
Ripley is quite proud of his synths, an Ensoniq SQ 1 and Akai MPC. From Chris Ratterree via our Facebook page.
Here’s Ripley the
boombap cat. She follows me at http://www.instagram.com/chrisratterree

Ripley is quite proud of his synths, an Ensoniq SQ 1 and Akai MPC. From Chris Ratterree via our Facebook page.
Here’s Ripley the
boombap cat. She follows me at http://www.instagram.com/chrisratterree

Biggie Smalls contemplates a vintage Roland Space Echo RE-201. From Brandon Fitzsimons via our Facebook page.
“What’s making that noise in there??”
The RE-201 continues to be prized by musicians for its sound. It is actually a true tape-echo machine (plus a spring reverb).
[Ikutaro] Kakehashi’s breakthrough development came in 1974 with the RE-101 and RE-201 Space Echo units, which used the standard 1/4″ tape of the open-reel variety, but made as one, continuous loop. It uses no reels of any kind; the tape is transported via a capstan drive. The tape loop is contained in a loose, constantly moving jumble in the tape chamber (also known as the tape tank) under a plastic panel which protects the tape and keeps it from getting tangled. The design resulted in lower levels of noise, wow, and flutter, and cut down on tape wear.[1] Replacement tapes were sold as well, named RT-1L.[2]
https://en.wikipedia.org/wiki/Roland_RE-201
There are several control dials on the device that alter such aspects as tape speed, repeat pattern (an 11-position rotary switch), one instrument and two microphone inputs, a single analog backlit VU meter for all three inputs, wet/dry mix for both echo and reverb, and intensity (number of repeats), that can be adjusted to a user’s liking; and bass/treble controls to EQ the sound of the repeats (not the dry signal), as well as dry and effected “Echo” output jacks with a switch for output setting (-10, -20, -35db levels.)
It is interesting to read this as I have been working extensively of late with the Magneto tape-echo simulator module from Strymon. You can see our review of the echo mode in this recent video.

Yesterday was “303” day – the date is 03-03 whether you use American or every-other-country format. And our friend Marcel is posing with a genuine Roland TB-303 for the occasion.
From Eric at polynominal.com via Facebook.
The TB-303 has become a prized instrument, so much so that multiple hardware and software clones have been created to meet the demand. Roland even came out with a TB-03 for its Boutique line.
I have been quite intrigued by video synthesis for a while, and finally getting around to doing something with it. Today, we present Zemirot, our first simple video-synthesis piece.
This was done using Vizzie2 in Max/MSP. And while it is extremely simple, that is to a certain degree the point, at least with this piece and others in what I expect will be a series.

Kicia relaxes next to a Novation synth – we are pretty sure it’s a Novation Bass Station. From Julian Cumpián via our Facebook page.
Kicia is tired after laying down synth parts all day.

Finnegan shares his latest composition on a pair of Ensoniq Samplers. Submitted by Greg Cole via our Facebook page.
samplers rather than synths but this is Finnegan who spends most days in the studio with me…’helping’.
We at CatSynth are quite familiar with Ensoniq’s venerable line of sampling workstations. I got an EPS in 1989, and then upgraded to an ASR-10 a few years later. The latter is still in storage here at CatSynth HQ.

Murder (we’re sure there must be an interesting story behind her name) gets ready to perform on a Korg EMX2 Groovebox. From Jackies Fridge via our Facebook page. Part of a series of posts on our page this week celebrating black cats.