Arma Agharta and Song & Dance Trio, Luggage Store Gallery, San Francisco

Today we look back at the recent show featuring Song & Dance Trio and Lithuanian sound-and-performance artist Arma Agharta at the Luggage Store Gallery in San Francisco. It was the subject of a recent episode of CatSynth TV.

I have seen the members of Song & Dance Trio, Karl Evangelista (guitar), Jordan Glenn (drums) and Cory Wright (baritone saxophone) many times before in many musical contexts, but this was the first time I saw them as a trio. As one can hear in the video, they mixed complex virtuosic avant-garde performance with familiar jazz idioms. And they made it work. There was a strong rhythmic sense throughout the set, with the musicians moving freely between a relaxed shuffle and frenetic staccato runs. The familiar jazz figures sprinkled throughout were fun, but the more experimental interludes were a palette cleanser that made the grooves stand out more strongly.


[Song & Dance Trio (Evangelista, Glenn, Wright)]

Next up was a solo performance by Arma Agharta, a Lithuanian sound-performance-artist who was kicking off the west-coast swing of his United States tour. I didn’t know quite what to expect, even after looking at his interesting setup with a mixture of sound-making objects and electronic instruments.


[Arma Agharta’s colorful electro-acoustic rig]

And then he took the stage wearing a large pointed had and colorful robe. Things started quietly but very quickly turned to a loud, frenzy of sound, movement, and vocals.


[Calm and anything-but-calm moments with Arma Agharta]

This was one of the most physically and sonically intense solo performances I have seen in a while, and the energy was nonstop for most of the duration, with just a few ebbs and pauses. An endurance test for performer and audience alike. I haven’t heard anything quite like it, and it is hard to do justice either in written or video form. The intense sounds were from many layers of electronics, including recorded sounds played at high volume along with Arma Agharta’s own powerful voice howling, bellowing, and other vocalizations.

It was interesting to see such different performances in the same show and to assemble them into a single 3-minute video. But it worked both live and recorded. We wish Arma Agharta well on his next tour (last we saw he was in Turkey) and hope to hear more from him. We, of course, will continue to follow Evangelista, Glenn, and Wright on their musical adventures here in the Bay Area.

Serena Toxicat and #OaklandCatFashionWeek

Today we look back at the recent art and fashion show featuring the work of Serena Toxicat. I was fortunate to be a part of this show as a model, and it was featured in Episode 9 of CatSynth TV.

Serena Toxicat is a multi-disciplinary artist, working as a writer, visual artist, musician, and now a fashion designer – longtime readers may recognize her via our reviews of her band Protea. Her paintings were featured on the walls of Farley’s East in Oakland as the fashion show took place in the lobby. She also had her music, books, and cat-themed tarot cards on hand.

One sees themes that repeat throughout her work in various media. There are of course the cats – I particularly liked the painting featuring manuls or Pallas cats – and felines reminiscent of Egyptian iconography. But there are themes running through as well with the bright high-contrast colors and dreamlike arrangements of forms. The feline, color, whimsy and spiritual dimensions are all of a piece and come together in her life experience as well as her outward creativity.


[Photo from @serenatoxicat on Instagram]

The show itself was a fun experience. Each of us modeled two looks over the course of the evening, with more formal runway-style processions interspersed with more freeform dance sections.

A good time was had by all.

In addition to Serena and myself, the models included Ariel McEtchin, Gina Ghorbani, Charlena Verrette, Kristine Katalyst, Maya Imani, Sam Isis, and Jessa Nico.

Although the art show is now over, you can see and learn more about Serena Toxicat’s work via her Facebook page.

CatSynth Pic: Cat on Modular

WunWun atop a modular

Cats find the strangest places to sit. Here, we see WunWun the cat sitting atop a two-row modular synthesizer setup. From flohrdumal on Instagram.

flohrdumal All modules used in a smoke free pet free studio
#studiokatze #noboundaries #crazykitty#synthcat #catsynth #modular#eurorack #cat #katze #gato #chatphoto by @sirbananamonkeymowgli

 

flohrdumal At least now I know that WunWun is 3u x 104hp

 

Pet the Tiger in Golden Gate Park

Today we look back at the recent performance by Pet the Tiger invented instrument collective in Golden Gate Park. It was part of a series hosted by Dan Gottwald featuring invented-instrument performances in the tunnel near the Conservatory of Flowers. You can see and hear excerpts from the concert this CatSynth TV video.

The centerpiece of the performance was the harmonic-series gamelan, a set of instruments that employ tuning based exclusively on the harmonic series. This leads to just-intonation relationships among pitches, but not necessarily those of conventional Western twelve-tone music. The results are haunting and exquisite. This is especially true of the 5-octave metallophone demonstrated by David Samas in the video, and played by Samas and others in the concert.

There was also a large kalimba-like instrument performed primarily by Samas and Derek Drudge, and a large instrument created and played by Bart Hopkin.

In addition to the metallophones, there were various wind instruments. Peter Whitehead played an instrument that resembled a longitudinal bass flute, and whirling tubes, all of which also conformed to the harmonic series.

There was also a stringed instrument performed by Ian Saxton.

Harmonic series relationships are well known to be very pleasant to the ear, and there was an overall pleasing tone to the music, amplified by the acoustic properties of the tunnel, the lighting and the fellowship of performers and audience. In addition to the long meditative pieces, there were sections combining music with anxious dystopian poetry, and even a rendition of George Harrison’s “Within You Without You” from Sgt. Pepper’s Lonely Hearts Club Band.

Overall, it was a lovely and poignant evening, with the light show from the Conservatory of Flowers in the distance and a warm friendly atmosphere in the tunnel that mitigated the approaching chill of the night in Golden Gate Park. The series is over for the season, but we do expect to hear more of Pet the Tiger and these inventor-musicians in the near future.

Remembering Luna, One Year Later

Luna with her beautiful green eyes.

It’s been a year since Luna passed away. And so today we mark her yahrzeit, or anniversary of death. Over the past year, the grieving process has continued in its complicated and chaotic pattern, sometimes raw and at the surface, sometimes just a fond memory now tinged with melancholy. Perhaps if one plots the grief over the course of a year. it will trend downwards, but that doesn’t mean there aren’t moments of deep loss and sadness.

Farewell to Luna

We began observing the yahrzeit at sundown yesterday. After repeated heatwaves and the worst fires and air quality that I have experienced in California, the skies and air suddenly became chilly, crisp, and damp, signaling the real arrival of autumn. The palpable chill in the air brought memories of Luna’s last week back into focus and set the tone for the evening. We switched on the memorial candle – I only use electrical candles for this purpose. A glass or two of red wine, some comfort food, and David Bowie on the stereo. The songs “Dollar Days” from Blackstar and “Prettiest Star” from Alladin Sane are particularly tied to Luna’s passing, along with the chill.

Sam Sam seemed to sense my state – exacerbated by an unusually stressful workday on top of everything else – and provided a lot of extra comfort last night, breaking her night-time wanderings around HQ to come and lay on my chest and purr. She does this most days, but not as long or as deep. Indeed, her presence has been a great source of love and comfort as I continue to move forward. I will always miss Luna, but my current and future cats need me in the present.