Fun with Highways: Mississippi and Alabama

In this installment of our “primary highways” series, we look at the states of Mississippi and Alabama. In some ways, this is a particularly challenging edition, as I have never personally visited either of the states – in fact they are among only five remaining states I have yet to visit (Kansas, which held its causes on Saturday, is another of the five).  So we will do the best we can.

I did come close to visiting Mississippi in 2006. For one day while I was in New Orleans, I had rented a car to reach places outside the public transportation grid that was still limited after Hurricane Katrina, including the Lower Ninth Ward. I was tempted to get back on I-10 and head east to Mississippi, just to be able to say I was there. But in the end I decided against it. Had I continued, I would have crossed into Mississippi in a sparsely populated area along the Pearl River. To the north of I-10 is the John C Stennis Space Center, where NASA has tested engines for many of our legendary space vehicles including the Apollo Saturn V and the Space Shuttle.

Given that it is an engine test facility, it’s not surprising there isn’t much of a permanent population in the area. Several communities were removed when it was built, and supposedly a few remnants of the communities, particularly Gaineville, still exist. Indeed, off of Highway 607, the “Shuttle Parkway”, is Lower Gainesville Road, which heads past various space-center complexes towards the Pearl River and ends at what could be the remains of the town.

Heading southward on 607 from I-10, we eventually reach US 90, which continues along the Mississippi coast through the towns of Waveland and Bay St Louis, which were devastated by Hurricane Katrina. Perhaps the most dramatic example was the bridge carrying US 90 over St. Louis Bay, which was completely destroyed.

It has since been replaced by a new bridge, a graceful flowing structure that has won the American Transportation Award and became a symbol for the region.


[By Frank Kovalchek from Anchorage, Alaska, USA [CC-BY-2.0], via Wikimedia Commons]

US 90 continues along the coast as Beach Boulevard towards the cities of Gulfport and Biloxi. Biloxi is a big resort and casino town on the coast, but it, too, was devastated by Hurricane Katrina. Although it sounds like there is still much rebuilding to be done, many of the city’s casinos have since reopened and landmarks restored including the iconic Biloxi Lighthouse and the Ohr-O’Keefe Museum Of Art that was designed by Frank Gehry. The Ohr-O’Keefe was under construction when Katrina hit and was severely damaged. It ultimately opened in 2010.


[By Woodlot (Own work) [CC-BY-SA-3.0 or GFDL], via Wikimedia Commons[]

South of nearby Gulfport is Cat Island. I thought maybe it had something in common with the famous Cat Island off the coast of Japan, but no such luck. As far as I can tell, there are no cats there, and the name itself was a mistake.

From the southeast corner of the state, we jump to the northwest corner. Specifically, we are going to a junction outside of Clarksdale where US 61 and US 49 meet. This crossroads is considered by many “the crossroads”, where according to legend blues musician Robert Johnson sold his soul to the Devil in exchange for his musical gifts.


[By Joe Mazzola [CC-BY-SA-2.0], via Wikimedia Commons[]

Legend or not, Clarksdale has a particular association with the blues, and is home to the Delta Blues Museum.

US 49 has long been a major highway traversing the state diagonally. From Clarksdale, it winds its way through the Mississippi Delta, even splitting into separate east and west parts, before leaving the delta and approaching the capital and largest city, Jackson. On the northwest approach to the capital, US 49 carries the name Medgar Evers Boulevard in honor of the civil rights leader who was assassinated in Jackson in 1963. The highway then bypasses the downtown with I-220 and I-20 before continuing to Hattiesburg, home of Southern Mississippi University.

In Hattiesburg we meet I-59. The drive along I-59 and US 11 to the town of Laurel was recommended to me (actually, the drive south from Laurel to Mississippi State University). In Laurel, I-59 had an unusual S-curve that rivaled Dead Man’s curve in Cleveland due to railroad overpasses, but it has supposedly been reconstructed. I-59 continues north to Meridian, where it joins with I-20.

Briefly leaving the freeway in Meridian, one can take Highway 19 north to the town of Philadelphia, made infamous for the death of three civil rights workers James Chaney, Andrew Goodman and Michael Schwerner. The murders took place off of Highway 19, and it was presumably the route they took to Neshoba County.


I-59 and I-20 continue as a single route into Alabama, all the way to Birmingham. It is largest city in either of the states in this article, and is crisscrossed by several major highways. A large interchange between I-59/I-20 and I-65 just west of downtown is known as Malfunction Junction because of the frequent (and unfortunately, sometimes deadly) accidents that happen there.


