electronic music

Last night's performance at Works/San Jose

Well, once I managed to get 451 S 1st Ave after navigating the the highways and streets of San Jose, things went pretty smoothly. With such a small rig, set up was quick and easy, taking only a few minutes:

Just the laptop, keyboard, fish and audio interface.

As usual, I don’t have any pics of the performance itself – though I expect to receive some from others. Here is a great shot of John Moreira warming up:

The highlighted wire on the right is the connect from John’s guitar to my laptop for electronic processing.

The performance itself went well, no major issues. Polly’s flute sections were particularly strong. Overall, our playing wasn’t quite as tight and aggressive sounding as it was during the rehearsal, and of course no kitty antics – that does really add a lot. But it was a good first public show for our little group, hopefully first of several to come.

KIOKU was great, musically and visually:

Interestingly, I already knew the laptop artist Christopher Ariza from the International Computer Music Conference (ICMC) in Barcelona two years ago. Small world.

Preparing for tonight's performance: Cats, Rehearsal and Software

First, I have to remind myself to ABC: Always Bring a Camera. I missed several photo opportunities before and during our rehearsal in San Francisco on Wednesday. There were some great shots on the new Central Freeway terminal ramp. And then the “kitty moments” during the rehearsal with Polly Moller and John Moreira. I did snap this cell-phone pic of John Moreira's cat Crescenda rolling around among our cue sheets and amps. She and her fellow cat Pearl joined us several times during the rehearsal, but Crescenda's little act stole the show.

Musically, I had a minimal setup – a subset of what brought to the Skonkathon two weeks ago – just the MacBook, the E-MU 0202 | USB and a MIDI keyboard. The Mac was running the new script-based Open Sound World to process live guitar input. The processing worked quite well, I think, with several wavetables, ring modulation, and a rather nasty little FM algorithm (it's a lot like those distortion-modulation “sound mangler” pedals). Both the guitar and processing needed to fit within pieces with voice, flute and existing electronic material.

UPDATE: You can read Polly's account of the rehearsal and Crescenda here.

The one concern was the frequent OSW crashes – it wasn't a huge problem during the rehearsal because the system can reset itself very quickly (far more quickly than the older UI-centric version), with only a few seconds of dead time. But still, that's not cool. I suspected something related to the MIDI input handling. Fortunately, last night I was able to track down the crashes last night. They were indeed in the MIDI handling, some issues exposed by the multi-processing with the Core2 Duo. Easily found and fixed by playing the patch with a lot of MIDI control, with the laptop and keyboard on the coffee table. Actually, I made some interesting lo-fi music with the built-in mic and speaker and feedback while testing and debugging. This will probably form the basis of my next piece.

Skronkathon photo…and upcoming show

Well, there's me, attempting to appear ironic, at the 2007 Skronkathon two weeks ago. I'm playing the ektar, a single-string folk instrument from India, one of several instruments used during the performance.

This is one of several photographs taken at the event by Polly Moller. And it is quite timely, given that we will be performing together this Friday in San Jose:

It all starts at 7:00 p.m. at works/san jose,
451 First Street, San Jose, CA 95112
Cost: $5.00/$3.00 donation

july 27th music night with KIOKU, polly moller & company and dajis

based in new york city, the musical group kioku presents traditional
asian folk music within a new context of collaborative experimentation
and improvisation. the trio consists of wynn yamami (east and
southeast asian percussion, including japanese taiko, korean gongs,
and filipino kulintang), christopher ariza (live laptop electronics),
and ali sakkal (saxophones, percussion). while committed to the
preservation of musical traditions, kioku (japanese for “memory”)
acknowledges the plasticity of tradition and freely adopts musical
techniques found within improv-based and new music circles.

converging from oakland, san francisco and santa cruz are polly
moller, john moreira, and amar chaudhary, combining flute, bass flute,
voice, guitar, and electronics to create otherworldly improvisatory
atmospheres and backgrounds for polly's gripping text.

who is dajis? a dj with a selection of ambient and experimental music.

Today's preformance. Listen live online!

For those interested in either attending (if you're in the Bay Area), or listening online this evening, here's the vital stats on my show today:


Sunday, Jul 15 2007 12:30 PM – 11PM

21 Grand
416 25th St @Broadway
Near 19th Street BART
Oakland

7:00 Amar Chaudhary solo digital

In conjunction with 21 Grand's 7th anniversary celebration, the 7th annual Transbay Skronkathon BBQ is an all-day marathon music and BBQ extravaganza. Admission is free, but we'll pass the hat for the benefit of the Transbay Creative Music Calendar. We'll have a couple of charcoal grills out in the alleyway for your gustatory pleasure (BRING STUFF TO GRILL!) and a double load of the Bay Area's best creative musicians inside for your listening pleasure.

