Mr. Puff sits comfortably on top of a console next to two Oberheim 1000 synthesizers, a Roland rackmount line mixer, and a Novation Supernova ASM synthesizer.
Mr. Puff is one of the many cats living with our friend Charles Whiley in Arkansas. He does have some physical challenges, but as we can see, he is living his best “synth cat” life 
Our friend Saruman listens to a new jam by Héctor Genis on the Yamaha SK50D and Roland TR-707, with the Strymon Timeline pedal melding it all together.
It’s quite remarkable how still Saruman is. He is clearly relaxed and in a comfy place sitting and listening to the music.
Our friend Gracie of Synthetic Dreamscapes proudly shows off some vintage Roland boxes: the well-known TR-808 and the lesser-known CSQ-600 (that’s the one she’s actually standing on).
The CSQ-600 is a digital sequencer, but with analog CV and gate outputs (it predates MIDI). It allowed both step and real-time recording and had four separate sequences that could be chained or stacked. It could potentially fit as a sequencer in today’s analog modular systems.
Introducing Blaze, one of the newer members of the household with our friend Alessandro Cilano (automageddon on Instagram). We see her with a 20-year-old Roland SP-606 as well as an SP-404 MkII.
Blaze is still a kitten and gaining her “catsynth” paws.
Our pal Saruman is vibing to a synth jam featuring the Roland TR-707 drum machine and lush pads on the Yamaha SK50D synthesizer.
From Héctor Genis @hdgenis via Instagram.
A remix featuring our old friends Tony and Frankie, this time with a funky beat and guitars.
Ringo joins us from Brooklyn and shares with us a brief jam on a Roland SP-404SX, Korg TR 61 workstation, Zoom G3 effects box, and Waldorf Blofeld. From our friend Damien Olsen.
You can see a bit of a show that both Damien and I played in Brooklyn back in 2019
A fun little jam from our friend Kamal Sabran and his cats. Watch for a close-up of our non-plussed feline friend grooming right through the jam. I like the way the drum sounds and rhythms have been chopped up with loops, delays, etc. And as always, I’m curious about what the reel-to-reel is contributing.