[Click to enlarge.]

Interestingly, it does not look that complex from a map view, especially when compared to a nearby junction of I-59/I-20 and US 31/US 280. While it does look more complex, it does afford a good view of the city skyline when approaching from the south.

Birmingham has a strong industrial past, especially in iron and steel. Indeed, the Sloss Furnace in the city is one of the few industrial sites preserved as a National Historic Landmark.


[Timjarrett at the English language Wikipedia [GFDL], from Wikimedia Commons]

Visitors can wander and enjoy the site, which features defunct but preserved industrial buildings and machinery. This would be a fantastic place to photograph! I could also see it as a musically inspiring location, for pieces based on metallic resonances. The center does hold concerts, and has a highly regarded program in metal arts. (I wonder if they have arts residencies?)

As has happened with many other industrial cities that experienced long declines, downtown Birmingham appears to rebounding as a residential and cultural center, with lofts and galleries. There is also the restored Alabama Theatre which functions as a performing arts center while retaining many of its movie-palace features, most notably its original Wurlitzer Organ. (It should be noted this is the second Wurlitzer to be featured in this year’s “primary highways” series.)

South of Birmingham is the town of Selma, which has a storied place in the Civil Rights Movement. A voting rights movement in the town ultimately grew into the Selma to Montgomery Marches in 1965. The marches took place on US Highway 80 heading east from Selma and crossing the Edmund Pettus Bridge.

The first march was met by state troopers and the marchers were brutally assaulted. Images “Bloody Sunday” were broadcast nationwide, shocking many and galvanizing support among some for the civil rights movement. Two more marches along the same route were organized. The third march passed the bridge and continued all the way east on Highway 80 to Montgomery. The march then veered north onto the Mobile Highway, parallel to present day I-65, and then along city streets to the state capitol. The entire route is now marked as the Selma to Montgomery National Historic Route.

From the state capital, one can travel south on I-65 to Mobile and back to the Gulf Coast, where we began. We switch on to I-165 which enters the downtown and becomes Water Street. Heading further south, we come back to I-10, which crosses Mobile Bay on a long causeway. From the causeway, we can look back at the city at sunset.

[Photo by faungg on flickr. (CC BY-ND 2.0)]

#iSnapSF, Hipstamatic portraiture in San Francisco

Those who have followed the photography on this site over the past year or so know that I have become quite enamored with the Hipstamatic photo app on my iPhone. It certainly has nottaken over all my photography or replaced by DSLR, but it has become one my tools for certain types for images and for the challenge of working with limited degrees of freedom. Synthetic, the makers Hipstamatic are actually based here in San Francisco in a renovated factory building not far from CatSynth HQ. And I recently visited them for the opening the photography exhibition #iSnapSF.

Most of the images in the show and the accompanying book are portraits. I have to admit I have not used Hipstamtic for portraits (except portraits of my cat). But the photographers this show have managed to capture quite a bit of detail and expression in their human subjects.


[Images from #iSnapSF from facebook page and reproduced courtesy of Synthetic.]

In both cases, the subjects are integrally part of the urban environment around them, either by design or by coincidence. In the second instance, the subject is more integrated into the architecture of the environment in terms of her pose and dress – this was one of favorite images in the exhibition. If we are to follow a trajectory of portraiture to architecture, there was also this image of a downtown SF building with the distinctive bay-window architecture characteristic of the city.

This one (another favorite of mine) is particularly impressive in that it includes several layers of reflections, subjects and scenery. And of course it includes a cat.


[Images from #iSnapSF from facebook page and reproduced courtesy of Synthetic.]

The lens and film effects bring out certain details while obscuring others. This particular combination has a grainy quality but still emphasizes outlines, such as those of the subjects’ figures and the buildings. It also amplifies the rough texture of the concrete.

The prints were relatively large (between 12 inches and 18 inches square), and they came out consistent with one would expect. They are relatively low-fidelity in terms of pixel resolution and the nature of the lens and film effects, but the images are still quite detailed.

I am not sure what the goal was in having some of the images framed and mounted, while others were hung from clothespins.

