Weekend Cat Blogging and Photo Hunt: Sturdy

We return to a combined Weekend Cat Blogging and Photo Hunt this Saturday on the theme Sturdy. Here we see Luna passing by some of the sturdy support columns that hold up CatSynth HQ.

The wooden beams are quite thick, and fastened with multiple bolts and metal junctions both on the top and bottom.

The diagonal beam adds addition sturdiness, especially in the event of a seismic event. But the strength also has a modernist aesthetic quality that fits the overall style of our space.


Weekend Cat Blogging #356 will be hosted by Kashim, Othello and Salome at PaulChens FoodBlog?!.

The Saturday Photohunt theme is Sturdy.

The Carnival of the Cats will be up this Sunday at When Cats Attack!

And the Friday Ark is at the modulator.

Untitled Analog Modular Exploration

This morning we at CatSynth have a sound track for your enjoyment.

Last week I was finally able to start putting together my first analog modular system, inspired by my NAMM trip in January. So far I have installed two modules, a Wiard Anti-Oscillator by Malekko Heavy Industry and an E350 Morphing Terrarium by Synthesis Technlogy/MOTM. In this sample, they are modulating one another, with the “X-Y” output of the E350 as the main audio out.

I just let Pro Tools run as I was exploring. I expected to stop after a couple of minutes, but found myself quite enrapt. After ten minutes, I decided it was enough for this track and brought it to a close. I was quite happy with the result, and consider it to be a genuine work of improvised music.

I hope to start uploading more to Soundcloud and Bandcamp in the coming weeks.

#OccupySF march on April 1

It’s been a little while since I participated in an OccupySF event, a combination of my activities, their activities and the weather. But as we enter spring, many groups around the country are stepping up again. In San Francisco, OccupySF staged a march on April 1 with the goal of establishing a stable home in an empty building, an idea that many referred to as the “SF Commune.” Taking over an empty or abandoned building is not new for Occupy movements. Indeed, Occupy Oakland had staged a large demonstration earlier this year in which they were “planning to take over an abandoned building” whose location was being kept secret until the time of the event. It turned out to be the Kaiser Convention Center, the most well-known abandoned building in the city, and of course the attempt to “occupy” it was unsuccessful. I assumed that the building that would be the destination of the April 1 march would be a bit more obscure.

The event began in Union Square, a major commercial center in San Francisco with upscale retail and hotels. I found members of OccupySF sparsely gathered around the square, with a small concentration up near the stage having a party of sorts. I was particularly happy to see the Brass Liberation Orchestra present.


[This is my one and only Hipstamatic picture from the event.]

By coincidence, there was another demonstration happening on Union Square at the same time in support of the opposition in Syria. A sizable group of people were gathered in one corner of the square underneath multiple Syrian opposition flags. Unlike the current Syrian flag, which has two stars, the opposition flags have three stars, and a different color scheme, and are modeled after the flag of the Syrian Republic of the 1930s.

The march itself was quite delayed, as we were waiting were a bus of people from Occupy Oakland to join us and they were stuck in traffic. Why they chose to drive over the Bay Bridge in a bus on a Sunday afternoon instead of taking BART escapes me – everyone here knows the bridge is quite congested at this time. But they did eventually make it, and announcements went out informing us that we were going to be marching to “Occupy SF’s new home.” There were calls to be respectful of the building while making it our own. I was of course quite curious where this building would be and what it would be like. Would it be a modern but vacant office building, or would it be one of the dilapidated apartment buildings in the central Tenderloin district, where the march was initially headed?

And then the march finally began. We streamed out of Union Square, with the Brass Liberation Orchestra launching into that same funky bass rhythm I remembered from the big events last October. It was reminiscent of classic disco bass lines. You can hear a bit of it in this video of our exodus from Union Square, though it is a bit of a challenge to separate from the general din.

We continued the march westward along Geary Street, with the older buildings of the central downtown district to either side of us. (Reports referred to this as Geary Boulevard, which is a common mistake. Geary Boulevard is west of Van Ness Avenue. Here it is still Geary Street.)

This is the major theater district of San Francisco, between Geary and Market. It is also on the upper edge of The Tenderloin, a neighborhood rich in history and culture with bars and clubs, but also a notoriously blighted area with dilapidated apartment buildings and SRO hotels. The city keeps trying to bring businesses here, particularly along “Mid-Market”, with the most recent effort involving Twitter. But there are still lots of abandoned or vacant buildings here, and I had assumed this is where we would end up. But the march continued onward, passing Leavenworth Street and a block where I did some of my most artistic photographs, including one that used a bright red MUNI shelter that we passed.

We came the large intersection of Geary and Van Ness Avenue and then headed south down Van Ness. I was a little unsure at this point where we were going to end up. I thought maybe we would be turning back into the “TL”, but instead we turned westward onto Turk Street. We came to a stop at the corner of Turk and Gough. This is at the edge of the historic Western Addition neighborhood, but also abutting the spreading upscale areas of Nob Hill to the north and Hayes Valley to the south. I wasn’t expecting this location, but here we were, in front of an unassuming low-rise building that looked like a school or public office built in the 1960s.

