrysphatpage on flickr. (CC BY-NC-ND 2.0)]

One interesting view in the same neighborhood features this full overhead sign along an abandoned ramp that is used by pedestrians.


[Photo by larrysphatpage on flickr. (CC BY-NC-ND 2.0)]

US 1 is in fact nearby, so the sign is accurate, but it could still be considered an example of a Thomasson, a maintained architectural feature that no longer serves its original function. It was part of the cancelled I-170 highway.

Baltimore is also home to Johns Hopkins University. It is of course a renowned research and medical university, but the division I know best is the Peabody Institute, as several musical friends and colleagues have studied there, particularly in their classical and music-technology programs.

We head south from Baltimore towards the Chesapeake Bay on I-97, where has the distinction of being the shorted two-digit interstate. It passes through hills and suburban towns to US 50 near Annapolis, the state capital. I remember visiting Annapolis in 1999 and 2000. The 1999 visit included walking around the historic district and into the statehouse, one of the oldest in the country with a distinctly colonial look about it, and watching July 4 fireworks on the bay. It was also during an intense heatwave, with some days over 100F. I didn’t mind the heat too much, and it made it great weather for swimming. The towns and cities along the bay, including Annapolis, seemed intimately connected to the water.

US 50 (with US 301) continues east on the Chesapeake Bay Bridge to Maryland’s eastern shore region. It then heads south, avoiding Delaware, before turning east again towards the Atlantic Ocean. It’s final terminus is in the resort town of Ocean City. The highway has a cerimonial terminus at MD 528, not far from the Ocean City beach and boardwalk, with a sign stating that is 3072 miles to its western end of Sacramento, California. I have seen the companion sign on the Sacramento side stating that is 3072 miles to Ocean City. Apparently that sign is stolen quite often.

Back in Baltimore, we return to the western neighborhoods, not far from the rowhouses we explored earlier, and head west on US 40. Just past Gwynns Falls / Leakin Park, we come to a parking lot that is the eastern terminus of Interstate 70. It was originally planned to go further through the city, but that extension was ultimately cancelled. In this case, we take I-70 westward out of the city.

This part of the state is quite sparse west of the Baltimore metropolitan area is quite rural and sparse, and in some ways would seem to be a separate state, more in common with West Virginia. I-70 and US 40 run together or nearby for much of the region. As I-70 heads northwest into Pennsylvania, I-68 continues with US 40 west through the Appalachian Mountains, including this cut through Sideling Hill.


[By Analogue Kid at en.wikipedia [CC-BY-2.5], from Wikimedia Commons]

This does seem a world away from Ocean City, and from Baltimore and Washington, DC., but in total Maryland is actually a fairly small state.

This concludes this edition of Primary Highways. We will next be visiting Wisconsin.

CatSynth video: Donna 6/8

From Ebotronix on YouTube, via matrixsynth.

“4ms Peg V4 RCD
Analogue Systems RS 100 RS 110 RS 360
ARP Odyssey 2821 Noise
Doepfer A 143-9 A 134 pan by Moog MP 201
Flame Chord Machine Talking Synth Modul
Make Noise Brains PP Maths Moddenix Optomix QMMG Wogglebug
Malekko 4x Oscillator 4x Anti Oscillator
Moog 2xFreqBox
Oberheim Sem
Roland System 104 Sequencer
Toppobrillo Quantimator Sportmodulator TWF
Master Clock Logic via Kenton Pro 2000II and 2x 4ms RCD.
Drum Logic Ultrabeat 12/8 ohm force Compost”

Weekend Cat Blogging: Rainy Saturday (Hipstamatic and Instagram)

It’s a miserable rainy and windy Saturday here in San Francisco. Perfect weather for turning inward, and curling up for naps.

I took a couple of photos of Luna sleeping with Hipstamatic and Instagram. Which one is which?

For those who use Instagram, we can be found there at “catsynth”.

On a non-cat related note, I encourage visitors to check out our Reconnaissance Fly album demo, with three free tracks.


