Big Merp jumps up on the ledge behind the modular synths (the main system as well as the RackBrute). Also present are the Deptronics Thunderbell, Moog Mother 32, Roland Boutique VP-03 (with owl), and the Korg Volca Beats.
Poor Merp has had to wear the cone of shame since his surgery on Friday, but as this picture shows, by Wednesday he was feeling much better and back to his regular mischievous self. So we decided to liberate him from the cone.
He seems much happier without it 😸
Eggo the cat sits atop a Korg DW8000 synthesizer. From Sam Oliver via our Facebook page.
Eggo the waffle kitty, aptly named from Stranger Things, is having a rest on my vintage 1985 Korg Dw8000 which happens to have a small piece of a much larger stranger things pop figure collection
“Stranger Things” has definitely brought some of the mid-1980s synthesizer sounds into mainstream consciousness – although those sounds and instruments have been popping up again in music for some time now. Around 1986/1987, the DW8000 was Korg’s “out-of-my-league” synth, the big flagship compared to the Poly800 v2 that I was initially looking at – and I thought the graphics for the waveforms were pretty cool. Of course, this is the time period when the Yamaha DX7 and their other FM synths were dominant. Ultimately, I went for analog/DCO and FM options in my first synths, but recently I have found myself rather curious about the DW8000 (and its rackmount version the EX8000) again.
Posing with my friend and collaborator Serena Toxicat at the Outsound benefit dinner a couple of weeks ago. Although about the same height, size, and silhouette, our color and texture were true contrasts. Black vs white, solid vs patterned. Yin and yang.
You can see our video from the performance at the benefit dinner below.
Yogi found a nice place to sit atop an Oberheim Matrix 6R rack-mount synth module. By Sayer Seely via Facebook.
The 6R is the rack-mount module version of the classic Oberheim Matrix 6 from the 1980s.
The Matrix 6 was one of the last few synthesizers from Oberheim to come out during the mid-eighties following the classic OB-series. The Matrix 6 utilized high-tech but less expensive digital and midi features and still retained a totally analog sound. It did this by using DCOs (digitally controlled oscillators) to provide stability, programmability and more. All the Matrix synthesizers featured Matrix Modulation which allows for extremely wild virtual patching for almost unlimited range of sounds and modulation capabilities!
http://www.vintagesynth.com/oberheim/mat6.php
A cat sits atop an original Arp Odyssey. From the appropriately named arpodyssey on Instagram.
Another Original ARP Odyssey in, this one has a problem moving the sliders! Can’t think what the problem may be 😂
