Analog-module makers WMD had a strong presence at this year’s NAMM show. In addition to their existing offerings, which include both utility and more esoteric modules, they presented a set of devices that were jointly made with Steady State Fate (SSF). You can see a demo in this video.
It was fun how they made Zip, our trusty stuffed kitty, rock out to the modular 🙂
Make Noise has introduced several new modules this year. You can see Tony Rolando of Make Noise demonstrating them in this video. There is much delightful noisy crunchiness.
The most notable new addition is the Teleplexer, which has a series of metal plates that can be tapped with leads from other modules, creating quite a bit of expressive variation, even chaos. The paradigm of touching conductive plates was inspired by the telegraph.
I tried this out myself, but like other Make Noise modules, it will take a bit of practice to make it work musically.
One of our perennial stops at NAMM is to the Big City Music booth to see what’s new and play with old favorites. There is always an impressive display of analog modules, including the “wall of synth” from Analog Solutions.
Of course, Big City Music also prominently displayed a full complement Metasonix modules. This included the new spring reverb (at the bottom) that does not conform to the usual yellow color.
I spent a little time with the Mellotron, including a demonstration of the original instrument and its extensions. You can see a bit in this video:
Towards the end, you can see the mechanical elements for the tapes at work.
We also visited again with Leon Dewan, who presented his Swarmatron instrument. Here he demonstrates, and I tentatively try to play as well (one handed as I am also holding the camera):
Although most of these instruments were familiar ones, it is great to see them in action again.
Uninterested Synth Cat in uninterested.
From Pittsburgh Modular Synthesizers, via matrixsynth:
“Playing with one of the Pittsburgh Modular cases headed to NAMM in a few weeks.”
Looking forward to seeing this and much more at NAMM 🙂
[click image to enlarge]
Once again, it’s time for our traditional end-of-the-year image at CatSynth. The past couple of years have all been good, rich, full, and sometimes complicated. But 2013 has been particularly significant, certainly one that I will long remember. As the title says, it has been a transformational time on multiple dimensions for me, indeed it has touched almost every aspect of my being. There will be more to say on that in the coming days. Music and art have been going very well, too, and one of the main challenges of this coming year will be to build on the successes of this past year but in a more directed way. If that sounds vague, it’s because I haven’t quite figured it out yet.
For Luna, things pretty much are the way the always are. Such is the life of a contented house cat. And we wouldn’t have it any other way.
Thanks to everyone who reads and supports this project, whether here at the blog, on Facebook, or through the many personal friendships that grown from here. You are all what makes this work worthwhile!
Today we look back at the November 26 Ambient-Chaos night at Spectrum in New York. I was happy to once again perform there, and hear some of what the local experimental-music scene has to offer.
The performance itself, the New York debut of my feminine persona, went quite well as was very well received. It was anchored by rhythmic elements on the Dave Smith Evolver, overlaid with iPad synths, the garrahand drum, sketch box, and a miniature subset of my analog modular system.
[Photo by Painter Jung Nam Lee at Spectrum Manhattan, New York Nov 26, 2013]
Performing at Spectrum is always a great experience, sonically as well as visually. Lighting and shading was part of the design of my set and worked perfectly with the ever changing light patterns in the space. I was also happy with the narrative structure within the music. You can see and hear the full set in the following video:
Performance at Spectrum, November 26, 2013 from CatSynth on Vimeo.
I was preceded on the program by Schuyler Tsuda, who performed a set featuring his sonic sculptures. In a space lit only by candles on stage, he struck, bowed and scraped a variety of sonic objects. There were long ambient metallic sounds punctuated by shorter percussive events. The overall effect was eerie and sometimes a bit anxious, but also immersive and inviting. It is difficult to capture in a still photograph, so here is a video clip:
Schuyler Tsuda from CatSynth on Vimeo.
The third set featured John Dunlap on guitar and vocals as part of a duo that also included saxophone and electronics.
John Dunlap from CatSynth on Vimeo.
Their playing was loud and frenetic, and quite a contrast to both my set and Tsuda’s. Dunlap also incorporated throat singing into his performance.
[Photo by Painter Jung Nam Lee at Spectrum Manhattan, New York Nov 26, 2013]
The final set brought together the RMA Trio along with a guest vocalist/actor to read excerpts from an upcoming play.
The text was in German, and if I understood correctly (which is doubtful) it was based on Hamlet. There was a variety in the instrumental pieces, including both percussive and harmonic piano, drums and guitar effects.
Overall, it was a great show, and a decent turnout considering that it took place in the middle of a nasty rainstorm. Thanks as always to Robert L. Pepper (PAS) for hosting this series, and to Glenn Cornett for making Spectrum a destination for musicians and sound artists in New York.
Via matrixsynth. Spot the cats.
“Erica Synths teaser ‘Rocket Science’ by team rider $KODEK.
Gear: MPC1000, Erica Synths DIY modules (hexinverter.net MIDI2CV, TH4046 VCO, Yusynth APR VCF, Erica Synths double VCA, MFOS dual AR generator, Erica Synths mixer, Yusynth Output module with mods), Korg Volca beats (clap and hi-hat).
Staring: LUSIS the Cat
http://www.ericasynths.lv
https://soundcloud.com/girts-ozolins-2
http://4444.debilas.net/”via Imants Dexys on The MATRIXSYNTH Lounge
And we’re back, with more cats and synths!
Submitted by William Blakeney, via our Facebook page.
“Carmel, our Bengal kitty-cat with her Doepfer Mixtur-Trautonium…We have a deal that she only chews the grey cables, not the blue or the red.”
It’s time once again for the annual pilgrimage to New York. In addition to family and friends, there will be much art-seeing and urban exploration, and two electronic-music performances. If you are in New York over the next two weeks, I invite you to come check them out.
Tuesday, November 26, 7:30
Ambient-Chaos presents Schyuler Tsuda, Amar Chaudhary (San Francisco), John Dunlop, RMA Trio
121 Ludlow St, Second Floor, New YorkRobert L. Pepper (PAS) presents a night of Ambient-Chaos featuring Schyuler Tsuda, Amar Chaudhary (San Francisco), John Dunlop, RMA Trio. THE EVENT STARTS EARLY!. So please be there by 7:30 to settle in and enjoy the frequencies.
Saturday, November 30
Rachel Mason, The Use, and Amar Chaudhary at Harvestworks
Harvestworks, Broadway&Houston, New York5.1 Surround surround performance at Harvestworks with Rachel Mason and The Use (Michael Durek), additional A/V element from Jay Van Dyke; and a set from Amar Chaudhary a.k.a. CatSynth.
I did want to include some analog modular elements in these performances, so I put together a miniature version of the rig featuring a cross section of modules, with an emphasis on live processing (Make Noise Echophon) and chaotic oscillation.
The best way to keep up with CatSynth in New York is via Twitter @catsynth. But you can also follow us on Instagram. And of course we will continue with periodic blog posts.