Weekend Cat Blogging #356 is hosted this weekend by Smudge, Coco and Patchouli at Pam’s Sidewalk Shoes.

The Carnival of the Cats will be up this Sunday at Meowsings of an Opinionated Pussycat.

And the Friday Ark is at the modulator.

Rubber ()) Cement, bran(…)pos, Hora Flora at Luggage Store Gallery

Today we look back at a recent show featuring noise and theater at the Luggage Store Gallery, part of Outsound Presents’ regular Thursday-night experimental-music series.

The first set featured Hora Flora, a project of Raub Roy. Most often, we associate noise music with electronic affects, but this set focused on acoustic noise opportunities. It opened to the sound of electric toothbrushes on drums. It turns out this sound can be quite rich, and also quite loud at times. Over the course of the performance, he used other acoustic generators for excite the drums, most notably large colorful balloons.

The set continued in this way, with the balloons and toothbrushes on the drums creating ever changing acoustic noise drones, with other elements such as didgeridoo and portable cassette players layered on top. The cassette players were very deliberately placed at even intervals on the beam that spanned the length of the gallery in front of the audience. I was right near one of them, but the sounds were still quite subtle when combined with the overall drone texture.

Horoflora was followed by bran(…)pos. I had last seen him perform at the 2011 Outsound Music Summit. Once again, he was performing from within a curtained space with video projections on the outside, but the setting was far more intimate setting. From my vantage point, I was able to see both his live performance “behind the curtain” as well as the enveloping video projection.

In his performance physical use of his face both generated and shaped the sound, which in turn controlled the video. The performance opened with expressive percussive sounds, which become more resonant through electronic processing and gradually formed a rhythmic pattern. It continued with a series of slurps, crunches and other forms of face percussion mixed with breath, voiced sounds and synthetic sounds. In addition to electronics for direct vocal processing, there were synthesizers as well, including an Access Virus:

Overall, the performance had the phrasings and overall structure of storytelling, but in a language whose words I cannot understand. It did come to a strong finish with growls and roars against a frantic thudding pulse.

The final performance featured Rubber (() Cement (pronounced “Rubber oh Cement”). The set was quite the spectacle, with a large costumed figure, a space creature of sorts, next to a towering old-school computer system made from cardboard. The visuals and sounds reminded me a bit of Caroliner Rainbow, but on a smaller scale, and on top of the audience instead of separated by a formal stage.


[Photo by Michael Zelner.]

Somewhere inside that lumbering lurching figure was a large custom string instrument. The plucking and striking of the strings formed the sonic base of the performance, which were both processed electronically and countered by other synthesizer sounds emanating from the “computer”. I suspected that the things would get quite loud, and indeed they did, with lots of loud shrieky pedal noises processing the strings and reprocessing themselves in complex ways. Of course the focal point remained the physical and visual aspects of the performance. In fact, that is a bit of an understatement, as part of the audience experience including being “attacked”. I got swiped at least once by one of the extending parts appendages, which are actually quite heavy – I was nearly knocked over. Things got a little crazier as the creature moved out into the audience. But it was all in good fun, and I don’t think anyone was hurt. Definitely an unusual experience for this series.

Overall, it was a great show attend, with different sites and sounds than usual. The audience was different as well, with the artists bringing their own followings. I hope to see more of them at other venues in the near future.

Flower Futures Futures: Our Reconnaissance Fly demo tracks

We have been hard at work on our first Reconnaissance Fly album Flower Futures this year. And things are coming together. We have put together this set of demo tracks Flower Futures Futures available as a free download. Enjoy!

A taste of our spong cycle and album-in-progress, Flower Futures. We set the fine spoetry found in our inboxes to music, reclaiming a sliver of botspace for humanity.
credits
released 29 March 2012
Chris Broderick: c-melody saxophone, clarinet, bass clarinet
Amar Chaudhary: electric piano, piano, organ, electronics
Polly Moller: voice, flute
Larry The O: drums, percussion
Tim Walters: bass, electronics