album

Farewell to 2024: Beautiful Dissonance

2024 has come to a close, so it is time for our traditional end-of-year collage and post. You might notice another kitty in the corner this year – that’s Golda, one of the wonderful cats I stayed with in Berlin. She is representing our European adventure this summer, along with Plac Grunwaldzki in Wroclaw, Poland.

It was a banner year musically. I am especially proud of the album, the best musical work I have done to date! If you haven’t heard it yet, you should. Opening the San Francisco Electronic Music Festival was a special experience. And we had numerous other musical adventures both live and recorded, and an ever growing community of musicians scattered across the country and beyond that are not just colleagues, but friends.

It was a banner year for CatSynth TV, our best to date in terms of viewership, subscriptions, and audience interaction. 50% year-over-year growth ain’t bad. January of 2024, with NAMM, was our best month on record. We even saw an uptick in blog readership, including a new cohort of loyal followers for our cat+synth posts and Wordless Wednesday.

Indeed, with CatSynth TV, I look not only at what we accomplished this year, but what was left undone. So many videos partially complete or in the ideation phase, waiting to be finished in 2025. We are particularly looking to jumpstart our interview series that was big in 2023 but took a bit of a back seat this year because of various circumstances.

The dissonance between things at a personal and CatSynth level, and at a national and world level, is deafening. The election here in the U.S. this year was tragic and heartbreaking, and this coming year is going to be difficult. This time, it wasn’t a fluke, it was a choice, and we chose…unwisely. In my usual cynical way, the best I hope for is sheer incompetence by the new regime, but even so, a lot of people will be hurt, including people who are a lot like me.

So we go into 2025 in a very strange place. The personal successes and hopes for the New Year, set against the fear and coming disasters in the world. All we have is forward motion, each other, and defiance.

Farewell to 2021

Collage of images from 2021, including the new album, Sam Sam and Big Merp, San Francisco, Death Valley, and Joshua Tree

I have remarked on numerous occasions that this year seemed to go by exceptionally fast. There was hope, excitement, optimism giving way to a mixture of frustration, cynicism and resolve as the pandemic and political situations dragged on and darkened. I have seen the goodness in many people, while I have witnessed the worst in others. But our personal year at CatSynth was a rich one filled with many experiences.

Most notably, the new album Meow Meow Band is out. I am really proud of the music, the presentation, the collaboration with other musicians and everything out it. Please do take a listen if you haven’t already. It was also a chance to reconnect with the city, go out on the road and into the desert, and start experiencing live music again. Of course, most of the time this year was spent here at HQ with our music, Sam Sam, and Big Merp. I always value time alone with my cats, music, and ideas and this moment in time has provided ample opportunity for that.

It’s been another strong year of growth for CatSynth TV. The most popular videos continue to be our synth demos and tutorials, but I’m also proud of music videos, highway videos, and expanded review series. There were fewer videos total this year. We took more time to get them right, but also time off to focus on other things (like the album). Trying to find that balance between the drive to always do more and the limits of time and resources will always be a challenge. We close out the year of videos by spending some time with Sam Sam and Big Merp.

We at CatSynth are grateful to all of you who chose to join or continue this journey with us in 2021, whether here on the blog, on CatSynth TV, or on social media. It is a fool’s errand to guess what will happen in the coming year, but we do have many goals, aspirations, and hopes; we will take each day as it comes.

Wishing you all a Happy New Year and health and joy in 2022.

Reconnaissance Fly Album Release!

Well, it’s taken quite a while, but it’s finally here. Reconnaissance Fly’s debut album will be coming out a week from today on January 17, and is available for pre-order now!

To celebrate, we will be having our album-release show on Saturday, February 1 at Berkeley Arts.

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If you’re in the Bay Area, come join us for this event. But wherever you are, please give our album a listen…and then buy it.

Aquatic now on Bandcamp

As of this past weekend, I finally have my album Aquatic on Bandcamp. You can now stream all the tracks using the widget below – and if you feel so inclined, you can purchase one or more of the tracks.

I will be embarking some large updates to my music web infrastructure, which also should make it easier to reach from CatSynth.

Flower Futures Futures: Our Reconnaissance Fly demo tracks

We have been hard at work on our first Reconnaissance Fly album Flower Futures this year. And things are coming together. We have put together this set of demo tracks Flower Futures Futures available as a free download. Enjoy!

