E-MU modular for $5.6K

Bidding ended today for this E-MU modular system at eBay. The final bid was $5600.

Among the listed modules are “11 filters, three oscillators, 6 VCAs, four transient generators, two preamps and a filter controller.”

I of course follow things from E-MU, past and present, quite closely. I might have considered specific modules, were they available, but not the unit as a whole. Anyhow, it looks like people still covet this historic instrument.




CatSynth pic: synth studio, with cat

Another from our friend Knox Bronson at SunPopBlue:

This is a rather abstract representation of his “almost all-analogue synth studio.” Mars kitty can be seen in the bubble at the lower right (and in the enlarged clip to the right). The overall composition suggests a blend of the CatSynth banner with my Music of the (Blue) Spheres graphic artwork.

The original photo is from 2002, and Mars has since passed away. You can also see a close-up video at the original SunPopBlue posting.






CatSynth pic: Freddie chilling on the Serge

Submitted by Knox Bronson at SunPopBlue:

Bronson has collaborated with Gustvo Lanzas (who provided the recent video of Apu the “Acid Cat”) on an interesting improvisation featuring the Serge (and an E-MU SP-1200!) called Where The Bees Are. Check out the free mp3.

And there is still more fun with Freddie at SunPopBlue. Check out his video Sleep (An Homage to Andy Warhol):

Ah, wasn't it only a day or so ago that we were again reminiscing about New York in the 1970s?






Catsynth pics: Silicon Breakdown

Silicon Breakdown features the cat April programming a micromoog:

Small world; Silicon Breakdown performed at Woodstockhausen 2002, same year as my first appearance at the “tiny festival of esoteric music.” Check out the track Mutate from WSH 2002, which is part of their 2003 CD Green, available as freely downloadable mp3s.








Adventures in Circuit Bending: Vtech Tiny Touch phone

Last evening I embarked on a circuit-bending project, and this forum provides me a unique opportunity to document the experience.

For those who are not familiar with circuit bending, it basically the process of modifying the electronics in existing audio devices, usually simple analog circuits in musical toys. In the process, one can add new expressive controls to create a unique, albiet “lo fi”, instrument. A great introduction on circuit bending can be found at Reed Ghazala's Art of Circuit Bending. Additionally the blog Get LoFi has a wealth of information and circuit bending projects and instruments.

This experiment involves the Vtech Tiny Touch phone. It plays a few simple phrases relating to numbers and colors as the buttons on the phone are pressed. You can listen to an example here. Vtech toys are good circuit-bending fodder, and I've tried the phones before. During my first attempt, I shorted out the integrated circuit (oops), which ended that effort. The second time I did a simple bend across a timing circuit that allowed me to alter the speed and pitch of the sound with a potentiometer. I had this instrument open for kids to play with during the my show at Zeum in San Francisco this past spring, which turned about to be a death sentence for it. One kid happily showed his parents and me the capacitor he managed to pull off the circuit board. This time I'm going more slowly and methodically, with the goal of a more interesting and robust instrument.

First, we open up the phone to reveal its guts (i.e., circuitry):

Now grab a test wire (i.e., with clips on the ends) and start looking for interesting “bends” by shorting different points in the circuit. In general, this is a hit or miss process and experimentation is the rule of the game. However, care should be taken to avoid shorts that could damage the audio circuits. In particular, stay clear of anything that connects directly to the batteries.

A rather effective short is opposite corners of the IC board, as illustrated by the pink dots in the closeup below:

Shorting these leads, which essentially drops the resistance to near zero, slows down a timer and thus the speed and pitch of the audio, as can be heard in this audio clip. Note the slower version of the telephone ring. From this result, one can conclude that varying the resistance changes the timing and pitch of the sound, in particular highwer resistance yields higher pitch, with infinite resistance (i.e., open circuit) restoring the original behavior. Such a bend is a good opportunity for a potentiometer to mechanically change the pitch, or a photocell to use light as a pitch control. For now, I am attaching a photocell using alligator clips:


Cupping my hand over the photocell and moving it closer and further while pressing buttons yields variable-pitch sound and beginnings of a new circuit-bent instrument.

I could stop here and make this bend permanent, but I would to continue with other options, including switching between photo, mechanical, and null modulation, as well routing other signals over this bend to create FM synthesis. I will continue to document this project here as I find more time to work on it.

catsynth pic: Gingerbread

MIT Media Lab assistant professor Dr. Joseph A. Paradiso includes the above photo of his old Himalayan cat Gingerbread atop a synthesizer cabinet as part of his web page documenting his modular synthesizer. His collection of modules and writings about synthesizers are quite impresesive, and I've spent a bit of time looking through them. That is one of the fun things about looking for these pictures of cats and synths: it often leads to something more interesting.

Dr. Paradiso's synthesizer has received note in Keyboard magazine, and he had a synth rig featured at the 2004 PrixArs Electronic festival. He has some great photos of synth rigs from the 1970's as well.

Actual Cat Synth

jfm3 of Ouroboros Complex posts about as literal a “CatSynth” pic as you can get, featuring his cat Kona and accoutrements as part of his rig. Cat aside, the rig and website include a wealth of personal experiences with analog synthesizer hacking as well as circuit bending (note the mod'ed Speak&Spell). Please give jfm3 and Kona a “catsynth welcome” by visiting their site.

DSI Evolver legal again in Kansas public schools

After the recent electoral defeats of Creationists on the Kansas school board, students are now free again to use the Evolver synthesizer from Dave Smith Instruments. Was the Evolver an unintended victim of the continuing assault on the theory of evolution and scientific reason, or part of an orchestrated effort to eliminate all electronic music in Kansas except for the DX7 electric piano patch used by wedding and bar-mitzvah bands?

Speaking of music spawned by the devil, I have been experimenting a lot lately with the use of feedback as the primary sound source for the filters instead of the starndard oscillators. The instability combined with the filters and multiple conversions between analog and digital in the signal path make for some very interesting results. I have posted an example here for your listening pleasure. Be forwarned, there are a lot of harsh high frequencies in this example, though the MP3 compression does help soften them a bit. Enjoy!