Photography
Wordless Wednesday: Boxes (San Francisco)
Wordless Wednesday: Glen Park
Wordless Wednesday: Split Facade
Taylor Street, San Francisco
My exploration of the city includes walking some longer streets in their entirety. A couple of years ago I posted a report from my epic walk of 17th Street from east to west. Today we look at my walk of Taylor Street from south to north through the city.
In the map, Taylor Street is a deceptively straight road heading from Market Street downtown to Fisherman’s Wharf. But as with many of the older streets in San Francisco, the simplicity of the straight line belies the complexity of the terrain it follows and diversity of neighborhoods, people and architecture along the way.
Taylor Street begins at a five-way intersection with Market Street that also includes Golden Gate Avenue and 6th Street. The Luggage Store Gallery is close to the intersection, as was the temporary space for the Outsound series where Pitta of the Mind performed in February. It also one of grittiest and grungiest sections of the city. It has cleaned up significantly even since the time I moved here almost eight years ago. And while some of that is welcome, I do worry that the area is ripe to be turned into something more bland and vapid, akin to the newer Mission Bay developments, even if some of the building facades are preserved. That would be a tragedy. Walking up the first few blocks of Taylor into the Tenderloin district, one sees a cross section of grit and grunge and stylish old buildings, and a wide range of people that make up the life of a city.
There are many alleys and side streets throughout this part of the city. Here we see Adelaide Street, which was renamed for Isadora Duncan, the pioneer of modern dance. Her family lived in a house nearby on Taylor street.
As we approach Nob Hill, the street takes a steep turn upward. The roadway narrows, parking becomes perpendicular, and the sidewalks have embedded staircases on this block.
The architecture and character of the neighborhood is changing as well. We are entering one of the older affluent neighborhoods of the city. There are many of the classic bay-windowed buildings that continue up from the base of the hill, but also some larger mid-century apartments as well.
At the crest of the hill, Taylor Street crosses California Street with its cable car lines.
On one corner is Grace Cathedral, while on the other side are this large classic 1960s-style apartment buildings that remind me of New York. The park across from the cathedral is very stylized and manicured, more a turn-of-the-20th-century garden than a contemporary urban park. If I want some exercise and nice outdoor spot for lunch, I should come up here.
Continuing north, he street veers downward, but then after a dip it turns upward again as it ascends the even steeper Russian Hill.
As we ascend the hill, we pass over the Broadway Tunnel, which carries the main Broadway as a limited access road underneath the hill to Van Ness Avenue. A side street continues up the hill to meet Taylor on top of the tunnel, providing spectral views of North Beach, Chinatown and the Financial District.
Readers may recognize this view from the more stylized version in a recent Wordless Wednesday photo.
Up the steep hill, one sees more of the modern tall apartment buildings. Again these remind me of some of the apartments on the steep hillsides in the Riverdale section of the Bronx.
As we descend the north side of the hill into North Beach, the buildings become more of the classic San Francisco style, but a bit more pitched and in brighter colors than they were further south.
Along this incline, I discovered another interesting alley.
The sign marking Redfield Alley is one of the older embossed models that one rarely sees any longer. It uses similar type and the same color scheme as the contemporary signs, so it is probably from the 1950s or 1960s. The alley itself narrow opening to a green space. It feels more like a European city than the typical American city, but of course San Francisco is not typical of cities in this country.
At the base of the hill, Taylor crosses Columbus Avenue. The Powell and Mason cable car line turns onto Taylor, ending at cul-de-sac about a block away.
But this is not the end of Taylor Street. It’s just an interruption for the terminus of the cable-car line (why that line ends so abruptly is a story for another time). The street actually resumes, now in Fisherman’s Wharf. It is flat here, lined entirely with chintzy shops and choked with tourists. I see a couple of office buildings around here, and find myself curious what it would be like to have a normal office job in the middle of such a neighborhood.
Taylor Street continues across the large sprawling plaza at the north end of Fisherman’s Wharf, amidst the crowds of meandering tourists, and finally ends at an intersection with the Embarcedero along the waterfront.
I’m rarely ever up here, so it’s a bit of a novelty. But the disorganized slow-moving crowds of people are not very comforting, so I catch a vehicle back home. It certainly an interesting walk to see all the changes in space and time along this street. And there will be more such excursions to talk about.
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Wordless Wednesday: BQE Porthole
Wordless Wednesday: Spheres (San Francisco)
Outsound Music Summit: Peter B Kaars Photography and Tim Perkis’ Noisy People
If you have followed our past coverage of the annual Outsound New Music Summit you have encountered the photography of Peter B. Kaars. Indeed, his photos appear on many of our reviews of Outsound events and beyond. This year, his work was the subject of an evening of the summit, with a gallery installation and reception.
[Image by Rent Romus, Outsound Presents]
For this event, Kaars selected images that were single portraits, each capturing an aspect of the performers’ musical personality.
I was particularly happy and honored to be the subject of one of his selections: a close-up of my hand on a modular synth.
The exhibition was a chance to see Kaars’ work as an artistic endeavor independent of the performances being documented. Or as Executive Director Rent Romus put it: “an artist making art of artists making art.”
The evening also featured a screening of Tim Perkis’ film Noisy People, which documented the Bay Area new-music and free-improvisation scene in the period 2002-2007 by following a collection of familiar artists.
Indeed, all of the artists featured in the film are people and I know and in many cases played with, either during the period chronicled or through countless events after I moved to San Francisco in 2008. It was fun to see some folks I know now in an earlier incarnation, and how their music has collaborations have changed. Of course, seeing it in an audience comprised of members of scene made the experience that much more fun.
You can find out about the concerts for this year’s Summit at the official website.