CatSynth Pic: Big Merp, Modular Synths, and the Cone of Shame

Big Merp with synths and the cone of shame

Big Merp jumps up on the ledge behind the modular synths (the main system as well as the RackBrute). Also present are the Deptronics Thunderbell, Moog Mother 32, Roland Boutique VP-03 (with owl), and the Korg Volca Beats.

Poor Merp has had to wear the cone of shame since his surgery on Friday, but as this picture shows, by Wednesday he was feeling much better and back to his regular mischievous self. So we decided to liberate him from the cone.

He seems much happier without it ๐Ÿ˜ธ

CatSynth Pic: Eggo and Korg DW8000

Eggo the cat sits atop a Korg DW8000 synthesizer. From Sam Oliver via our Facebook page.

Eggo the waffle kitty, aptly named from Stranger Things, is having a rest on my vintage 1985 Korg Dw8000 which happens to have a small piece of a much larger stranger things pop figure collection

“Stranger Things” has definitely brought some of the mid-1980s synthesizer sounds into mainstream consciousness – although those sounds and instruments have been popping up again in music for some time now. Around 1986/1987, the DW8000 was Korg’s “out-of-my-league” synth, the big flagship compared to the Poly800 v2 that I was initially looking at – and I thought the graphics for the waveforms were pretty cool. Of course, this is the time period when the Yamaha DX7 and their other FM synths were dominant. Ultimately, I went for analog/DCO and FM options in my first synths, but recently I have found myself rather curious about the DW8000 (and its rackmount version the EX8000) again.

CatSynth Pic: Yogi on a Matrix 6R

Yogi found a nice place to sit atop an Oberheim Matrix 6R rack-mount synth module. By Sayer Seely via Facebook.

The 6R is the rack-mount module version of the classic Oberheim Matrix 6 from the 1980s.

The Matrix 6 was one of the last few synthesizers from Oberheim to come out during the mid-eighties following the classic OB-series. The Matrix 6 utilized high-tech but less expensive digital and midi features and still retained a totally analog sound. It did this by using DCOs (digitally controlled oscillators) to provide stability, programmability and more. All the Matrix synthesizers featured Matrix Modulation which allows for extremely wild virtual patching for almost unlimited range of sounds and modulation capabilities!

http://www.vintagesynth.com/oberheim/mat6.php

CatSynth Video: Big Merp vs The Photo Theremin

Today’s CatSynth video features our very own Big Merp. I was trying out an old photo theremin that I bought years ago, and decided to try playing it in front of Big Merp. Hilarity ensued. Definitely watch the video all the way to the end – the look on his face is priceless.

The photo theremin consists of a simple analog oscillator that uses a light-sensitive resistor (i.e.,a photocell) to control the frequency. So you can move your hand or other objects around it to change the light and thus change the pitch. This one also as an LFO for added sonic variety, and came in a really cool translucent blue case.

CatSynth Pic: Korg Poly 800

A cute tuxedo cat shows off a Korg Poly 800 synthesizer. From Cesar Inserny via Instagram.

True meownalog synthesizer.

The Korg Poly 800 was a popular affordable polyphonic-analog synthesizer. The first synthesizer that I considered was its successor, the Poly 800 mk2, though was steered away from it because of its lack of velocity sensitivity and small keyboard range. They can still be picked up rather affordably for those interested in trying this instrument out.