The proceeds from the show and the accompanying #iSnap Field Journal support Larkin Street Youth Services, a “San Francisco-based non-profit organization that provides various support services such as emergency shelter, medical services, meals, counseling, and job training for at-risk youth ages 12-24 living on the street.” Indeed, most of the photographs in this series were taken in the downtown neighborhoods around mid-Market Street and the Tenderloin that they serve. I did get a copy of the field journal:


[click images to enlarge]

In addition to the prints themselves, each page also has notes about the images. For the picture of the young woman shown above, the notes confirmed that it was a chance shot on Market Street with the photographer curious about the subject. Surprisingly, the seemingly posed image of the man in the cowboy hat is also described as a chance encounter. I remain a bit skeptical of that. The cat photo that I quite liked started out as a cat photo but pulled in the other layers as chance operations to produce the image, and had a working title “Tenderloin Magic”. I think that is a good alternate title for many of the images in the exhibition.

It’s also worth noting that all of my own photos to support this article (with the catsynth.com watermark) were done with the Hipstamatic.

CatSynth pic: cEvin Key (I Dream of Wires)

“cEvin Key (Skinny Puppy, Download, Subconscious Communications, etc) at Subconscious Studios.
skinnypuppy.com/
subconsciousrecords.com/
scaremeister.com/
— with cevin Key at Subconscious Studios, Hollywood CA.”

Via matrixsynth, where you can find additional still images and information about the new documentary I Dream of Wires.

You can find additional pics via IDOW on Facebook.

You can find IDOW on IndieGoGo here (note although they reached their goal, you can still donate and order items).

This is also a reminder that I should review cEvin Key’s album, which I have enjoyed for quite a while.

Weekend Cat Blogging: Portrait

Today we are keeping it simple, and sharing a portrait of Luna.

With all the recent fun with Hipstamatic and other iPhone-based photography, it’s good to remember what the DSLR can do. Over the last couple of days, I have been working with the fixed-length portrait lens, which I rarely use. But it quite good for taking portraits without much distortion. Especially for a cat like Luna with dark fur, it’s nice to be able to capture so much detail and expression.


Weekend Cat Blogging is at Mind of Mog this week.

The Carnival of the Cats will be hosted this Sunday by Kashim, Othello and Salome.

And the Friday Ark is at the modulator

SIMM Series: Hay/Honda/Kuehne trio and Forward Energy

Today we look at a recent show in Outsound Presents’ SIMM Series that featured two different but energetic ensemble performances. Jim Ryan’s Forward Energy was back for a CD release performance. And they were preceded by a trio of Emily Hay on flute+vocals, Motoko Honda on piano, and New-York-based Valerie Keuhne on cello.


[Emily Hay and Valerie Kuenhe]

Before the show, I went up to the piano to take a closer look at the array of gear arranged on top, including a Korg Kaoss Pad and 4ms Noise Swash. These were used by Motoko Honda during the set, though she mostly used it to control audio from the other performers.

The set opened with cabaret-style piano (no electronic effects yet), joined by flute trills and melodies. Keuhne’s cello complemented Hay’s flute, but then grew more intense and frantic, eventually reaching high-energy “bow-wrecking” levels. Hay switched from flute to vocals that nonetheless retained a flute-like quality. The rhythm of the voice and piano were set strongly against the cello.

Keuhne started the second piece, again with fast bowing, harmonics and percussive effects. Her performance was forceful and featured rich tones. The piano and flute came in more subtly, with processing by the Kaoss Pad. It was easier to hear the electronics with the flutter technique on the flute and percussive vocal effects, with a variety delays, pitch bends and harmonizations. While controlling the effects, Honda continued her vigorous piano performance, using the inside of the instrument in addition to the keys.

Hay opened the next piece with flute mouthpiece and electronic effects. Here I think the 4ms pedal was being used, particularly on the buzzing effect of the low drone from the cello. The overall texture became quite noisy, but the vocals and scraping effects from the cello came through. The final section featured the full ensemble, and particularly forceful piano performance by Honda that included shaking the instrument. The ending was a little quieter from all, but nonetheless still vigorous.

After a short break between sets, Forward Energy took the stage in a performance celebrating the release of their new CD The Awakening. The group featured Jim Ryan on voice and saxophone, Rent Romus on saxophones, CJ Borosque on trumpet, Scott Looney on piano, Eric Marshall on bass, and Timothy Orr on drums.

The set started off immediately with a burst of energy. After this opening fanfare, the music relaxed into a fast jazz rhythm with repeating atonal patterns. The horns (Ryan, Borosque, Romus) took turns with solos separated by ensemble improvisation sections. There were passages where the three horns played together as a single instrument; and Rent Romus’ solo had a more soulful and deep quality compared to the overall frantic and anxious quality of the piece. Scott Looney’s piano solo switched back and forth between rhythmic chords and fast runs that I couldn’t possibly play myself. The bass solo by Marshall was accompanied by scraping metallic percussion and prepared piano, including drumsticks and metal percussion on the strings.

