The beautiful Xandra – a Siamese oriental shorthair cat – sits proudly in front of a modular system featuring offerings from FolkTek, Moog, Malekko and more. Xandra fits purrfectly with the aesthetics of the FolkTek modules.
We at CatSynth always love meeting other cats named Luna. This Luna once hid behind a 6U Eurorack modular case when she was a kitten. It is reported that she is too big for this space now.
An older photo of Orion with an Elektron Analog Four (Mk1) and a Eurorack system featuring a Flight of Harmony Choices joystick, various offerings from Make Noise and Doepfer, and more.
That is one patient cat! Just chilling in the corner for the entire concert.
I also quite like the combination of instruments: vintage Juno-60 and Oberheim Xpander synthesizers along with the newer Arturia MicroFreq, Sequential Rev2, Moog Sub37, and more.
“It is time for another Ambient / Berlin School session! I prepared three long tracks with pads and sequences from the Oberheim Xpander, Waldorf Iridium, Roland Juno-60, Sequential Rev2, Moog Sub37, Arturia Microfreak and my modular system. All sounds are midi sequenced from Ableton. FX are coming from U-He Colour Copy, NI Raum. The Rev2 is connected to Strymon Timeline and Eventide H9. My Juno-60 is clocked from Ableton ‘CV Tools’ through an audio output of the RME 802. I am playing the Arpeggiator and hope to have a proper midi interface for it next time.”
This is not Big Merp. It’s our friend Valentino, who has found a nice napping spot between the Elektron RYTM and Octatrack and the computer (with an Orion interface). We also see a Red Panda Particule pedal.
The Roland V Synth was, and is, a powerful instrument that combined many of Roland’s synthesizer technologies in a programmable and playable package. Most intriguing were the formant synthesis and processing capabilities (at least from my perspective).
Our friend Milo is back! Above we see him with a Noodle Toaster, a clone of a Mutable Instruments module tester. Below, we see him with a Buchla 281 module.
Submitted by Keith Winstanley. You can see more of Milo’s appearances via his tag.