Weekend Cat Blogging and Photo Hunt: Lazy Cat?

For this week’s Photo Hunt theme of lazy, we have a photo of Luna napping in an extraordinary sun patch.

Luna being a Lazy Cat in the Sun.

While Luna may be able to enjoy a lazy time this weekend, I do not have that luxury. Both today and tomorrow are filled with band rehearsals – three rehearsals for two bands, including preparation for an album release next week – plus stops at an art exhibition and a cat video festival in Oakland tonight. Yes, a cat video festival. There are all of course rewarding experiences and I freely chose to commit to them, so I’m not complaining. But I do sometimes think there is wisdom in the path of the “lazy cat.”

I did hesitate to write this post because of the pejorative use of “lazy” to describe cats. It’s not uncommon to hear cats’ propensity for napping described this way, and I read frequent unfair comparisons to dogs. But domestic cats fill the roles they were bred for, and do so quite well. There are working cats, on farms, in wine cellars, and even at one of our neighborhood arts institutions, SOMArts. The role of the house cat is to provide companionship, an important social and emotional function. Luna does this spectacularly, as do many of the other cats I have met though blogs. And it not a role without risks, as companion animals are especially vulnerable to abuse (sadly, so are humans in domestic situations). So let us honor the “lazy cats” and maybe learn something from them about being in the moment.


The Saturday Photo Hunt is up. This week’s theme is lazy.

The Carnival of the Cats will be hosted this Sunday by the Florida Furkids.

And the Friday Ark is on hiatus this week, but will be back on May 17.

Pitta of the Mind, Red Thread, and Pet the Tiger at Turquoise Yantra Grotto

Today we look at back at the show “Noisy with a Chance of TEXT” that took place at the Turquoise Yantra Grotto in San Francisco earlier this month. The program of experimental music with textual elements intended to “break the ultimate taboo in noise: meaning” and featured performances by Pitta of the Mind (my duo with Maw Shein Win), Red Thread (CJ Borosque and Laurie Amat), and Pet the Tiger (David Samas and Peter Bonos). A secondary theme of the night was cats – with abundant animal print in the setting and attire of the participants.

The concert opened with an introductory set by Pet the Tiger, combining David Samas’ vocals and custom musical instruments with instrumental performance by Peter Bonos.

David Samas and Peter Bonos

Their performance combined a wide variety of sounds into a short period of time, with experimental voice, instrumentation and electronics. It set the tone for the evening of sometimes complex music but also warm and inviting at the same time.

Next up was Red Thread, a duo of CJ Borosque and Laurie Amat.

CJ Borosque and Laurie Amat

The set started (and ended) with extended-technique trumpet and voice, but in between it was a very sparse and captivating presentation of CJ Borosque’s poetry. Throughout, there was a counterpoint between the straight recitation of the text and Laurie Amat’s virtuosic vocal techniques.

Then it was time for Pitta of the Mind to take the stage.

Pitta of the Mind

We took the animal-print theme quite seriously with our costumes, and Maw Shein Win read a selection of animal-themed poems while I performed music on a variety of iPad synthesizer apps. You can see our full performance in this video:

Pitta of the Mind at the Turquoise Yanta Grotto, April 5, 2013 from CatSynth on Vimeo.

I particularly liked how well timed and structured the performance turned out, including the “cat piano” interludes. It was also great to see how much the audience got into the theme, meowing back at us. Afterwards, I was joined on stage by David Samas in an impromptu duo where he combined his extended vocal techniques with my improvisation on an analog modular synthesizer. It’s amazing how much Samas was able to “sound like a synth” with his voice. Again, you can see the full performance in the video below:

Amar Chaudhary and David Samas at Turquoise Yantra Grotto, April 5, 2013 from CatSynth on Vimeo.

Overall, this was one of the most fun experimental-music shows I have participated in for a while. Not only was it strong musically, but we had a large and appreciative audience that packed the intimate space of the Turquoise Yantra Grotto. I certainly hope for more shows like this in the near future.

17th Street in San Francisco

17th Street is one of the longer numbered streets in San Francisco, though not the longest. What makes it unique among its peers is that it forms an almost perfect horizontal line through a large swath of the city, cutting through a variety of neighborhoods and terrains. Like reading geological strata or tree rings, it is an efficient way to explore San Francisco’s geography and history. For quite a long time I have wanted to walk the length of 17th Street. And on March 17 of this year, things lined up in terms of numbers, schedule and weather to make the perfect day for this walk.

