Handsome Leo poses next to a Moog Subsequent 37 synthesizer. Submitted by jenny Grover via our Facebook page.
This appears to be one of the limited-edition Moog Subsequent 37 CV versions which were introduced at Moogfest. I must admit, we at CatSynth are a bit envious of Leo and Jenny on this one 😸🎹
As our time in New York winds down (for now), it seems appropriate to share a Brooklyn cat. Elektra naps on a keyboard beneath a Korg MS-20 synthesizer. She seems really comfortable and content.
From Maeghan Donovan via Facebook. Please check out her music at http://maedon.net/
This rather handsome long-hair cat is posing with a Behringer Model D synthesizer, a keyboard, and two Korg Volcas, the first one of which is a Volca Keys. Submitted by Ricardo Branco via our Facebook page.
Today’s CatSynth pic takes us to the 2000s, with Rusty and his human James Maier in the studio. We see a Waldorf Microwave XT, a Nord Micro Modular, and more. From James Maier via Facebook.
TBT – Rusty Inspects Studio in 2000
Although it’s a small photo, it looks like Rusty has some of Big Merp’s color and markings.
Adorable photo of a kitten with a red Roland SH-101 from our friends at the Vintage Synthesizer Museum.
The Vintage Synthesizer Museum is a wonderful resource for synthesizers and education right here in our local area – indeed, this kitten was advertising an introduction-to-synthesis course. We hope to feature more of them in the coming weeks. And of course, the SH-101 is one of those classics that is prized as also reimagined and reissued. I particularly like the red and blue models.
Gizo poses with a Moog Little Phatty and a Korg Poly 800. Submitted by J Lugo Miller via our Facebook page.
Why does Gizmo love the Little Phatty and the Poly 800 so much?
Well, they are both fine synthesizers. The Little Phatty started the modern Moog “Phatty” series that includes the Sub Phatty we have here at CatSynth HQ and lives on with the Subsequent 37. And the Poly 800 has a place in the history of MIDI analog synths of the early 1980s.
At a time when Roland was doing well with their Juno-series, KORG countered with a poly-synth of their own in 1983 with the Poly-800. The Poly-800 was comparable to the Juno-106, at the time, with respect to the fact that musicians now had access to affordable programmable polyphonic analog synthesizers (it listed for under $1,000) with memory storage, stable DCOs (digitally controlled oscillators) and a new state-of-the-art technology called MIDI (although there was no SysEx implementation yet).
This cat is hard at work in the studio on a recording project. Submitted by Dave Andersson via our Facebook page.
Monty discovers the Arturia CMI V software synthesizer (via the KeyLab keyboard). Submitted by Julian Guffogg via our Facebook page.
Monty tried the Arturia CMI V in the end!
As one commenter noted, Monty clearly has great taste in synths. The Arturia CMI V is a great recreation of this “holy grail” synth from the 1980s. We used it in our recent Death Valley music video.