If you are unable to attend, you can listen to a live internet stream, provided by sfSoundRadio. It works easily in iTunes or Windows Media Player, or other standard media players. My performance will be a 7PM US Pacific time (-0700). Listen in if you can!

CatSynth Correction: The Cats of 5lowershop

Like any publication, we make errors and when appropriate publish corrections. This is one is several months overdue, but I found myself thinking about it tonight. Last September, I played at the headphone festival in San Francisco at the club 5lowershop. It was one of the best live performances I did in the past year. In writing about the experience here at CatSynth, I mentioned a couple of cats I ran across while I there:

I immediately thought they were strays or perhaps neighborhood outdoor cats wandering through, and regular readers know I have a soft spot for such creatures. I am happy to say that I was wrong, as I learned when I received this comment at the end of February:

just an fyi : those kitties are pets too, and very loved. the grey kitty is momma to 6 of those black and white kittens. the kitten in your picture still lives at 5lowershop with mom's identical sister. mom lives with a friend of the family now. the other kittens all found loving homes with close friends. we live a few blocks from 5lowershop and have one of the kittens. they aren't feral, and they get along pretty good with the dogs (only 2 dogs hang out there, and they are quite nice when you get to know them. they pretty much ignore the cats)

seeing that you are such a cat enthusiast, i just wanted to let you know that these cats get spoiled rotten with love and attention. no need to feel bad for them!

It's good to know that those cats are loved, and if anyone associated with 5lowershop is still reading, I would love to come perform there again. I really enjoyed the gritty edge-of-the-city vibe, the people, and of course the cats.

(co)sine – LIVE – Luna's Cafe … and Mimì makes the rounds

From sendling we have this video of artist (co)sine. Great stuff, and it's at Luna's Cafe! How could I not repost.

Scrolling down one post earlier at sendling, we see a familiar face. Remember Mimì? Well, it seems that she's been making the rounds since her debut here at CatSynth, popping up at sendling and matrix. Go Mimì!









Dorian Grey's Box: Art Installation at Pajaro Valley Arts Council

My sound art installation described in previous posts is now on display at the Pajaro Valley Arts Council as part of the current exhibition “The Human Condition: The Artists’ Response.” The exhibition is “an artistic articulation of the connection between
the individual and world challenges, the exhibit
brings together artists responding to political and social tensions in today?s world”, and features 22 artists (according to my best count). The pieces in the exhibi are all of great quality when compared to recent gallery exhibits I have visited. Many are overtly political or social, dealing with many of darker subjects in current events and recent history. Some are quite realistic, others more abstract.

Dorian Grey’s Box, the piece on which I collaborated with local artist Michael Carson, is one of the more abstract in the exhibition. The main element is a large black cube with newspaper clippings in various patterns and sections of redder coloring. Surrounding the main cube are several small wooden “alphabet blocks”, some of which have also been painted black.


The sound (my contribution to the piece) is on a continuous loop that visitors can hear via headphones. The material is primarily ambient noise, gitches, percussive effects and sounds that only “hint” at speaking voices, arranged in a collage inspired by the sculptural part of the piece.

]The exhibition continues through March 4, and I strongly encourage anyone in the greater Bay Area during this time to check it out. It’s great to see such quality contemporary art locally (Santa Cruz-Watsonville-Monterey area).

I have posted an excerpt from the sound installation on the podcast for those who are interested in the piece but unable to visit in person.










Guess the Electronics

Inspired by a discussion on the Bay Area New Music maling list about electronic-acoustic music as well as different electronic tools/technlogies (e.g., MAX, CSound, etc.), I present the Guess the Electronics game.

Simply listen to each of the challenges below and leave a comment on how you think each was one created. You can also take a guess as to which examples include acoustic material.

It's fun for the whole family ?

challenge 1
challenge 2
challenge 3
challenge 4
challenge 5




Preparing for January art installation: Part 2

Looks like things are good to go for the upcoming art installation at the Pajaro Valley Arts Council. We took the sound track that I produced last saturday as is ( see part 1) and the entire piece is being installed the gallery today. It's nice when something comes together without a lot of stress or last-minute scrambling and compromise. It's also a welcome change to have something that “presents itself” via pre-recorded matieral – again, no stress, no preparing for live computer problems, etc.

The exhibition, entitled The Human Condition: The Artists' Response will be at the PVAC gallery in Watsonville, CA from January 10 through March 4.