Personal

Bay Area travel madness

Living in Santa Cruz can be a challenge at times. One of the major challenges is getting to and from places in the Bay Area, where most of my musical, job-search, and social activities located.

For San Francisco trips, one takes Highways 17, 85 and 280 (or 101 as suggested below) into the city:

If I am not in a rush, highway 1 along the coast is always a rewarding experience.

For the east bay (Berkeley, Oakland, etc.), one instead follows highway 17, which becomes I-880, along the east side of the bay:

The trick is avoid the bridges. Sometimes this is unavoidable, and one ends up making a “grand circuit” to and from Santa Cruz around the bay.

The trip is about 70 miles each direction (slightly longer on the east bay side), and about 90 minutes unless one hits bad traffic. Really, it's not so bad, and I have been doing trips like this for years for music and art events, or to see friends, family, and such.

But when it becomes several times a week, and nearing every day, it starts to wear on you. Almost all of my job interviews are in the bay area. Then there is the upcoming performance schedule, back-to-back shows in SF and Oakland followed by the tour.

And this weekend will top them all:

Saturday. Rehearsal for Polly Moller and Company. Then br'er performs in San Francisco that night. It's quite a coincidence that br'er is touring the west coast right now, just as I am about to go on tour. Indeed we will also be crossing paths again in Seattle when we both play on October 20th.

Sunday. Rehearsal again. Then the :plug3: headphone festival in San Francisco. I have a solo set at 7:30PM.

Monday. The tour's kickoff show at 1510 8th Street in Oakland. I have a solo set in addition to our group show.

Tuesday. I need to stay overnight so that…

Wednesday. We leave on tour from SF and Oakland bright and early.

This is out of control. Not because of the activities themselves, which are manageable, but the fact that it is far from CatSynth HQ every day. I have options to stay overnight to make things easier (and will likely do so some of the nights), but that means being away from home, away from everything that needs to be done here, away from Luna (which also means setting up more cat sitting arrangements).

Living in Santa Cruz is becoming one huge liability. It was fine when I was working every day here and going up to the city once a week or so, but now my life and all the action in it seems to be back in the bay area. How long can I keep this up?

Bruckner Interchange, again and again

In writing about my trip to New York, where better to begin than with our old friend the Bruckner Interchange:

Most of my trips to New York pass through this interchange, which connects to and from JFK Airport via I-678 (the Whitestone Bridge and Van Wyck Expressway); and north into Westchester via Hutchinson River Parkway. However, this trip involved more encounters that most, and indeed a “complete” tour of the major connections. First, north via Whitestone Bridge via the Hutch on arrival. On departure, we came east along the Bruckner Expressway (I-278) and again to the Whitestone. Our family events involved travelling from Westchester to Long Island, again via the Whitestone Bridge. For the return trip, we took the Throgs Neck Bridge (I-295) and the Cross Bronx Expressway (I-295, I-95).

I almost always use the Whitestone for travel to and from Queens and Long Island, so it had been years since I travelled on the Throgs Neck Bridge. It seems in dire need of maintenance. Big rust spots do not give one a sense of confidence when travelling on a major bridge 150 feet above water. I would expect folks to take maintenance very seriously after the Minneapolis bridge collapse this summer. Especially after I find articles like this…

Preparing for Woodstockhausen 2007

It's only two days until the return of Woodstockhausen.


Woodstockhausen

A tiny, esoteric
outdoor festival of experimental
music and visual
spectacles.

September 22, 2007
7 PM
Glen Alba Gardens
12250 Alba Road
Ben Lomond, California 95005

Gates open at 6 PM
Tickets: $20 (plus $2 service charge) per vehicle in advance,
$25 at the door

I am going to try and keep things simple, given that the performance is out in the middle of the woods, and a total of 12 minutes in length. In fact, I am going for something very similar in setup and programming to the performance we did at the Skronkathon back in July:

It's just the MacBook running Open Sound World (the new version), the keyboard, mic, and the E-MU 0202|USB interface. The program is the same series of wavetables, with several minor modifcations to make the FM patch work without going unstable. For the math and DSP geeks: I simply changed the modulator from a sine function to a sine-squared function, and added a hyperbolic tangent to control the output levels. For the rest of you: I made it so the sound doesn't blow up constantly.

The input sources will be my workhorse Indian string instruments the ektar (on the left) and the gopichand (on the right). In addition, I am using these “acoustic” sources:

That duck has been a great instrument, and a mainstay of my live setup the last couple of years. I'm worried that the batteries will run out one day, and I won't be able to replace them unless I figure out a way to safely open the poor ducky without destroying him in the process.

So we've tried everything out, and should be ready to go. We'll have to make sure this is still the case tomorrow, and again on Saturday. My first performance at Woodstockhausn in 2002 (and at last year's related “micro-hausen” event) have been plagued by unexpected technical problems, so I'm a little cautious. Actually, I will probably make reference to that fateful 2002 performance on Saturday…

For those who are in the Bay Area, or anywhere in California for that matter, and wish to attend Woodstockhausen, the information is printed above. You can also visit the official website for more information.

New Podcast: Turandot (Puccini), Tribute to Luciano Pavarotti (1935-2007)

Click here to subscribe. You can also visit the CatSynth Channel page for more info or to listen live.

Tonight's podcast is a tribute to Luciano Pavarotti, who passed away on September 6, 2007. We feature selections from Act 1 and Act 3 of Puccini's Turandot. The selection from Act 3 is the aria “Nessun dorma,” which was one of Pavarotti's signature pieces. You have probably heard it before. Below is one of his last performances of this piece, at the 2006 Winter Olympics in Turin:

We will have another related video treat for our readers and listeners this Wednesday.

