Outsound Music Summit begins on Sunday

The 2011 Outsound Music Summit begins this Sunday at the Community Music Center, 544 Capp Street in San Francisco. I am planning to be the every night, and will be live tweeting @catsynth with hashtag #outsound for those who wish to follow vicariously and to dialog with friends and supporters. Of course, the best experience of any musical performance is to attend in person. Visit our Summit website for more information about the schedule and tickets.

The festivities kick off on Sunday with the annual Touch the Gear Expo. I will be participating again this year with gear that reflects the music that I have been doing over the past year, i.e., so think small devices.  There will also be interesting DIY electronic and acoustic gear, musical art and novel repurposing of mainstream gear for experimental music.

Cornelius Cardew’s Treatise

I will be once again participating in the annual Matthew Sperry Festival performance at the Luggage Store Gallery this coming Thursday. In addition to the tag-team trio shift (similar to last year’s event) we will be performing Cornelius Cardew’s piece Treatise, which is based on a rather monumental graphical score. As in most graphical score pieces, performers freely interpret the images. Below you can see an realization by Shawn Feeney that uses simple electronic sounds to realize an animated version of the score. I find it quite interesting as a visual+audio work

Cornelius Cardew’s Treatise – Realization from Shawn Feeney on Vimeo.

I suspect given the size and scope of our ensemble, our interpretation will be somewhat different.

An interesting discussion of Treatise (with a link to a flash animation) can be found here.

I <3 SF (I Love SF), Driftwood Salon

The show I <3 SF (where “<3” is the the common emoticon for heart that may or may not appear properly in this print) is closing today at Driftwood Salon, but we take a little time today to look back on my visit to the opening of the show. It would have hard to not attend a show that features on the compact but diverse city we call home. It was scheduled to coincide with the 155th anniversary of the founding of the City and County of San Francisco on June 11, 1856, and features several artists’ interpretations of life in the city as a general concept but details and subject matter unique to San Francisco. There are street scenes, architectural details, references to cultural history, and some that are simply “tributes”.

The “centerpiece” of the exhibition was a large painted cardboard origami piece by Joe Spear with the show title “I <3 SF” emblazoned on the side, about where the US emblem might go on a fighter jet.


[Joe Spear’s metal origami in foreground. Rebecca Kerlin in background.]

On the wall behind the origami one can see several pieces by Rebecca Kerlin, whose works featuring the highways and other infrastructure of our region and my own neighborhood in particular have often been featured on this site. The three selections on the wall are from her “Constructions” series, with the large “Underpass Under Construction in Blue” pieces and the smaller “Underpass Under Construction in Orange” depicting the freeway approaching the Bay Bridge over 4th Street.


[Detail of Rebecca Kerlin’s Underpass Under Construction in Orange.]

Driftwood Salon is itself in an interesting location on a side street in SOMA near the Central Freeway, so it seems appropriate that Kerlin’s work has been featured in multiple shows here.

Jun Han Kim’s pieces, including the photorealistic A View of Sunset, SF #4 also take on the literal sights and neighborhoods of the city.


[Jun Han Kim]

Here we see the edge of the quieter and often grayer Sunset District from the Great Highway on the Pacific coast. It is an interesting part of the city that feels quite distant from the downtown. It was placed in the exhibition next to a very contrasting painting by Mei-Ying Dell’Aquila.


[Mei-Ying Dell’Aquila.]

Here we see a more surreal image of the downtown financial district, with a figure who is at once the Statue of Liberty, a cartoon superhero and a fashionably dressed urban denizen crossing the street.

Two very different pieces by Greg PNUT Galinsky reference music and architecture of the city without specific locations.


[Greg PNUT Galinsky]

This first piece suggests jazz and brings to mind the frequent jam sessions around the city – but the image also has a very iconic and industrial quality with its sparse clean lines. The clean black lines are used quite differently in this piece which is painted on glass. The reference to the city here is a bit less clear, though the use of weathered wood in the frame reflects the older architecture in the city and a recent trend in local art.


[Greg PNUT Galinsky]

The direct reference in these pieces by Lady Millard are also a bit more obscure, except for the title “Fog City”.


[Lady Millard.]

But they do pay homage to street art, and to the cartoon-like elements that seem be part of international urban art and culture. Such images could be at home in a gallery in large cities in Asia as there are in San Francisco, and perhaps represent the city’s place in a larger “Pacific urban” cultural landscape.

Indeed, part of what made this exhibition interesting is that the collection of different views on the city reflect my own interests in infrastrcture, urban landscape, music, fashion, etc – but each taken in more specialized ways by the individual artists.

The exhibition will remain on display for today (July 9) at Driftwood Salon (39 Isis Street) with a closing reception this evening.

Weekend Cat Blogging #318

For Weekend Cat Blogging #318, a few interesting photos of Luna from multiple cameras. First a high-contrast picture in the window:

And here is Luna today, once again napping in her favorite beanbag chair:

This was done with the impulse-acquired Roboto Glitter lens for the Hipstamatic iPhone app. The first photo was with done with the conventional camera.

Like Luna, I am looking forward to a relatively quiet afternoon.

We know that several regular WCB participants are foodies, so do check out the report from the Outsound Music Summit Benefit Dinner that I posted yesterday.

