
Tuxedo cat “Agent” Cooper is ready to make music with his laptop M-Audio controller. From delicatedecay on Instagram.
delicatedecayAgent Cooper in his beat laboratory. 🎶👾💻🎹🤖🎶

Tuxedo cat “Agent” Cooper is ready to make music with his laptop M-Audio controller. From delicatedecay on Instagram.
delicatedecayAgent Cooper in his beat laboratory. 🎶👾💻🎹🤖🎶
We at CatSynth have been following the events at Oroville Dam here in California quite closely. While the worst of the crisis has passed for, we do send our thoughts to those in the along the Feather River and in the low-lying areas along the Sacramento River that remain in danger of flooding, especially during and after massive storm systems like the current one were experiencing.
Oroville, as the name implies, was an important trading town during the Gold Rush era. It sits at the foothills of the Sierra Nevada along the Feather River which cuts through the mountains. The Oroville Dam was built it the 1960s – it remains the tallest dam in the United States, and Lake Oroville is a rather deep lake – second to Lake Tahoe but a distant second. It also the second largest reservoir in the state.
The landscape in the area is quite beautiful as the water combines with the Sierra foothills as well as the human-made structures, like the dam, the hydroelectric plant and the Bidwell Bar Bridge. The original Bidwell Bar Bridge was the oldest suspension bridge in California. It was relocated when the area – including the town of Bidwell Bar – was flooded in the creation of Lake Oroville and still serves as a pedestrian bridge.

[Jet Lowe [Public domain], via Wikimedia Commons]
A newer suspension bridge replaced it over the lake.

[By Thad Roan from Littleton, CO, USA, http://www.Bridgepix.com (Bidwell Bar Bridge, Oroville, California) [CC BY-SA 2.0], via Wikimedia Commons]
Highway 162 crosses the bridge, and connects the town of Oroville to Highway 70 and the Sacramento Valley. Highway 162 continues westward towards the wide flat Thermalito Afterbay, a wide shallow reservoir that is part of the Oroville system, and serves both agricultural water delivery and regulation of the main lake and the power plant.
Highway 70 heads southwards towards Sacramento, passing the towns of Marysville and Yuba City , where it continues as a freeway towards Sacramento. Yuba City is interesting as the home to perhaps the largest Sikh community outside the state of Punjab in India. Many of the Sikh settlers in the area became farmers, in particular peach farmers. And the town hosts a large annual festival that brings in thousands from outside the area.

[By Jujhar.pannu (Own work) [CC0], via Wikimedia Commons[]
The volume of water in the lake, its height, and the dramatic contrast between the foothills and fertile flat low-lying Sacramento Valley make Lake Oroville a “lynchpin” of the California water system, but also quite dangerous in the event of a dam failure. We should be clear that currently the main dam is sound, it is the main spillway and emergency spillway off to the side suffered damane rainstorms. But that could still send large volumes of water to flood large areas of the valley below. The original evacuation order (lifted before the current storm system) covered Oroville, Yuba City and other communities along the rivers. The danger in terms of a catastrophic event would also extend to the Sacramento River and the delta, where numerous “islands” exist below sea level and are protected by an aging levy system.
We hope everyone along these vital waterways remains safe. And as the Oroville Dam system is repaired and upgrade, hopefully this provides the state the proverbial “kick in the tuchus” to address the rest of our aging infrastructure.

JoJo and Febbles return with a special Valentine’s Day post! By J.B., Jason Berry of Vacuum Tree Head.

This was the awesome poster for the past weekend’s Volt Divers show in Portland. Not only does it feature a cat, it is monochromatic purple!
If you are not familiar with this series run by our friend Jeph Nor (Runkl Nor’s human and synthesizer virtuoso), please check out their Facebook Page. We hope to get back up to Portland ourselves sometime soon…
In this article, we go over a few remaining items from NAMM, and share some final thoughts as well.

The DATA module from Mordax takes the trend of built-in displays to another level. The large color screen displays a variety of functions, including oscilloscope, tuner , waveform generator and clock. It also has quite a few utility signal functions. It seems like quite the useful item for a medium or large modular system. Plus it looks great!
It’s a common problem with modular synthesizer systems to end up with 2hp empty and nothing to fill it with, except maybe a branded plate. 2hp quite literally fills this niche with a large selection of functional modules exactly 2hp wide.

We could all use extra multiples, or another envelope generator, or VCA. But their 2hp offerings include oscillators and filters. We could see these in various cases to get some handy functionality when needed.
Delptronics has made quite a few modules for percussion synthesis as well as for complex triggering of other modules. Their product line has grown; and we were particularly curious about the new spring module an its electro-acoustic possibilities.

We are always curious to see what 4ms has to offer, as the Spectral Multiband Filter has become one of our favorite modules for a variety of musical purposes. Their new offerings this year included a sampler module and tappable delay, which are shown in the upper right of the following photo.

There was of course more at the modular super booth and in the neighboring booths beyond what we have been able to cover this year. It will be inevitable that some products and manufactures don’t get mentioned in the blog, though we do have more on our Instagram feed during the show. We will have to figure out if there are any logistical changes we might want to try next year in order to see more while still remaining authentic and having the fun time at NAMM that we always do.
The trip home, despite the pouring rain and flooding in the LA Basin, ultimately turned out to be a pleasant one. I suppose I had a bit of a glow from the show, and full of ideas on how to move forward musically and personally in the challenging times ahead.
Even with the literal rainstorms outside and the dark pall cast by the political situation, inside the convention center we were all able to be ourselves and follow our passions for music and music technology. That doesn’t mean that outside reality didn’t intrude. It was impossible not to despair a bit on inauguration day; and by contrast Saturday with the Women’s Marches gave a bit of optimism. Mostly, I just kept doing what I came to NAMM to do. We hope you have enjoyed following our coverage, and we’ll be back doing it again next year barring some world-changing catastrophe (which unfortunately could happen).
Our somewhat drawn-out coverage of NAMM 2017 comes down to two final articles. We would be remiss if one of them did not include the Behringer DeepMind 12.

Perhaps no product was more anticipated and controversial among synthesizer players and enthusiasts this year than the DeepMind 12. A lot of this has to do with Behringer’s history and reputation in some parts of the industry, as well as the intense hype and frequent teasers last year. But as an instrument, the DM12 stands on its own. It has rather impressive specs including two DCOs, VCA, VCF and multiple LFOs and envelopes for each of its 12 voices. It connects to a PC or tablet to control all onboard parameters – something we at CatSynth think is a nice touch. And it has a professional-looking industrial design, with an attractive front panel and wooden-looking sides.
In terms of sound and playing, it felt like an “ordinary” analog poly synth and reminded me a bit of a Juno or the popular Korg Minilogue. It doesn’t have the distinctive or super-intense sound of a Moog synth or a classic Prophet or Oberheim, which seem to pack more punch sonically into fewer oscillators. The DM12 seems to sound it’s best doing stacked voices rather than at 12-voice polyphony, but this might be my bias for intense timbral-rich sounds. So if one already has an analog synth from one of those legendary makers, the DM12 probably won’t hold as much personal appeal. But it does seem like a convincing choice as a “first” analog polyphonic synth and something to bring to gigs, especially if one needs a variety of classic synth pads and 80s-esque sounds in one’s music. It also is a little less intimidating to program than some other poly synths. And of course the $999 USD price tag is much less than a high-end mono synth or most analog poly synths. Those who were excited about the Minilogue and similar instruments will probably want to check this out as well.