
Gracie is back! This time with a first-version Arp Odyssey (before the red Helvetica style). From Alison Synthetic Dreamscapes.
Gracie is back! This time with a first-version Arp Odyssey (before the red Helvetica style). From Alison Synthetic Dreamscapes.
An adorable black cat performs on a Moog Grandmother synthesizer. We also a Korg Volca and a nice-looking Zoom R16 audio interface nearby. From Drew Christopher Ratliff via Facebook.
I absolutely love this beautiful little cat with black fur and green eyes. But it does remind me a bit of our sweet Luna, so this is a little layer of sadness along with the beauty.
The Moog Grandmother is part of the semi-modular series that also includes the Mother-32 and the Matriarch. They are all very accessible ways to get into Moog synthesizers. And they have a colorful design reminiscent of the MG-1.
We wrap up our week of Milo and Jet with this picture of Jet leaning against a modular synth. This is a pose worthy of Big Merp 😸
Thanks to Keith Winstanley for all the pics. We will feature Milo and Jet in the regular rotation going forward. If your cat has posed with synthesizers or any other musical instruments, please let us know in the comments, via Facebook, or Twitter @catsynth.
Jet and Milo continue their weeklong march through the pages of CatSynth. Today, Jet shows of two classic Sequential synths, the Pro One and Prophet 5.
Submitted by Keith Winstanley via our Facebook page.
The weeklong takeover by Keith Winstanley and his cats Milo and Jet continues. Today we have Milo sitting comfortably (?) in front of a classic Minimoog Model D.
The Minimoog is a favorite of ours at CatSynth. You can see photos of our own and others here.
This cat is showing off a great find: a Moog MG-1, which was made for the Realistic (Radio Shack) brand in the early 1980s. From Paul Cunningham via Facebook.
Found this Moog at the pawn shop. Already had the cat. Look it’s got all it’s slider knobs!
The slider knobs (and other knobs) do fit the industrial design of the time. And the colorful section borders suggest a precursor to Moog’s current Matriarch series. It is, nonetheless, a fully equipped analog subtractive synthesizer:
The MG-1 includes:
Handsome Leo poses next to a Moog Subsequent 37 synthesizer. Submitted by jenny Grover via our Facebook page.
This appears to be one of the limited-edition Moog Subsequent 37 CV versions which were introduced at Moogfest. I must admit, we at CatSynth are a bit envious of Leo and Jenny on this one 😸🎹
As our time in New York winds down (for now), it seems appropriate to share a Brooklyn cat. Elektra naps on a keyboard beneath a Korg MS-20 synthesizer. She seems really comfortable and content.
From Maeghan Donovan via Facebook. Please check out her music at http://maedon.net/
Gizo poses with a Moog Little Phatty and a Korg Poly 800. Submitted by J Lugo Miller via our Facebook page.
Why does Gizmo love the Little Phatty and the Poly 800 so much?
Well, they are both fine synthesizers. The Little Phatty started the modern Moog “Phatty” series that includes the Sub Phatty we have here at CatSynth HQ and lives on with the Subsequent 37. And the Poly 800 has a place in the history of MIDI analog synths of the early 1980s.
At a time when Roland was doing well with their Juno-series, KORG countered with a poly-synth of their own in 1983 with the Poly-800. The Poly-800 was comparable to the Juno-106, at the time, with respect to the fact that musicians now had access to affordable programmable polyphonic analog synthesizers (it listed for under $1,000) with memory storage, stable DCOs (digitally controlled oscillators) and a new state-of-the-art technology called MIDI (although there was no SysEx implementation yet).