
From Fabio Ribeiro via the Facebook group Synthesizer Freaks.
Blezqi Zatsaz (the cat) + Minimoog

Originally rom a now completed listen on Reverb.com, today’s pic arrives via matrixsynth, where you can see more pictures (sans cat).
The Korg Micro Preset synthesizer is a curious late 1970s beast with a slightly bizarre matrix of pre-set sounds, including woodwind and similar noises and a keyboard all housed in a wooden box! It’s a 32-note monophonic preset synthesizer with 6 push-button presets including voice, synth1, synth2, brass, string, and wood. Its single-oscillator design has only rudimentary decay/release envelope controls and no access to the guts of the sound generation stuff.
Once you’re past the outward appearance, a bit of probing will reveal a noise box that sounds remarkably similar to the MS-10 at times. There is a lot of fun to be had with the ‘traveller’ control, a sort of filter and resonance control rolled into one, offering interesting squelchy acid-style bass run effects. In fact, like the MS-10, bass is the best of what you get out of this guy along with lots of other useful noises. Add N To (X), The Human League, OMD, Jean Michel Jarre, OMD, Pop Will Eat Itself and Brian Eno are thought to have used the Micro Preset.
A few of the presets are slightly quieter. Easily addressed by turning the volume up. Since this Keyboard was only ever used in our smoke free studio, we never had a tech fix it. Our tech HAD seen this issue before and did say the fix would take 1hr and require minimal parts he, and thusly most techs, should have. This thing sounds amazing straight into a delay pedal and then a DI. Only selling it because we loved it so much we bought 2 but need only one. It’s killer for when you want a simple MS-10/20 sound but don’t want to fuss about. It’s been on a ton of records made here. Great and affordable addition to any collection and would be a great first synth.”
Today marks one year since Trump took office and one year of resistance to current regime (which seems like a more appropriate word than “administration” under the circumstances). To mark the occasion and kick off another year of resistance and civic/political engagement, we at CatSynth took part in the Women’s March.
Thousands gathered on a chilly but clear day in San Francisco’s Civic Center for a YUGE rally, before marching up Market Street towards The Embarcadero. Here are a few scenes, including a few of the many colorful signs.


And here is our video documenting some moments from the event.
Marches like this of course just an initial step. The most important steps will be continued political engagement, especially but not limited to voting in a better set of leaders in 2018. We will see how things unfold.

Gracie returns, this time with a Moog Subsequent 37. Though she does seem more interested in the Eurorack modules behind it 😸
“Hmmm. Analog …”
From Alsún Ní Chasaide via our Facebook page.

Cat sitting atop a Roland XP-50 synthesizer, and not looking too pleased 😸
By Dragos Frangulea in the group Synthesizer Freaks.

Our fluffy white friend from Eevo Lute Music & Technology is back once again. This time with four Korg Volca synthesizers.
We currently have two Volca’s here at CatSynth HQ, so those stands caught our interest. 😺

From Alsún Ní Chasaide on the Facebook group Synthesizer Freaks.
Like I spent weeks restoring this & she can’t wait to get on it. If vocoders aren’t for sits, then why are they made of warm?
We at CatSynth had the opportunity to play with a Korg VC10 vocoder last year. It is indeed made of warm, as are most analog vocoders 😸. It also had a bit of the Korg grit that characterizes their vintage instruments, and best of all it allowed for external carrier signals (this is something I wish was easier to do on the Roland VP-03).
Rosie with a blue Korg Electribe MX. (At least we think it’s Rosie. We’re pretty sure about the Electribe.) From our friend Karl Lee Avery via Facebook.
The Electribe family has undergone quite a few iterations, including the newer Electribe 2. I do like the blue-tinted models in particular.