Since Thursday, we at CatSynth have been once again on art-and-music overload. We stopped at two of three large art fairs happening in San Francisco; attended a fundraiser for 826 Valencia at which a friend was reading; and today it’s back in the studio for more recording with Reconnaissance Fly. So on that note, here are some rather artsy photos of Luna:
These are among the more stylized configurations I now have in the Hipstamatic iPhone app. The latter is the same combo I used in the most recent Wordless Wednesday photo.
The one downside of such busy weekends is not having a lot of time to spend with Luna.
The 2012 Outsound Music Summit begins on July 15, less than two months away. And thus is it time for our annual Outsound Benefit Dinner. It looks to be a great evening of food and music, and this year it will be in the “CatSynth HQ neighborhood” of San Francisco, otherwise known as South of Market.
Once again, we will be treated to a culinary experience from chef Miles Ake.
The menu is still to-be-announced. And our music will be provided experimental electronic musician Thomas Dimuzio!
San Francisco-based Dimuzio is one of those unsung artistic figures whose influence and abilities have substantially outstripped his visibility. Composer, multi-instrumentalist, sound designer, experimental electronic musician, collaborator and mastering engineer – Dimuzio has been busy doing his thing(s) since the late 1980’s, but is still only known to a small circle of electronic music enthusiasts. A true sonic alchemist who can seemingly create music events out of almost anything, Dimuzio’s listed sound sources on his various releases include everything from “modified 10 speed bicycle” and “resonating water pipe” to short-wave radios, field recordings, loops, samplers and even normal instruments such as clarinet and trumpet. And while his wide range of musical interests make it impossible to pin a label on him, Dimuzio clearly has an insider’s knowledge of older experimental musical forms such as musique concrete and electroacoustic, as well as more current dark ambient, industrial, noise and post-techno styles.
We know that many who read this site love and support new music. Those in the Bay Area who would like to attend this benefit event can register here. If the benefit dinner is not an option, Outsound of course welcomes donations of any size to help make the Summit a success.
“Hi lovely Synthfreaks, here is a new improvisation from me. My new cat ‘Tonto’ listen to my music. I use my Synthesizers.com Sequencer, the Sequencer of the GRP A 8, Moog the leads are from theProdigy, Minimoog, Roland V-Synth, the effects comes from the Dark energie and the Juno 60 (LFO sounds), welcome to the analogue sound universe!”
This time Mimi is posing with an E-MU Ultraproteus. It’s quite similar to the Morpheus that I sometimes use. I haven’t use that synth lately, but probably should break it out again sometime soon.
As summer weather comes to San Francisco, we at CatSynth venture out onto our patio.
The patio took quite a pounding this past season. During one particularly bad storm with high winds and heavy rain, that plant on the left side of the photo came crashing down from the sky, destroying a screen and one of those nice modernist black benches :(. Fortunately, everything can be cleaned up or replaced. And the sculptures were not damaged.
Luna ventures out onto the patio:
Of course, she goes right for the grass in that pot that fell fromt the sky.
I’m pretty sure it’s supposed to be brown, as many decorative grasses are. But I don’t know that it’s safe for cats, so I tried to discourage Luna from chewing on this. It’s not easy, as she particularly loves found grass.
Via matrixsynth, a rare 1960s tube tape echo machine. The “COPICAT” Mk2 tube echo sports a stylized cat logo.
From the auction:
This sounds lovely both as a pre-amp and as an echo unit. All three heads work well and sound excellent – good strong repeats that break up in an evocative fashion, and run into self-oscillation when the ‘reverb’ knob is turned up for authentic dub effects. The echoes have a good tone for an old valve Copicat and degrade with a dark crunchy quality – they cannot be desribed as accurate repeats as this is not a digital delay, but they have a sound and vibe that is most pleasing and create a unique effect that sounds ‘right’.
Today our “primary highways” series brings us to the state of North Carolina.
Crossing from Virginia into North Carolina on I-95 (which I most recently did in 2009 under cover of darkness), one gets the sense that “now we are really in the South.” It’s perhaps a combination of the vegetation, terrain, but especially the name “Carolina”.
