Nala working with a Koma Field Kit + Field Kit FX, some pedals from Chase Bliss, and a large modular system. If that modular looks familiar, that is because it’s the same one that Tweek and Satie use. Nala shares the modular as well as a human with them.
Today we have CatSynth pics with our very own Big Merp, who loves to jump up on the desk. Here we see him with our Yamaha RX5 drum machine and our massive modular system. The Metasonix modules are easy to spot, as are the Make Noise modules. We also have MOTM, Rossum Electro-music, Sputnik modular, 4MS, Malekko, Folktek, Mordax, and more as we get into the second grouping in the distance. We also see a bit of the Arturia MiniBrute 2 and Moog Mother-32. A fuller accounting can be found in the tags.
This cat is quite engrossed in this performance featuring a KOMA Field Kit and Field Kit FX, and a vintage gramophone record player. We see a contact mic on the speaker feedback into the Field Kit, and more interesting things going on.
Passover is, perhaps, the most “visible” Jewish holiday for me. After all, we have featured the Matzoh Man in many photos and short video clips here on CatSynth, and now twice in a row for CatSynth TV.
For this year’s episode, we took audio output from our mechanical friend via a contact mic and sent it into the KOMA Field Kit. We then split the signal into audio, which was run through our modular synthesizer – specifically, the Rossum Electro-music Morpheus – and the Field Kit’s own envelope follow and actuator section, ultimately driving the solenoid. It was a fun little demo both to make and to watch.
I also included a little demo of the ritual diet, with matzoh, prepared horseradish, and Kedem grape juice. But beyond that, anything is fair game for me during Passover as long as there are no piggies or shellfish, or leavened bread. No beer allowed, but non-kosher wine and spirits are fine. It becomes a bit of a game to see if for eight days I can follow these simple rules. To someone more Orthodox, or even the least bit devout, this simple approach could be transgressive, or even blasphemous. But from my point of view, not only is it plenty but I also sometimes wonder why I both at all. It’s not like I believe in the literal truth of the Biblical story, or have any fear of or respect for any religious authorities.
Somehow, though, I still feel compelled to participate. And not just participate, flaunt it, reminding friends that I can’t share pastries or bread products over the week because I’m Jewish. That feels important to remind people of. And it sometimes makes its way into my music, through titles like Kislev and Donershtik (Yiddish for Thursday) or organizing structures in stories. It’s fun. It’s “cool”. But also it feels more urgent, as the world around us seems more anti-Semitic now than it did during my youth. I’m deeply bothered by the attacks that seem to be increasing against Jews, both verbal and violent. But I’m also concerned with an increasing religiosity and sense of obedience among many who identify as Jewish. If being Jewish is just about being religious, or being obedient to a text or patriarchal authorities, then it does truly become time to ask “why bother?”. But for now, we do our best to both persevere and enjoy.
Being immersed in music technology does not mean one forgets the joy and beauty of acoustic sounds, whether a finely crafted violin or the incidental collisions of everyday objects. Our friends at KOMA Elektronik introduce the Field Kit, which brings these worlds together in a single box.
The Field Kit fits quite a bit in a small space. There is a four channel mixer at the heart of the unit, which accepts input from contact microphones or other audio sources, with gain, mix level and tone controls. A radio section generates audio and CV from AM, FM and short wave signals. A DC section can be used to control outboard electronics such as motors, solenoids and LEDs. A signal generator section allows all of these tools to be used to generate more conventional signals for modular synths and other gear. It also includes utilities such as an LFO generator and envelope follower.
What makes this unit intriguing to us at CatSynth is the ability to use it an interface to physical objects, as shown in the photo above, with springs, marbles and other items used as input and output. It can be hard to wrap ones head around how that works in practice. This video from KOMA Elektronik’s Kickstarter page makes it more accessible.
We at CatSynth would love to get our hands on one of these, even for a couple of upcoming shows in February. It would be great to combine the visual and physical nature of the devices musical possibilities with video. Unfortunately, it isn’t shipping to the general public until May. We look forward to then.
Our friends in the modular-synth world are moving up at NAMM, with a collective booth at the front of the show right near giants like Moog and Dave Smith Instruments. It’s a bit much to take in all at once, as modules and module-makers continue to proliferate. This will be the first of a few articles covering just this booth.
One new set of modules, and perhaps the oddest, comes from BASTL Instruments.
In addition to the wood texture, there are modules that can control motors, solenoids and other outboard electronic elements. It does bring to mind some ideas for sound installations and live performances. You can hear a bit of these modules in this video.
Soulby presented Eurorack modular versions of 8-bit processing modules more messing with voice and other input signals.
Delays and looping seem to be a thing this year. 4ms had a new looper and delay module whose novel feature is audio rate control of the functions for unusual flange delays and other continuous effects.
While the 4ms Spectral Multiband Resonator is not new for this year, it is still one I am excited about.
QuBit Electronix has a new sequencer module with a circular pattern; and a new polyphonic oscillator with individual controls and VCAs. You can see and hear both of them in this short video.
A video posted by CatSynth / Amanda C (@catsynth) on
Synthrotek is focusing on full systems, including a MIDI-CV converter that supports bi-directional clocks. One can use heavily modulated CV clocks to control time-based elements on MIDI synthesizers with this feature.
And KOMA Elektronik returned with their massive sequencer, looking more refined. And it has a lot of lights!
More from this both and beyond in coming articles.
Today we continue with the panoply of synth module manufactures that we say at this year’s NAMM show.
One instrument that garnered quite a bit of attention (and deservedly) so was the new Komplex Sequencer from our friends at KOMA Eletronik.
First of all, it is sleek and beautiful. But it is also quite powerful. It features four independent 16-step sequencers supporting both MIDI and CV/Gate. The sequencers can each be set to play in one of five modes (forward, backward, ping-pong, ping-pong reversed, random); and CV can be quantized to various Western scales (for those who need such things in their music). The size of control and combined support for MIDI and CV would be a lot in itself. I am definitely looking forward to seeing this ship in the near future.
Qu-bit Electronix presented some modules that are also going to be our “want” list. The Nubulae may not be new for 2015, but it seems extremely useful compositionally. It reads and renders audio files from a flash drive, but with CV-based control for speed, pitch, and granular synthesis. The NanoRand is a tiny module that packs four different randomization functions along with a bright multi-color LED (it’s that big purple light in the photo above). Switching among the four functions via a sequencer creates some very intriguing musical patterns.
Finally, we at CatSynth were quite interested in the new Spectral Filter from 4ms. It is a spectral multi band resonant filter that can sculpt and amplify sections of a signal to create harmonic (or inharmonic) structures.
A unique feature was the circular control that allows one to “rotate” around the spectrum. I found myself comparing this to the newly released additive synthesis module from Make Noise (you can read about it here. They are both spectral manipulators and can some similar in particular moments, though they approach and instrument architecture is quite different.