17th Street begins at a modest corner with Pennsylvania Avenue at the base of Potrero Hill, next the I-280 elevated section. This used to be a rather forlorn block, but it has been upgraded quite a bit with the addition of a small park at the end of the street.

The street then heads westward through the flat land below Potrero Hill and crosses many of the streets named for U.S. states. Along the way one passes Bottom of the Hill, a club that I recently played at (you can read the gig report here). There is also Parkside, where I have yet to play. The architecture in this area changes between industrial and the modest wooden houses that typify San Francisco. There is also some newer condo and office development.

The street then heads uphill and underneath the US 101 freeway. From here, one can look down at the junction with I-80 and the downtown skyline beyond.

This neighborhood, at the boundary between Potrero Hill and the Mission is the location of Art Explosion, where I have had photography shows over the past couple of years. I have since left that space in order to focus on my other creative projects. From here, 17th Street heads downward into the Mission.

This is a huge neighborhood with numerous subsections each with their own character. We start off in a very industrial area that continues until we cross South Van Ness, at which point we enter the very densely packed core along Mission Street. Continuing westward we find ourselves in the heart of San Francisco hipsterdom, particularly along Valencia Street and the wide park-like Dolores Street.

The houses along this section of the street are a more upscale variety of the ornate San Francisco Victorians, some in colors that one would never instinctively think to paint a house. There are also numerous alleys that poke in either direction off the street.

From here, we continue eastward into the Castro. I have never been entirely sure where the Mission ends and the Castro begins, but I think it is probably at Church Street. Further on it becomes pretty clear where we are as 17th Street approaches its six-point intersection with Market and Castro streets. At this intersection, we find the huge landmark pride flag.

This is also the terminus for the F-Market streetcar line, which uses vintage streetcars from around the world.

After crossing Market Street, we come to the 4000 block of 17th. We have already come a long way, but there is still quite a bit ahead of us.

From here, the street heads up a steep hill into a very upscale neighborhood with large (and undoubtedly very expensive) houses. While 17th Street remains straight as it goes uphill, the intersecting streets, a few of which are named for planets, are more curved and follow the contours of the terrain. There are also numerous staircases here, providing access where it is too steep to build cross streets or alleys.

17th Street eventually reaches its apex at a large intersection with Clayton Street. To the south is Twin Peaks. To the north is Mount Olympus, the geographical center of the city. I had explored the strange little park at that point on a previous excursion. There is a pedestal that presumably contained a statue at one point. I used it as a backdrop for some of my doll photos, one of which you can see here. From this point, 17th drops precipitously into the Cole Valley neighborhood.

This section is purely residential, and the streets straighten out. Even after descending the hill, the street still remains higher than the rest of Cole Valley and the Upper Haight to the north. 17th Street comes to an end here at an intersection with Stanyan Street.

Thus, the mission to walk the length of 17th Street was complete. But this was not the end of the story. The city recently opened the long-closed Interior Greenbelt park, and the main trail begins half a block away on Stanyan. One ascends a narrow wooden staircase and enters into a completely different world.

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I am surprised I had never before made it to this gem of a park, though it did only open to the public in 2011. The woods are not unlike those one might find in parks outside the city, with no visual cues of the urban surroundings at all. There are some sounds from the city that penetrate into the woods, but they are overshadowed by the combination of silences and natural sounds. The late afternoon lighting was perfect on this trip as well. I spent about 30 minutes or so wandering the main “historic” trail of the park before exiting on a small brick-paved street with a spectacular view of the city.

Tired but contented, I picked up a nearby MUNI Metro to get home. And this really is the end of the journey.

I-710 and the Los Angeles River

After the intensity and non-stop stimulus of NAMM, I try to reserve the final Sunday for solitude and exploration of the greater Los Angeles Area. My most recent post-NAMM exploration included a trip north on I-710.

Officially the “Long Beach Freeway”, the highway runs alongside the Los Angeles River for much of its length. The Los Angeles River is a naturally flowing river, but it has been encased in a concrete channel. It’s a rather dystopian vision, but very much characteristic of 20th century LA. It has served as a setting for numerous movies – think the scene in Terminator 2 where the cars crash in a giant concrete ditch and the shapeshifting guy walks away. Of course, I had to photograph this monument myself as well. I joined I-710 at its interchange with Highway 91. The river immediately comes into view to the right, concrete channel and all. However, along this section there has been a lot of work to provide green space on the banks, with bike and walking paths connecting a series of parks. I left the freeway at the Imperial Highway exit for a closer look.