That particular trip involved traveling southward along I-95, and then later returning to the state near the coast on US 17. The contrast between the different corridors was quite apparent. The US 17 corridor, when when it was not exactly on the coast, was surrounded by shorter vegetation in a lighter shade of green. As we got closer to Wilmington and I-140, it was hard to tell whether we were in a quiet coastal region or in an outer suburb with lots of highways but relatively little visible development. From 17/I-140, we turned onto I-40 and headed north. But if I the time for a proper visit, I would have continued up US 17 back towards the Outer Banks.
One can talk a particularly scenic trip through the Outer Banks on North Carolina Highway 12, which stitches together many of the barrier islands via bridges, causeways and ferries with fantastic views. The road goes through the Hatteras National Seashore. It also goes through Kitty Hawk, often credit as the location of the Wright Brothers’ first flight, though it was actually in nearby Kill Devil Hills. One of the most prominent landmarks, in addition to the continuous stretches of beach, is the Hatteras Lighthouse.
The Outer Banks are part of a beautiful and quite fragile environment, and one that is quite prone to being hit by hurricanes and subject to storm surges and flooding. Consider this breach of the islands and the highway that occurred in 2011.
If we leave the Outer Banks and head northward and eastward on I-40, we eventually come to the Raleigh, the state capital and one of the main cities of the Research Triangle together with Durham and Chapel Hill. The Research Triangle is home many technology companies (both in the Research Triangle Park and beyond), and is anchored by Duke University, University of North Carolina and North Carolina State University. These schools are also known for their basketball teams. Raleigh is a much larger city and the center of state government, and sports both an inner and outer beltway, I-440 and I-540 respectively, though the latter is only partially built. Durham, to the north and west, looks from images as a grittier city that might attract my interest, especially with the old tobacco-factory buildings that have been converted to mixed use.
It is also home to a large and vibrant African American community with a long history of successful businesses and a neighborhood once dubbed “The Black Wall Street.” It was also a center for early Civil Rights activity including some of the earliest “sit-ins.” Already in decline by the late 1960s, the neighborhood appears to have been torn apart by the construction of the Durham Freeway (NC 147) through the center of the city. It is a familiar sounding story (like the Cross Bronx Expressway in New York).
From Durham, I-85 and I-40 run concurrently to the city of Greensboro. Greensboro includes one stretch of I-40 which is signed with no fewer than six different highway numbers.
From Greensboro, we take I-85 south and west towards Charlotte, the state’s largest city. Charlotte has become a major banking center, most notably it is home to “way too big to fail” Bank of America. It has prospered and underwent a major construction boom with a large jumble of post-modern skyscrapers.
The Bank of America headquarters in Charlotte is the “tallest building between Philadelphia and Atlanta.” It is the one with the green lights on top in the photograph above. This sculpture, Arnaldo Pomodoro’s Il Grande Disco sits on Bank of America Plaza. It is known locally as “The Disco Wheel.”
Bank of America is having its shareholder’s meeting this week, and a large protest is expected tomorrow to coincide with the meeting, presumably converging at this very plaza.
We return to Greensboro and head west on I-40. The development becomes sparser and the landscape more hilly and scenic as we approach the Blue Ridge Mountains. And more treacherous as well. We turn onto I-240 to the town of Asheville.
While I have not yet been to Asheville myself, it sounds a little bit like the resort towns here in northern California, with music, arts, and old-style downtown turned upscale, and new-age types. But for me it is most notable as the home of the late Bob Moog, the great synthesizer pioneer and of our heroes at CatSynth. Asheville continues to be the home of Moog Music, Inc, which makes both hardware synthesizers and one of my favorite musical iPad apps, Animoog. The independent but related Bob Moog Foundation is building a museum and cultural space in Asheville, and they are involved in education outreach and teaching students the science and art of electronic music with programs, with specific efforts in western North Carolina.
We conclude by turning north onto I-26, a relatively new and quite spectacular highway through the mountainous border region between North Carolina and Tennessee. The highway, which opened in its current Interstate form in 2003, winds it’s way through mountain passes, alongside cliffs, and even through a tunnel. This video gives a sense of what it is like, even though it is traveling in the opposite direction, from Tennessee back to North Carolina.