Weekend Cat Blogging #203: Endangered Wild Cats #3

We at CatSynth continue our Earth Day (or “erf day”) tradition of reporting on endangered wildcats from around the world.

We are always interested to learn about new cats, such as the Kodkod or huiña. Huiñas are relatively small (often 5lbs or less), and quite furry, and far found primarily in Chile and parts of western Argentina. It is also considered among the most endangered wild cats in South America, though very little is known about it. The Cat Specialist Group of the World Conservation Union conducted a study of the huiña in 2006.

The huiña may be related to the more common Geoffroy’s Cat, which found in the hills and plains of Argentina. Although not officially endangered, it classified as near threatened. The CSG worked on a separate project to study the Geoffroy’s Cat in 2007.

As such studies suggest, our knowledge of wildlife is always changing and growing. The Bornean Clouded Leopard has been known for a long time, but with few sightings and very little information. In 2006, it was officially recognized as a separate species, and immediately listed as a Vulnerable species.

With our recent interest in China, we thought we would feature one of China’s endangered cat species, the Chinese Mountain Cat. Like other wild cats, it is quite elusive. National Geographic presents a series of rare photos from 2007. The Chinese Mountain Cat is listed as a Vulnerable species, and currently does not have much protection in China (the only country where it is found):

Sanderson is hoping that the new images will reveal some of the secretive habits that have kept the creature a mystery to scientists for nearly a century.

“Pandas go for a million [U.S.] dollars a year to rent and are very well protected by Chinese law, but there is virtually no protection for this cat,” he told National Geographic News.

“There’s no interest in its conservation because it’s poorly known, but now perhaps this will change.”


We next visit the endangered cats here in the United States. The National Wildlife Federation maintains a report on Endangered Cats of North America, which lists several well-known species. The Florida Panther continues to be critically endangered. Current estimates suggest that there are fewer than 200 remaining, primarily in the Florida Panther National Wildlife Refuge and portions of the Everglades National Park. The main threats to the panther have been habit loss and scarcity of prey, though other issues such as inbreeding in such a small population can potentially be a large problem as well.

Florida Governor Charlie Crist proclaimed March 21, 2009 as “Save the Floriday Panther Day”, and the species remains a major focus of conservation efforts.

Another critically endangered wild cat in the United States is the Texas subspecies of the ocelot. Although still relatively plentiful in Central America, the Environmental Defense Fund suggests that as few as 100 may be left. Although they face the same threats as other cats, including habitat loss, pressures from human development and inbreeding of small populations, the Texas ocelot is caught up in the nasty political pressures involving immigration and border protection. From the National Wildlife Federation Report:

Increased efforts by the U.S. Border Patrol to stop illegal immigration into Texas from Mexico has degraded native habitat along the border. Some experts fear that the use of high-pow-ered “stadium” lights, brush clearing, fencing and road paving by Border Patrol operations in border areas has been detrimental to both the ocelot and its prey and threatens to inhibit ocelot and jaguarundi dispersalprotection. By the same token, additional research is needed on the historic and present-day distribution of small border cats and on the most pressing factors contributing to their decline. Reaching out to local communities through educational initiatives may be the most effective way to generate grassroots support and to bolster resources for ocelot and jaguarundi.

We have previously discussed how border politics, including a proposed border fence, threatened these cats.

On a positive note, the EDF cites several groups on both sides of the U.S.-Mexico border working together to help protect these wild cats.

In additional exploring the cats themselves, we have the opportunity to learn about organizations that are working to promote and protect feline species. Most of the large wildlife conservation organizations, including those listed above (World Conservation Union, National Wildlife Federation, and the Environmental Defense Fund), have projects related to cats. Additionally there are organizations such as the Feline Conservation Federation, which was a valuable source of information about cat species.

Although we list both small and large cats, we have been most interested in following small cat species, which receive less public attention than the large and celebrated big cats, like lions and tigers. I came across this rather extensive list of small cat species at the site The Messy Beast.


Weekend Cat Blogging #203 is hosted by Salome at Paulchens Food Blog?!

The Bad Kitty Cats Festival of Chaos (for us, the “wild cats festival of chaos”) will be hosted by Mr. Tigger and M-Cats Club.

The Carnival of the Cats will be up on Sunday at Mind of Mog.

And of course the Friday Ark is at the modulator.

Weekend Cat Blogging: our neighbor

The M-Cats Club is hosting Weekend Cat Blogging, so we at CatSynth thought it would be appropriate to feature a “man cat.”

This is our neighbor Henry, who has visited us a few times. Luna is still a bit wary of him, though.

and keeps a watchful eye on him:


Weekend Cat Blogging #202 is hosted by Mr. Tigger and the M-Cats Club.

Whenever there are two cats here, this is always some chaos. The Bad Kitty Cats Festival of Chaos will be hosted by Kashim and Othello and Salome.

The Carnival of the Cats will be up this Sunday at Friday Ark is at the modulator.

Thoughts for Jason of Criz Cats who has gone missing, and for the other cats who have been sick or passed away in what was a difficult week.

Berkeley, Pacific Film Archive, Le Bonheur

I actually don’t get back to the Berkeley campus or its surroundings very often, and when I do, it’s usually on the north side where my graduate-school life centered: the computer-science or computer-music centers, the winding roads of the hills, or the “gourmet ghetto.” It’s pretty rare that I find myself on Telegraph Avenue or along the south side of campus, as I did this time. It seemed like very little has changed, many of the shops, restaurants and institutions along the street are still there, many of the buildings look the same. But it did seem a bit cleaner.


While in Berkeley, I saw a screening of Agnès Varda’s film Le Bonheur at the Pacific Film Archive.

It basically a film about a young family living a Paris suburb and leading a life that seems so overly perfect that something bad clearly is going to happen. In this case, it is the husband and father François beginning an affair with another woman. As the affair progresses, the film, whose its rich colors and classical soundtrack do seem to resonate “happiness”, very gradually begins to feel a bit unsettling, and eventually a bit creepy.

Even as it is a film about a particular set of circumstances and events that happen to a family, it is also very much a film about colors. Each scene seems to focus on a specific color. The initial scene of the family on a picnic in the countryside is all yellow, and the family’s (somewhat small and cramped) apartment is blue. In each of these scenes, everything matches the primary color, from the flowers to the background light to the clothing worn by the family. This is particularly apparent with yellow and blue dresses of Therese, the wife and mother (and coincidentally, a dressmaker). She reprises these colors throughout the film, they seem to represent the “happy” aspect of the family. By contrast The scenes with mistress Émilie, particularly those in her apartment, are stark white, with only sparse adornment such as movie posters on the wall. The colors also change with the seasons over the course of the film, from yellow in spring to bright green in summer, to muted orange and brown in the autumn.


Before the film, I did take a quick trip through the Berkeley Art Museum. Although they did have interesting exhibitions – Mario García Torres’ multimedia installation focusing on ruined buildings on a Greek Island that once housed modernist performances and installations, and an eclectic assortment from the permanent collection – it was in some ways overshadowed by the building itself, with its large space and oddly angled concrete balconies.


Perhaps the thing that makes visiting Berkeley most different now is that I am living in San Francisco, so the trip is now going from a large city to a medium-sized college town and then back at night. It’s not good or bad per se, it’s just different, and coming home to the city at the end of the day (instead of the trip in the middle) has become quite familiar, and comforting.