[The mighty Los Angeles River.]

This location is actually the confluence of two rivers. The San Gabriel River, also enclosed in a concrete channel for much of its length, flows into the larger Los Angeles River – the merging of the two concrete channels is unique.


[The San Gabriel and Los Angeles Rivers.]

I suppose I choose to see the beauty in scenes like these where others refuse to or can’t. But on another level, it is not entirely a choice. I am inexorably drawn to such things. Even as are attitudes towards development change from 20th century models, I’d like to see artifacts like this concrete river preserved.

North of the Imperial Highway, I-710 crosses the Los Angeles River to the east bank.


[I-710 crossing the Los Angeles River.]

The freeway begins to diverge from the river, heading due north towards Pasadena and controversial “dead end”. You can read more about the efforts to complete (or not complete) the highway at the California Highways website. However, I chose to leave the highway and follow the river instead.

A stretch of Bandini Boulevard grazes the river, affording views of a section that is unequivocally industrial. No parks or bike paths here. But even here I can find visual beauty in the bleakness of the scene.

The river is of course in no way devoid of life. Tenacious vegetation can be found along the channel, and there are plenty of birds who take advantage of the shallow water.

I continued north near to the river into the city of Los Angeles. The industrial character remained for a while, and reminded me a bit of the southeastern section of San Francisco that I often frequent, but on a grander scale. I didn’t stop here, but perhaps I should have. Towards downtown, the river becomes incorporated into the greater city, with classic art-deco bridges spanning the channel. I crossed it one last time on the First Street Bridge:


[By Downtowngal (Own work) [CC-BY-SA-3.0], via Wikimedia Commons]

It was early enough to still visit a couple of L.A.’s art museums, but I am glad I was able to spend time first with this piece of the city’s history, and a work of art in its own right.

On the Night of War

I wrote this poem on the night the Iraq war began, ten years ago.

On the night of war…
March 19, 2003

A light rain has fallen
A trio of snails marches up the main path towards my front door
Upon the thinnest of thin sheets of wet
Like the one who came into my garage a week ago
To say “hi neighbor, what is all this stuff in your garage?”
A week ago, before I turned thirty, before we entered this latest war
I was unaware there was such an abundance of large snails
Before this night which is a second day
Rising after collapsing from exhaustion of the stress, agony, exhilaration, guilt
Of being alive and flourishing at this strange time

© 2003 Amar Chaudhary

Pi Digits Revisted

For Pi Day, we revisit my composition based on the digits of Pi from 2011. Enjoy!

Note that this is based on binary digits, not the familiar 3.14159… in decimal notation. But the number itself is the same regardless of the base one uses to represent it.

Weekend Cat Blogging and Photo Hunt with Luna: Upper

For today’s Photo Hunt theme of Upper, we dug back into the archives for this photo of Luna on the upper ledge at CatSynth HQ:

Fortunately, she doesn’t walk up there too often (at least not when I’m around to witness it.)

We have embarked on a major clean-up of the upper level of CatSynth HQ. Compared to previous cleaning projects, this may be most extensive and ruthless in several years. Here, Luna sits in her favorite upper-level perch as various bits of detritus pile up before meeting the final destiny.

I was able to get a lot done last weekend (and Luna was of course on hand to supervise), but there is still a long way to go. This is as much a project of renewal as it is cleaning. Making way for the new…


The Saturday Photo Hunt is up. This week’s theme is UPPER.

The Carnival of the Cats will be hosted tomorrow by the Florida Furrkids.

And the Friday Ark is at the modulator.

Fevered dreams

After a relaxed and healthy Saturday (including a 4-mile walk through SF), I found myself all-of-a-sudden quite sick for the second time this month early on Sunday morning, including a fever. It dissipated by midday, but not before some interesting fever-induced dreams. Here is one of them:

It took place in Western New York, but the landscape had been replaced with a relatively flat desert environment. At the south end was a transplanted version of Yale – there was still the New Haven town green, but the university had different architecture, more columns and arches. A large numbered highway (I don’t remember the number) snaked its way north from the university into the desert along the southern edge of a large shallow lake. The road then split into two that were labeled “Masculine Dr.” and “Feminine Dr.” on Google Maps (yes, Google Maps appeared in the dream). Zooming out, the lake was shaped exactly like the entirety of all five Great Lakes in miniature – probably about the size of one of the Finger Lakes.

Dreams aside, I recommend to readers in the U.S. that they get a flu shot this year.