CatSynth pic: Kitten and Korg (and more)

Submitted by Nicolas Pauly via facebook:

[click to enlarge image]

“pictures from my kitten, who loves to sleep on my mixtable.”

I see a Korg Kaoss Pad (the big kind, not the mini that I often use), a Microkorg, and a Speak and Read, among other sundry items.

As always, you can submit you own cat-and-music pictures via facebook, twitter, or our submission form.

Guest post: Friday at Outsound: Reconnaissance Fly, Cornelius Cardew Choir, Amy X Neuburg

[While I work on the reviews for the Friday and Saturday shows at the Outsound Music Summit, we have a guest review from Joe McMahon, ambient music/soundscapes – pemungkah.com. Given that I was a performer in two groups on Friday, his review provides an interesting outside perspective.]

Friday at Outsound: Reconnaissance Fly, Cornelius Cardew Choir, Amy X Neuburg

An interesting evening of word (and other vocalization) related music. Reconnaissance Fly led off with their songs based on “spam poetry” – the sometimes strangely numinous texts randomly generated to try to evade spam filters. RF can, and does, play in a massive variety of styles, from samba and tango through pop, prog rock, and jazz, all the way to full-on avante-garde improv. These wildly disparate styles and surreal text are combined in pop song structures into catchily mind-bending conceptual smoothies. It appeared that the audience was ready for an encore, but time was short. The piece which included what seemed to be samples from a “teach your bird to talk” record and Polly Moller’s exceptional flute multiphonics and extended techniques was particularly fascinating, and Moe!’s drumming lent serious propulsion and quirky humor as well.

The Cornelius Cardew Choir did three pieces: the first was based on the alphabet and reminded me a bit of “In C”, as the choir started at “A”, both reciting the letters and making their sounds, the individual members determining the speed at which they moved through the alphabet. Charming and fun. The second piece was based on rock inscriptions; very dense and almost surflike; I had a little trouble spotting a structure in this one, but that’s probably more the result of a long day on my part. The last piece added electronics and flute; a very evocative, ritualistic piece – fascinating textures and quite wonderful.

Last on the bill was Amy X Neuburg, who wowed the crowd as always, performing, among others, several pieces from her _Residue_ album; her performances of these have evolved interestingly. In addition, she improvised a new piece on the spot using her Blippo Box and her just-built Scatchbox, and a tribute to Kim Flint the late founder of the Looper’s Delight mailing list.

A very enjoyable evening; looking forward to hearing more from all the performers.

R.I.P. Tali

Some sad news from this weekend, via matrixsynth. Tali, the feline companion of carbon111 passed away over the weekend:

We featured Tali’s CatSynth pics many times over the past couple of years, and she will be missed. I send carbon111 my deepest sympathies.

You can read kind words for Tali (aka “Circle Cat”) at Harmony Central and matrixsynth.

I did not know before reading carbon111’s post that Tali was named for Taliesin.

CatSynth video: Boys List: 7/1/2010

From scienceclubmusic on YouTube, via matrixsynth:

On the floor… This version is cut in many places to fit YouTube’s 10 minute limit. A full-length version is available here: http://vimeo.com/13060686
Equipment used: Roland MC-202, Acidlab Miami, DSI Mopho Keyboard, DSI Evolver Desktop, Roland TR-505

I like the cat inspecting things as the music starts 🙂