Weekend Cat Blogging #318 is hosted by Jules and Vincent at Judi’s Mind over Matter.

The Carnival of the Cats will be hosted this Sunday by Samantha and Clementine at Life from a Cat’s Perspective.

And the Friday Ark is at the modulator.

Report from the Outsound Music Summit Benefit Dinner and Concert

With a little over a week to go before the Outsound Music Summit, we look back at our benefit dinner and performance.

The benefit took place at the Numi Tea Garden in Oakland, a beautiful space that blends into the industrial architecture of its surroundings. You can see this photo which I posted on a recent Wordless Wednesday. An interesting bit of trivia for music-tech geeks that I learned is that the space now occupied by Numi used to be home of Zeta Music Systems, the makers of the Zeta electronic violin.

The dinner, by chef Miles Ake was itself a piece of performance and conceptual art. It was based on the ingredients of a classic Gazpacho recipe, listed in mirroring order at the beginning and end of the menu. The description and the presentation of the food itself unfolded like a multi-movement musical composition. From Ake’s statement:

The root of the word Gazpacho is derived from a Mozarab word caspa, meaning “residue” or “fragments,” which refers to the small pieces of bread and vegetables in a Gazpacho soup. throughout the meal the gazpacho as an entity wil go through a series of fractured movements. This fracturing is not a means to disconnect, but rather as a process of extraction, distillation and isolation of distinct parts. The structure of the menu is an anagrammatical game or a rewinding (moving backwards in time to replay a track) while simultaneously moving forward without redundancy in form/texture/taste using to compositional terms (verse, refrain, notes, scale, etc….) to build a lexicon of culinary elements.

The dinner opened with an interpretation of the soup itself, which set the tone and direction:

The panzanella and ricotta/pepper dishes were perhaps my favorites palette-wise and reflect the colors from the base ingredients:

The “bloody margaret” with gin and olive gelée served in an old-fashioned glass and the raw fluke were the most unique. The desert was an experience as well, with “three textures of olive oil”, including a very creamy foam-like texture that I have never had before.

The music for the evening featured a performance by Vorticella, a quartet of Krys Bobrowski, Erin Espeland, Brenda Hutchinson and Karen Stackpole. Their improvised performances feature a wide variety of instruments, ranging from standard cello and horn, to Karen Stackpole’s array of gongs and blocks, to unique custom instruments like Bobrowski’s gliss glass:

[Click image to enlarge.]

Vorticella derive their name from the single-cell creatures. The bell-shape features prominently in the instruments, such as the gliss glass, horn, and other wind instruments. The themes of a single-cell organism functioning as a compact unit, but then breaking off new copies at any given time, permeate the direction and texture of the group’s improvised performances.

I have heard Vorticella before at the Garden of Memory events and the Flower Moon Concert in 2009. This was however an exceptional performance. Although the instrumentation is diverse and music improvised, it had a very coherent texture and direction and was well crafted. Like the single-cell organism, they seemed to function as one, with music that could have come from a master synthesizer soloist or from countless hours of careful sound design in a studio, but it was all unfolding organically in front of us. The wind and metal elements set the overall timbral environment in which the details unfold. Think of wind blowing through giant metal pipes, and then tapping on the side of the pipe or bowing it – these could be seen as basic ingredients, in a way similar to Ake’s use of the gazpacho ingredients to produce the entire meal. I found myself alternating between the rich overall timbre of the ensemble and focusing on individual details, whether Bobrowski’s visual presentation on the gliss glass, Stackpole’s constant shifting among different pieces of percussion, or Espeland’s playing the cello with two bows simultaneously. There was a good mix of long drone-like sounds and punctuated percussive elements – appropriate space was left for the latter.

So with the benefit dinner behind us, we are on to the actual summit, which begins next Sunday July 17 with the annual “Touch the Gear” night and continues with concerts the following week. You can find out more info, including tickets and passes to the concerts here. Those on Facebook are also encouraged to visit Outsound Presents’ page which features more photographs of the dinner and music.

Fun with Highways: Doylestown

Today we resume are series from towns and cities that feature prominently in our Facebook page insights. One that had been appearing for a while was “Doylestown”, which we assume to be Doylestown, Pennsylvania.

Doylestown is central Bucks County, north of Philadelphia. The area served by by “Doylestown Bypass” PA 611 and US 202, which runs through the center of town. It does appear that there is a freeway for US 202 as well, south of the town that currently ends at an interchange with 611. One can see half of the interchange and the roadway beyond are dirt, which I thought was interesting.

It turns out this is part of a large project to build a US 202 Parkway. It is scheduled to open in mid-2012. Follow the link to find out more about the project.

The downtown is northeast of the highways. Like many downtown areas, it has had its past ups and downs with changing economic times and competition from large shopping centers, but is now doing well as a regional cultural center and attraction, with small downtown shops and institutions like the Mercer Museum, a large concrete structure built by Henry Chapman Mercer. The museum houses Mercer’s collections of early American artifacts and collection known as “Tools of the Nation Maker”.

In addition to Mercer, Doylestown is the hometown of several other well known individuals. I had no idea of Oscar Hammerstein (of Rogers and Hammerstein fame) was from here until I did the cursory online info gathering for this article. Writers James A. Michener and Pearl S. Buck are also natives of the town.