new york

AvantElectroExpectroExtravaganza. Experimental Music Brooklyn, New York

Today we look back at the first of my two performances in New York, the appropriately named “AvantElectroExpectroExtravaganza” with a diverse collection of experimental electronic musicians. It was a small an intimate space nestled in a building in an industrial section of Brooklyn, east of Williamsburg. But we had a decently large stage and good sound reinforcement, and a small but attentive audience. And the industrial setting was one conducive to both my playing and enjoyment of art and music.

The performance began with a procession by members of the SK Orchestra improvising to sampled phrases “Hi” and “How are you doing”. For those who are not familiar with the Casia SK-1, it was a small sampling keyboard from the mid 1980s which allowed users to record and manipulate live sounds in addition to standard consumer keyboard features. The low fidelity and ease of use now makes them coveted items for many experimental electronic musicians. There were no fewer than five of them in the ensemble this evening.


[SK Orchestra. (Click image to enlarge.)]

As they sat down for the main part of the set, the sampled sounds grew more fragmented and processed, mixed with lots of dynamic swells and analog-filter-like sounds. Combined with a wide array of effects, the sounds were quick thick ranging from harmonic pads to noise to moments that could be best described as “space jam music.” I was particularly watching articulation with a Morley pedal and how it timbrally and rhythmically informed the sound. Taking advantage of the live-sampling capabilities of the SK-1, they resampled the output from the amps and PA and fed that back into the performance for a slow motion feedback loop that grew ever noisier and more forceful. The rhythms got more steady over time, with a driving beat set against the phrase “Holy Jesus!”, and eventually moved into a steady bass rhythm and pattern.

Rhythm was the main theme of the next set featuring Loop B. His theatrical and technically adept performance featured tight rhythmic patterns on found metal objects with playful choreography and beat-based electronic accompaniment. In the first piece, he performed on a large piece of metal salvaged from a vehicle with syncopated rhythms set against an electronic track. This was followed by a piece in which he donned a metal helmet, which he played against more Latin accompaniment.


[Loop B. (Click image to enlarge.)]

Other metal instruments included a wearable tube, as featured in this video clip.

And a return to the original car metal, but with a power drill.

The rhythmic character of the different pieces seemed to alternate between driving electronica and Latin elements, but this was secondary to the spectacle of the live playing. It was a unique and well-executed performance, and fun to witness. It would be interesting to hear what he could do in an ensemble setting with musicians with an equally tight sense of rhythm.

Loop B’s energetic and dynamic performance was followed by a very contrasting set by Badmitten (aka Damien Olsen). It began with eerie, ambient sounds that soon coalesced around watery elements. It gave me the sense of sitting near an alien sea shore. Pitch-bent tones were layered on top of this, and eventually noises and glitches that deliberately interrupted the ambience. A low-frequeny rhythm emerged along with a slow bass line. It seemed that music was moving from the sea to a forest.


[Badmitten. (Click image to enlarge.)]

The sounds were quite full and luscious, with guitar chords and synth pads. Over time it became darker, with modulated filter sounds and strong hits. Seemingly out of nowhere, a voice speaking in French emerged (which amused French speakers in the audience). The various sounds coalesced into a more steady monotone rhythm with minor harmonies, which started to come apart and become more chaotic. The set concluded with an electric piano solo.

It was then time to take the stage. Fortunately, we had quite a bit of time and space to set up before the show, so most everything was in place and I was able to get underway quickly after checking that the local wi-fi network between the iPad and the MacBook Pro (running Open Sound World) was working. I opened with a new version of the piece Spin Cycle / Control Freak that used the iPad in lieu of the Wacom Tablet from the original version 11 years prior. It worked quite well considering the limitations of the interface – and indeed the more rhythmic elements were easier to do in this case. This was then followed by a stereo version of the piece I composed for eight-channel surround and the dodecahedron speaker at CNMAT back in March. The timbres and expression still worked well, but I think it loses something without the advanced sound spatialization.