These recordings were released on the Internet Archive, as part of a Creative Commons release.

A technical note: classical recordings tend to suffer more from the artifacts of MP3 encoding, and these recordings have been through the MP3 machine at least twice if not more. Those who want to hear a cleaner version are encouraged to check out the source version, or an original recording on CD.

Although the “Nessun dorma” might be more famous, I am fond of the selection from Act 1. It has a dark sound (in keeping with the rather morbid story line), and a very “modal” sound. In particular, there is the minor pattern that concludes this section:

This pattern, and indeed the generally “modal” nature of the music in this act, is presumably to give the music an “eastern” flavor, in keeping with the story of Turandot. However, it fits perfectly in with my own interests in more mainstream music, including my current fascination with old R&B and rock-and-roll from the 1950s and 1960s. One could see the above pattern, performed by the low strings of the orchestra, done by a string bass in an old jazz or R&B recording .

It is inspiring to find these sorts of connections between often disparate forms of music, and perhaps that is in itself a small tribute. Listening to, and paying respect to, one of the great modern opera talents, and having that lead to inspiration elsewhere…

CT 11, unfinished projects

Highway 11 in Connecticut is a north-south freeway connecting a major route from Hartford to, well, nowhere. So one moment, you’re happily traveling south on a nice country highway, and then the next moment, you better exit before it turns into a large dirt track and ditch. Or at least that’s the impression I get, having never been there.

It’s quite dramatic, as can be seen in these aerial photos from Greg Amy (we saw a few of his photos before when visiting Yale and New Haven, CT).

It kinda looks like someone just stopped building the highway one day, and forgot to come back and finish. The story, as described on Kurumi’s website and other sources, is that the project simply ran out of funding, and then ran into opposition, though it sounds like plans are now in the works to complete highway 11 to the New London area.

However, the details of CT 11 aren’t really the focus of this article, but rather it serves as a metaphor for the many unfinished projects here at CatSynth. These include:

Finishing my album 2 1/2. There are a few tracks left from this project last Februrary that need to be replaced before releasing the album. I still think I’d doable by late November, but so far I haven’t been able to work much on it during this period of “free time.” Technical problem with my “studio PC laptop” provide at least one excuse.

Although I have been doing work all along on Open Sound World, mostly to support my own music, it’s been quite a while since I have done a full-blown release of the software. It’s hard to feel motivated when most of the feedback reads like this. However, the core software (minus the old user interface) is really solid and musically useful, and I do plan to announce a new direction for the project “real soon.”

I need to do some revisions to my professional/artistic website. At the very least I need to get the performance schedule updated – fortunately, it is already up at MySpace. The goal is to bring it more in harmony with CatSynth and rest of my websites.

I purchased one of the last Kittenettik Fyrall kits from Ciat Lonbarde, but have yet to assemble it. I guess I’ve been waiting to find the right “space”, both literally and figuratively, to do this. If I get on it soon, I might have it done in time for Woodstockhausen.

And of course there are several large articles waiting to be completed and published here at CatSynth, particularly CD reviews, film discussions, and travelogues.

But then again, maybe it’s not so bad that I’m spending time looking for employment.

New features for CatSynth

We've been busy working on new features for CatSynth, making it not just a blog but a full featured site. And two of those new features are being rolled out this week:

CatSynth has a rather eclectic readership, cat bloggers, musicians, photographers, and more. There is already a community forming through regular readers and their comments, and the next step is to bring this community to the new CatSynth Forum. We have space to discuss our core topics of “cats, synthesizers, music, art, opinion” and other frequent themes, such as highway and travel. We encourage all our readers and commenters to join.

We are also opening up the new CatSynth Store, which features not only our CD and downloadable music, but also the music, film, books featured on CatSynth, and we'll soon have a “gear” site from CafePress.

There will be more features and integration coming to CatSynth and my other sites. Please let us know what you think, either leave a comment here or on the forums!

Seven Strange Things About Me

Well, we (or rather I) got tagged by Megan and The Bad Kitty Cats with the meme Seven Strange Things About Me. This was almost two weeks ago, though we at CatSynth remember it like it was yesterday…

OK, so I decided to dust off the list of interesting facts about me from my music-and-professional site. It's supposed be the sorts of facts that would not appear in an official bio, program notes, or in the normal course of writing for this site. A few of them needed updating, like switching the career-related stuff to the past tense. I added a few more as well, pushing the total up to 95. And from that list, I selected 7 that I have deemed to fit the “strange” requirement:

05. I have never been to Kansas, but have visted every state that borders Kansas.
11. I call myself a cynical optimist.
32. I have a large orange stuffed clownfish named “Big Fishy”.
46. I once slept in a car and discovered the next morning that another car only yards away was ripped open by a bear.
62. I used to regularly listen to Stockhausen while having a bagel and coffee and reading the Sunday New York Times.
70. I am fascinated by crumbling concrete walls, graffiti, vacant lots, the spaces around highway overpasses/underpasses.
73. I have camped in Death Valley during the summer time. The daytime temperature was over 120F, and the night temperature was about 90F.

Hey, the requirement was “strange”, not necessarily “exciting”.

So the next step is to tag some more of our blogging friends with this meme (hopefully they're still my friends after I do so):

1. Meeyauw.
2. Gattina (of Gattina's Writer Cramps)
3. Jason of Xenogere
4. Jellypizza (I know, that's two in less than one week, but I'm curious to hear the results).

Bears, you're on notice!