A taste of our spong cycle and album-in-progress, Flower Futures. We set the fine spoetry found in our inboxes to music, reclaiming a sliver of botspace for humanity.
credits
released 29 March 2012
Chris Broderick: c-melody saxophone, clarinet, bass clarinet
Amar Chaudhary: electric piano, piano, organ, electronics
Polly Moller: voice, flute
Larry The O: drums, percussion
Tim Walters: bass, electronics

CT 11, unfinished projects

Highway 11 in Connecticut is a north-south freeway connecting a major route from Hartford to, well, nowhere. So one moment, you’re happily traveling south on a nice country highway, and then the next moment, you better exit before it turns into a large dirt track and ditch. Or at least that’s the impression I get, having never been there.

It’s quite dramatic, as can be seen in these aerial photos from Greg Amy (we saw a few of his photos before when visiting Yale and New Haven, CT).

It kinda looks like someone just stopped building the highway one day, and forgot to come back and finish. The story, as described on Kurumi’s website and other sources, is that the project simply ran out of funding, and then ran into opposition, though it sounds like plans are now in the works to complete highway 11 to the New London area.

However, the details of CT 11 aren’t really the focus of this article, but rather it serves as a metaphor for the many unfinished projects here at CatSynth. These include:

Finishing my album 2 1/2. There are a few tracks left from this project last Februrary that need to be replaced before releasing the album. I still think I’d doable by late November, but so far I haven’t been able to work much on it during this period of “free time.” Technical problem with my “studio PC laptop” provide at least one excuse.

Although I have been doing work all along on Open Sound World, mostly to support my own music, it’s been quite a while since I have done a full-blown release of the software. It’s hard to feel motivated when most of the feedback reads like this. However, the core software (minus the old user interface) is really solid and musically useful, and I do plan to announce a new direction for the project “real soon.”

I need to do some revisions to my professional/artistic website. At the very least I need to get the performance schedule updated – fortunately, it is already up at MySpace. The goal is to bring it more in harmony with CatSynth and rest of my websites.

I purchased one of the last Kittenettik Fyrall kits from Ciat Lonbarde, but have yet to assemble it. I guess I’ve been waiting to find the right “space”, both literally and figuratively, to do this. If I get on it soon, I might have it done in time for Woodstockhausen.

And of course there are several large articles waiting to be completed and published here at CatSynth, particularly CD reviews, film discussions, and travelogues.

But then again, maybe it’s not so bad that I’m spending time looking for employment.

New Podcast Release: "Four Days"

A special treat for listeners of my podcast this Sunday! I am releasing a full-length (but lower fidelity) track from my RPM Challenge album, 2 1/2.

“Four Days” is a piece in the style of musique concrete, and fits into the overal narrative theme of the album 2 1/2. It has a really captivating and eerie quality, perhaps even a little spooky.

Enjoy!

(and please check out the current recordings available if you like it)






RPM finished!

Well, it's been a pretty intense few days finishing up the RPM challenge, but we made it! Finished recording on Feburary 27, did some very cursory mastering and CD artwork on Feburary 28, and today, March 1, assembled the finished goods:


The final title was indeed “2 1/2”, and the final track list was as follows:

01 Prologue – Jerry Gray (1951)
02 Fragments in Gray
03 Twista Dilemma
04 Trieste 116
05 Four Days
06 ghanaplasticity
07 microkitty
08 RPM Filler Track
09 pique
10 Happy Machine
11 Epilogue – Count Basie (1953)

Musically, it's a fairly mixed result, some tracks were exceptional, others need a fair amount of work, which I can do at my leisure outside of the RPM challenge. But it is still a fairly good result for what was really just 2 1/2 weeks of solid work amidst the various other dramas of this past February…

At 11:30 this morning, I mailed it out from the post office in Scotts Valley, California. And with this simple act, it is done.

You can read some more detail of the last week on my rpm blog. As for me, it is time to rest.




WCB and RPM collide this weekend

While the RPM challenge continues to dominate life here at CatSynth, there's always time for Weekend Cat Blogging. Indeed, Luna has been helping out quite a bit in the studio the past few days:



Take a break with us from the struggles of art to visit Kate, Bustopher and Harmon who are hosting Weekend Cat Blogging 90.