[Click image to enlarge.]

Perhaps the best piece of the set was the one with the simplest technology: I connected the output of the Wicks Looper to the input of the Korg Monotron for a pocket-sized but sonically intense improvisation, which you can see in the video below:

I concluded with a performance of Charmer:Firmament from my 2005 CD Aquatic.

The final set of the evening was Doom Trumpet, which did not feature a trumpet. Rather, artist David Smith performed improvised music with guitar and effects set against a video compiled from obscure science-fiction movies. I found myself focused on the visuals, and particularly liked how he opened many of the clips with a highly-processed version of the MGM lion. Musically, he layered samples and loops with live guitar performance through a variety of effects. The combination of the music and visuals (which seemed to be dated from the late 1960s through early 1980s based on costumes and hairstyles) kept things appropriately dislocated from the source material and more abstract.


[Doom Trumpet. (Click image to enlarge).]

Overall, it was a great night of music, which I was glad to be a part of. A few participants will be part of my next New York show at TheatreLab this coming Saturday, but I certainly hope to cross paths with everyone at concerts in the future.

Occupy Wall Street (Zuccotti Park)

Being in New York in the third month of Occupy Wall Street, I of course had to visit Zuccotti Park, the symbolic and initial geographical center of the movement. And I did visit for a while on Saturday.

This is of course coming a little less than a week after the major raid on Zuccotti Park, so things were a bit sparse, indeed less active than some of the events I have attended in San Francisco. The ban on tents was in full force, with not a single tent in sight. I had also heard about a ban on musical instruments. So here I am playing the Smule Magic Piano on the iPhone in defiance.

Zuccotti park is in fact not much of a park at all. It’s a paved plaza with lights in between some of the stones. A few of the planted trees in the space were festooned with holiday lights. It’s the sort of modern public space one often sees near commercial buildings. If it wasn’t a protest site and rather cold, it would be a perfectly nice spot for lunch. I did of course get to see the “weird red thing”, aka Joie de Vivre by Mark di Suvero.

At the time I arrived, many of the leaflets and signs were in fact not about the core issues of the Occupy movement, such as income inequality and accountability of the financial institutions and their leaders, but rather a mix of 9-11 conspiracy theories (though I should not be surprised as we were just over a block from the World Trade Center site). I was disappointed to see that, as I place very little credence in such conspiracies and think of it as a detraction. But fortunately, a large march of people came back from the direction of the actual Wall Street and seemed to be more on message. I was even able to get from them a copy of the “Occupy Wall Street Journal”:

There was one tense moment when there were rumblings about police entering into the main area of the plaza. A quick look around confirmed this to be the case. As one speaker got up to address the crowd and remind everyone to be civil and not to repeat the mistakes of previous encounters, the police suddenly swooped in on one person, whom the arrested and carried out of the perimeter. It was all over quite quickly, and without any confrontations – there were additional calls to those assembled not to do anything provocative. But there was a lot of confusion, and no one seemed to know exactly why this one person was arrested. But it seemed to be connected to disrupting the putting up of holiday lights by the park’s owners.

Other than that, it was relatively calm and quiet visit to Occupy Wall Street…and a very cold one. The sparseness in comparison to recent west-coast events and the cold further suggests that the movement has to morph into something else beyond camps and marches.

CatSynth in New York

As I do ever year at around this time, I will be spending a week in New York.  This promises to be a rather busy trip, visiting with family and friends, seeing art exhibits, partaking in various New York rituals, and playing in two music performances.  For those in the NYC area (or who have friends in the NYC area), here is the information on the shows:

November 20, 2011. 8PM. AvantElectroExpectroExtravaganza

13 Thames St., 3rd Floor, Brooklyn, NY.
SK Orchestra, Doom Trumpet, Amar Chaudhary, Loop B, Badmitten (damien olsen)

November 26, 2011. PAS presents Experi-MENTAL Night at Theaterlab. 7PM.

