Fun with stats: The Year in Hate and Extremism

I heard this report last night on Fresh Air, and then went to read the original article at the Southern Poverty Law Center. Here are some not-so-fun statistics:

  • The number of hate groups in the U.S. has been going up for years, rising 54% between 2000 and 2008. The number of groups rose again slightly in 2009 — from 926 in 2008 to 932 last year — despite the demise of a key neo-Nazi group.
  • Furious anti-immigrant vigilante groups soared by nearly 80%, adding some 136 new groups during 2009.
  • An astonishing 363 new Patriot groups appeared in 2009, with the totals going from 149 groups (including 42 militias) to 512 (127 of them militias) — a 244% jump. (If you’re not familiar with what a “Patriot group” is, you can read more here.)
  • A new poll from Harris interactive finds that 40 percent of American adults think that Obama is a socialist; 25 percent believe that Obama was not born in the United States and is therefore not eligible to be president; 20 percent say Obama is doing many of the things that Hitler did; 14 percent say Obama “may be the Antichrist.”
  • According the SLPC’s map of extremist and hate groups, the state with the second largest number of groups, after Texas, is California.

It’s easy to forget sometimes, but your friends here at CatSynth could be targets for such groups. Far less of a danger than an auto accident, statistically speaking, but still…

Sonja Navin and Mike Kimball

I recently visited two openings for artists I met at Open Studios last fall and whose work reflects my interests in highways, architectural images and the urban landscape. The artists take very different approaches, and the shows were in very different parts of the city – but having both openings on the same night was a great opportunity to see them together and simultaneously reflect upon the city itself.

First, I stopped in the relatively quiet West Portal neighborhood for a show at the Greenhouse Cafe featuring Sonja Navin. Navin draws on her architectural background to capture familiar images of the city in her paintings. Perhaps the most “familiar” image was the King Street off-ramp from I-280 in her large painting entitled 280.

[Sonja Navin. 280. Photo courtesy of the artist. (click to enlarge)]

Navin experienced this interchange the way many of us do, i.e., being stuck in traffic, and thus had the opportunity to visualize it in detail. She also had a painting East on N which featured a familiar view along the N-Judah metro line in the Sunset district.

Although her subject matter is often architectural in nature, her painting style features large brush strokes and irregular areas of color rather than the straight lines and precision of architectural drawings. She also had several figurative paintings, and some such as In The Haight combine both character and street elements.

Navin’s exhibition, which also features artist Kacie Erin Smith, will be on display at The Greenhouse Cafe, 329 West Portal Avenue in San Francisco through April 30.

After brief ride over Twin Peaks, I found myself descending into the Mission district for an opening at City Art Gallery, where I was particularly interested to see new works by Mike Kimball.

Like Navin, Kimball’s interpretation of the urban landscape distills it down to basic elements, but his prints and paintings feature very clean lines and simple geometric shapes. One example is his Maritime Plaza, which I immediately recognized (it is a favorite out lunch spot of mine).

[Mike Kimball.  Maritime Plaza.  Image courtesy of the artist.  (click to enlarge.)]

Like the building it represents, the image is framed by the triangules and X-shapes of the seismic bracing. This was one of the first buildings to use this technique, which is now a familiar site on buildings in the Bay Area.

In Division Street, Kimball represents another familiar sight from daily life, the interchange of I-80 and US 101 that sits above Division Street in SOMA. The image is composed of very simple curves and lines and solid colors, from which one can distinguish the elevated structures of the highway and the shadows they cast, as well as details such as the markings (and probably graffiti) on the sides of the trailers.

[Mike Kimball.  Division Street.  Image courtesy of the artist.  (click to enlarge.)]

Trucks and trailers also feature prominently in Kimball’s work. His “Truckograph” series features a similar graphic quality to Division Street. His larger work Meditations on a port looks at the stacks of trailers at the port as an abstract collection of boxes. Kimball bridges the industrial and abstract in this work – close up, one can see the writing and metal texture, but from a distance one simply sees the colored squares.

Kimball’s current exhibition will be on display at City Art Gallery, 828 Valencia Street, through March 28.

Weekend Cat Blogging and Photo Hunt: Three

For Weekend Cat Blogging and today’s Photo Hunt theme of Three, we present a trio of images taken with our new camera:

The glass coffee table at CatSynth HQ has been a mainstay for themed photos, and it presents several representations of the number three:

There are the triangular elements with three sides, and there are the three glass surfaces.  I wish there were only three objects on the table instead of four, but you take what you get.  This picture was taken from above with a telephoto lens, and I really like the detail on the glass, particularly the refraction of the square patterns.

Next, we try out a portrait lens on our resident model:

Notice the overall detail and the color of Luna’s green eyes.  For a rather weak connection to the theme of three, there are three chairs present in this picture.

So now we go out into the world.  It does seem that spring has arrived, and we are ready for new adventures:

Weekend Cat Blogging is hosted by Billy Sweet-Feets with Nicholas

Photo Hunt 205 is hosted by tnchick. This week’s theme is “Three”.

The Carnival of the Cats will be up this Sunday at When Cats Attack.

And the Friday Ark is at the modulator.

On Kawara, MAR. 16, 1993

Today, we consider a work from the Today series by conceptual artist On Kawara. Since 1966, he has created many paintings in this long series, each consisting of the date the painting was created in simple white lettering set against a black background.

By coincidence, the San Francisco Museum of Modern Art (SFMOMA) has in their collection MAR. 16, 1993 from On Kawara’s series:


[On Kawara, MAR. 16, 1993 from the Today series.  San Francisco Museum of Modern Art, http://www.sfmoma.org.]

I have seen it several times in the past, but when I wandered though the museum’s 75th anniversary exhibition a couple of weekends ago, there it was again. And there is no way I would pass up mentioning it today.