CatSynth Pic: Kasey, Roland, and Arturia

Kasey finds a comfy spot between a Roland Plug-Out system, Roland modules, and an Arturia Beatstep Pro. Submitted by Chris Bentley via our Facebook page.

Kasey the cat. Passed away at the age of 19 back in August 2017 but used to love to hang out on my desk while I was tinkering in the studio.

We are very sorry to hear of Kasey’s passing, and our hearts go out to Chris as the rest of Kasey’s family. A wonderful studio cat who lived a long and loved life 💕

CatSynth Pic: Space Echo RE-201

Biggie Smalls contemplates a vintage Roland Space Echo RE-201. From Brandon Fitzsimons via our Facebook page.

“What’s making that noise in there??”

The RE-201 continues to be prized by musicians for its sound. It is actually a true tape-echo machine (plus a spring reverb).

[Ikutaro] Kakehashi’s breakthrough development came in 1974 with the RE-101 and RE-201 Space Echo units, which used the standard 1/4″ tape of the open-reel variety, but made as one, continuous loop. It uses no reels of any kind; the tape is transported via a capstan drive. The tape loop is contained in a loose, constantly moving jumble in the tape chamber (also known as the tape tank) under a plastic panel which protects the tape and keeps it from getting tangled. The design resulted in lower levels of noise, wow, and flutter, and cut down on tape wear.[1] Replacement tapes were sold as well, named RT-1L.[2]
There are several control dials on the device that alter such aspects as tape speed, repeat pattern (an 11-position rotary switch), one instrument and two microphone inputs, a single analog backlit VU meter for all three inputs, wet/dry mix for both echo and reverb, and intensity (number of repeats), that can be adjusted to a user’s liking; and bass/treble controls to EQ the sound of the repeats (not the dry signal), as well as dry and effected “Echo” output jacks with a switch for output setting (-10, -20, -35db levels.)

https://en.wikipedia.org/wiki/Roland_RE-201

It is interesting to read this as I have been working extensively of late with the Magneto tape-echo simulator module from Strymon. You can see our review of the echo mode in this recent video.

CatSynth Pic: Marcel and TB-303

Yesterday was “303” day – the date is 03-03 whether you use American or every-other-country format. And our friend Marcel is posing with a genuine Roland TB-303 for the occasion.

From Eric at polynominal.com via Facebook.

The TB-303 has become a prized instrument, so much so that multiple hardware and software clones have been created to meet the demand. Roland even came out with a TB-03 for its Boutique line.

CatSynth Pic: Finnegan and Ensoniq Samplers

Finnegan shares his latest composition on a pair of Ensoniq Samplers. Submitted by Greg Cole via our Facebook page.

samplers rather than synths but this is Finnegan who spends most days in the studio with me…’helping’.

We at CatSynth are quite familiar with Ensoniq’s venerable line of sampling workstations. I got an EPS in 1989, and then upgraded to an ASR-10 a few years later. The latter is still in storage here at CatSynth HQ.

Weekend Cat Blogging with Sam Sam: A Comfy Spot on the Bed

It’s been a busy – and cold – time at CatSynth HQ. So it’s not surprising that human and feline alike are seeking warmth and comfort. Sam Sam has taken to sitting on my side of the bed, even rushing to grab the warm spot when I get up.

In the photo above, we see her enjoying a bit of posh comfort on fluffed-up bedding. It’s good to be the cat!

She especially likes it when I leave dirty clothes there, as it adds my scent. I came home after a long day at work to find her curled up on top of them and quite contented.

I suspect she was a little lonely during the day, and perhaps a bit cold as well. It’s been a dreary February, as we have stated before. But it drawing to a close next week, and the skies are becoming a bit brighter. We at CatSynth look forward to the arrival of spring (honestly, it can’t come soon enough).