Theaterlab: 137 West 14th Street, New York.
A night of Experi-MENTAL music featuring: PAS, Richard Lainhart and Lucio Menegon, Koning’s Blauw, Amar Chaudhary, ‘History of the Future’ live film score directed by Richard Lainhart with ‘The Orchestra of the Future’.

Many of these names should be familiar from past shows, including last year’s Omega Sound Fix, the now defunct Ivy Room Hootenanny here in the Bay Area, and others.

I will try and post sporadically while I am there, but I do expect to continue with live updates of NY adventures via Twitter @catsynth.

Fun with Highways: Wall Street

Some streets take on a status beyond their physical extent. One of those is Wall Street, which is simultaneously an actual street in New York City, a neighborhood name, and shorthand for massive finance and investment industries of the United States.

Wall Street itself is quite short, and runs from South Street along the East River to Broadway. It’s terminus on the east side is underneath the South Street Viaduct (why a duck?) that carries the FDR drive to the tip of Manhattan and underneath Battery Park. The Broadway ends at historic Trinity Church. It is not a part of the city that I know particularly well. Most of my adventures don’t take me further south than Tribeca or the Brooklyn Bridge. It is interesting to look at the street names and arrangement, narrow streets with names like “Pine” and “Cedar”, “Front Street” and “Water Street” that we would associate with numerous coastal American cities and towns but not distinctly with New York (San Francisco has all four street names, as does Santa Cruz where I lived for several years). The streets are evidence of the long history in this part of the city.

The current #occupywallstreet protests are not actually centered on Wall Street, but in a park to the north along Liberty Street (officially named Zuccotti Park), just one big block away from the World Trade Center site and the new 9-11 Memorial. But things have grown since the initial encampment and march and while it was largely ignored by the mainstream media for the first couple of weeks or addressed as little more than a curiosity or object of derision. Now it appears in the news every day, and the protests themselves are growing organically. Here is an image yesterday from protesters occupying Foley Square, several blocks to the north near City Hall and the off-ramps from the Brooklyn Bridge (from the official website).

And a recent report of the massive march via Democracy Now!:

Towards the end of the video, one can see what happens as protesters approached the actual Wall Street.

If you want to support the movement but can’t make it to New York or one of the local “occupations” that have spread to other cities, you can send donations, or even order them a New York pizza courtesy of Liberatos Pizza. And we all know that New York pizza is better than what we get here on the west coast. They do recommend ordering vegetarian or vegan options, but the official “Occu-pie” looks suspiciously like pepperoni:

In the publication “Occupied Wall Street Journal”, they print a map of the plaza encampment:

I like how they label the sculpture on the plaza as “Weird Red Thing”. As reported in Hyperallergic, the “weird red thing” is actually Mark di Suvero’s “Joie de Vivre”. I quite like the sculpture, with its clean lines and curves, and red color against the grays of the Wall Street buildings.

[Photo by ElvertBarnes on flickr]

I will be visiting New York again in November, and I’m sure I will be downtown quite a bit…

A Perfectly Clear Day

This photo was taken in November, 2001 in the West 4th Street station. Clearly, at that particular time the E train was not running to the “World Trade Center at all times.”

Earlier in the day, I had been at a photography exhibit and benefit for families of September 11 victims. I did purchase a print, a stark image of the ruins of the distinctive steel structure with the Woolworth Building in perfect alignment behind it. I took the print out of storage today – it is quite beautiful in its way, but not something one can hang on the wall. It has fallen out of place in its frame and now appears tilted. Things like that can happen in ten years.

A couple of days ago, I came upon an interactive feature at the New York Times describing the World Trade Center plaza as it had been. The narration by David Dunlap ended with the phrase “the plaza sometimes seemed every bit as barren as it appears in this re-creation…and yet, I miss it so very much.” The statement, attaching emotion to the stark ultra-modern space truly resonated with me.