In the sense that it was a nondescript commercial building, it did fit the profile of an ideal location. The only distinguishing element was the number “888”. This was #888Turk, the new home of OccupySF. Protesters quickly entered into the building, with loud music blaring from the Occupy Oakland bus parked in front on Turk Street.

Soon protesters reached the roof and unfurled banners to cheers on the street and from within the building.

I It turns out that the building, although vacant, is owned by the Archdiocese of San Francisco (i.e., owned by the Catholic church), which explained the rather Christian-sounding banner that some protesters unfurled after taking over the building. It is claimed that this building has been vacant for five years, though the Archdiocese claims it was only vacant for 18 months after housing a school.

I departed sometime in the early evening. But the occupation of 888 Turk continued overnight and into the next morning, but during the day on Monday the building was raided by the police, with about 75 people arrested and then later released. You can read an account (with illustrations) in this article by Susie Cagle at Truthouth. It is hard to say whether this is a success or not But it is one of the more dramatic events to occur so far this spring, and it has been picked up in the press and by other groups around the country. So perhaps it will come to something.

Weekend Cat Blogging and Photo Hunt: Awesome and Passover

The theme for our combined Weekend Cat Blogging and Saturday Photohunt is Awesome. Here we see Luna looking down upon us all from her awesome balcony perch.

Cats of course like high places and are fiercely territorial. Luna is no exception, so she enjoys the many high perches we have at CatSynth HQ. And as a shy cat, it gives her a way to observe guests without having to get closer, unless she chooses to do so.


Passover began last night at sundown. This is the holiday where we at CatSynth attempt but ultimately fail to follow the strict dietary rules for eight days. But what about cats? According to this website, several brands have varieties that are approved for Passover in 2012. One of our brands is on the list, though not the particular variety that I get for Luna.


Weekend Cat Blogging and the Carnival of the Cats are both hosted this week by Meowza at Mind of Mog.

The theme of this week’s Saturday Photo Hunt is Awesome.

And the Friday Ark is at the modulator

ReCardiacs Fly, Surplus 1980, PG13 at Hemlock Tavern

Today we look back at ReCardiacs Fly’s show at the Hemlock Tavern in San Francisco last month. It was a great show of music in prog and post-punk styles together with experimental/avant-rock groups PG13 and Surplus 1980.

The evening opened with PG13, the “power trio” of Phillip Greenlief (saxophone), John Shiurba (guitar), and Thomas Scandura (drums). I had originally heard them a few years back at the Skronkathon. They did have the loud-rock-trio thing down at the time, but in the intervening time they have become more finessed and detailed without losing that original intensity.

[Photo by Michael Zelner.]

They opened with driving syncopated rhythm and power chords. The rhythmic textures brought all three instruments (saxophone, guitar and drums) together. This was undeniably rock – held together by Scandura’s drums – but later sections did have a more jazz-like quality, which I thought worked when done with sudden changes in volume and texture. I of course did like that one of their songs (composed by Greenlief) was The Totally Unbelieable but Absolutely True Adventures of George Cleaver the Cat. Loud music with complex rhythms about cats works for me any day.


[Photo by Michael Zelner.]

After PG13, it was time for us to take the stage. For those who have not read the previous ReCardiacs Fly articles, we are (possibly the only) tribute group for the UK avant-prog band Cardiacs. We model our line-up after the original band, and don suits and creepy theatrical makeup reminiscent of their appearance in the 1980s. This music is complex and intense, and challenging to play, but a lot of fun for us and for the audience when we pull it off. A few songs came out quite well at the Hemlock, in particular “Burn Your House Brown”, which you can see in this video:

“In a City Lining” also came out quite well. On a technical level, the sound was the best we have had for any ReCardiacs Fly show, with the mix between the amps, speakers and acoustic space balanced so that we could hear everyone even in the loud parts. And we were quite loud, appropriately so.

As always, the performance was full of energy, and we got a great response from the modestly sized but enthusiastic audience. The full lineup of the band features Polly Moller on lead vocals, Masc Laspina on guitar, Chris Broderick on saxophone, Tim Walters on bass, Amar Chaudhary on keyboard,
Moe! Staiano on drums, and Suki O’kane on percussion.

The final set features Surplus 1980, a post-punk project led by Moe! Staiano with a rotating cast of band members. This evening features Moe! together with Bill Wolter and Melne Murphy on guitars, with Thomas Scandura returning on drums and Jason Hoopes on bass.


[Photo by Michael Zelner.]

The band was incredibly tight rhythmically and harmonically, as if they had been playing these songs together for years. In particular, there is the challenge of getting all three guitars to be in sync, which they were able to do, will Bill Wolter front and center. And the group’s lyrics were often quite funny (this in the context of our just completed Cardiacs’ set). It’s difficult to recall any particular line at this point, but they definitely worked at the time. Most of the musical techniques were standard but with complex rhythms and phrases, but Wolter did have quite an array of effects pedals, and during one of the final songs Moe! pulled out a vinyl record which he proceeded to use on his guitar like a pick and destroyed in the process (the record, not the guitar).

Overall, it was fun night of loud rock music from friends and colleagues whom I usually here in more overtly experimental contexts. I hope our bands will get a chance to play together again sometime.