Ten years ago, I was about as far away from New York as I had ever been – not necessarily in geographical distance, but emotional and personal distance. My life was spiraling downwards precipitously, and would in many ways get worse in the months to come. That morning was a huge jolt in the middle of it. The violence destruction in New York left me with a huge sense of guilt, of not being there, and of being so disconnected from myself and what I wanted in life. The trip to New York in late November 2001 was necessary and important – it was part of long circuitous journey to find my way back. It is still a work in progress.

Meanwhile, the “work in progress” at the site continues:

I was happy to read that the new building has now has its correct name, simply “1 World Trade Center” and not that obnoxious jingoistic name it was originally given. I was little bit disturbed to read this story about the construction process, however.

The new plaza does not have the starkness or detached modernist ideals of the original, but we live in a different time, and it serves a different purpose, of honoring the victims and their families and of reconnecting the site to the surrounding community.

We will see how it unfolds in the coming years.

John Cage’s 99th Birthday

Today marks the 99th birthday of one of our musical heroes, John Cage.

In this video, we see Cage discussing sound and silence in his apartment on 18th Street in New York. There is a romantic quality to hearing his words, imagining music, and listening to the sounds of the city in the background, all in concert.

Although he is perhaps best known for his experiments in silence, sound and chance elements in music, I am most fond of his work for prepared piano and toy piano. Despite what was adventurous instrumentation at the time, the music itself comes across as traditional piano compositions. They were for a long time part of my rotation of morning music.

This is a good moment to simply stop at listen to the ubiquitous sounds of the urban environment here, including the ever present trains and traffic on I-280.

Fun with Highways: Livingston (?)

Every so often we like to have fun with the cities and towns that appear in our Facebook Insights and Google Analytics. One town that has been appearing prominently in our Facebook page stats recently is Livingston. However, we have no idea which place called “Livingston” this actually is, so we will explore a few possibilities.

Based on the demographics of our readers and Facebook fans, it’s probably in the U.S., and it is most likely Livingston, NJ, a town east of Newark along I-280, not far from New York City.

Livingston is a medium-sized suburban town. Though its history dates back a long time (about 300 years), it was relatively sparse until automobiles and highways arrived in the 1920s. Notably, it is named for William Livingston, the first Governor of New Jersey. It is also near the Riker Hill fossil site, also known as Walter Kidde Dinosaur Park, a major paleontological site – I remember hearing about the “major dinosaur fossil site in New Jersey” a few times while growing up across the river in New York.

It could be Livingston, California, a town along the Highway 99 corridor in the Central Valley, between Modesto and Merced.

Like much of this part of the Central Valley, it is primarily an agricultural town.

It could also be Livingston, Montana, a picturesque town along I-90 and US 191 north of Yellowstone National Park.

[Image by Jonathan Haeber (http://www.terrastories.com/bearings/) via Wikimedia Commons. Click image to enlarge.]

It has that classic “old US downtown” look with mountain ranges in the background. It also seems like a relatively prosperous town (much of its economy is related to tourism). As of this writing, however, it sounds like they are at the edge of this year’s intense flooding along rivers in the U.S. and the Yellowstone River is again above flood stage as of the writing of this article. We hope they stay safe and dry! In late May, flooding on the Yellowstone River closed parts of I-90 near Livingston.

Livingston, NY is in the Hudson Valley and quite a ways north of New York City. It is considerably smaller than its counterparts in New Jersey, California and Montana.

In the strange way that I remember such things, I am pretty sure I have been through the junction of US 9, NY 9H and NY 82 (and NY 23).

Smaller yet is Livingston, Louisiana.

It is along I-12 east of Baton Rouge. I mention it because it has a gravitational wave observatory. That is cool. Gravitational waves are theoretical ripples in the curvature of spacetime that propagate as a wave – a phenomenon predicted by Einstein’s theory of general relativity but never directly detected.