The rhythm section opened the next piece, with resonances in the piano and slow percussion tones. This eerie mixture was set against slow trumpet. Then all at once the ensemble started playing loud and fast. Then a sudden silence followed by prepared piano. It kept going back and forth this way, soft versus angry. I found myself particularly noticing the various gongs that Looney was using inside the piano to both visual and aural effect

The final piece was where the reeds pulled out their virtuosic techniques. Rent Romus played double saxophone (similar to a few nights earlier at the Music of Invention concert), and Jim Ryan launched into his poetry (one friend on Twitter referred to this as “Jim going bore poet”) with lines ranging from “Naked on the plane of full being” to “Did you ever see an elf die?” I can with all honesty that I have never actually seen an elf die. It was delightfully weird, and I think some of the lines took the other musicians by surprise. The prepared piano accompaniment was noisier and scratchier than in the previous piece, which gave the overall background a more staccato and pointed texture.

Overall, the performance did live up to the name of ensemble, and it was clear that everyone, especially Jim Ryan, had a great time with it.

Fun with Highways: Super Tuesday, Part 2 – Ohio

Today we devote the second of our “Super Tuesday” Fun with Highways articles to the state of Ohio. Although the state is often known for its agricultural and industrial heritage, we choose to focus on its major urban centers here. Although not originally intended as such, it could be called “fun with bridges.”

We begin near Cleveland, the state’s largest metropolitan area. I-90 comes in from the east along the shore of Lake Erie. At “Dead Man’s Curve”, the highway makes an abrupt and rather angular turn to the south to become the Innerbelt Freeway along the edge of downtown.


[Burtcbl at the English language Wikipedia [GFDL, CC-BY-SA-3.0 or GFDL], from Wikimedia Commons]

The above view shows old and new aspects of the city’s skyline. The Terminal Tower is the classic deco skyscraper from the early 20th century is visible in the distance. The highly geometric and sleek Rock and Roll Hall of Fame is a contrast along the waterfront. In between, the Key Tower, the tallest in Ohio, combines elements of both.

I-90 intersects with the northern terminus of I-77 at a rather complicated interchange before continuing across the Cuyahoga River on the “Innerbelt Bridge.”


[Photo by GandZ on Wikimedia Commons. (CC BY-SA 3.0)]

The bridge crossings over the Cuyahoga in Cleveland are numerous, and perhaps define the city as much as the skyline, if not more. Even the image above showing the Innerbelt Bridge carrying I-90, we see several others. There is a low-lying rail bridge crossing underneath at an angle. It is one of many low bridges that can be raised for water traffic on the river. I believe this one is no longer in use and is permanently in the raised position.

The most iconic of the many crossings is the Detroit-Superior Bridge carrying US 6 and US 20 across the river into downtown. The name seems a little odd, as we’re not in Detroit and Cleveland is on Lake Erie rather than Lake Superior. But it connects Detroit Avenue with West Superior Avenue and thus the name is quite appropriate. It rises high above the river and is quite picturesque against the downtown skyline.


[Burtcbl at the English language Wikipedia [GFDL or CC-BY-SA-3.0], from Wikimedia Commons]

Looking towards the lake from this bridge, one sees how closely packed the crossings are, and the diversity of shape, height, function, and level of disuse. In the picture below, we see the blue bridge carrying a major freeway, State Highway 2, beyond that a rail bridge, and in the front the ruins of the older Detroit Avenue viaduct.


[By Craig Hatfield [CC-BY-2.0], via Wikimedia Commons]

The viaduct, like the unused rail bridge shown above, are quite interesting as artistic subjects, and even qualify as “hyperart” as described in conceptual artist Akasegawa Genpei in his book Hyperart: Thomasson (you can find out more about it here). Thus, it should not be surprising that I would very much like to visit this part of the city for artistic inspiration, to explore the bridges both in use and abandoned, as well as other places along in this industrial riverfront section of the city known as the Flats.


[Photo by Chris Hamby on flickr. (CC BY-NC 2.0)]

Cleveland has actually long served as a magnet for artists interested in urban and industrial landscape, so this is nothing new. Indeed, the city has seen the same cycle of others where rundown or neglected neighborhoods attract artists in search of low rent and inspiration, and then the costs of living rise. But it still seems to have much to offer and I hope to get the chance to visit soon.

We depart Cleveland continuing on I-90, and then switch onto I-71 to journey diagonally across the length and breadth of the state. It winds through the suburbs, crossing many other highways before intersecting our friend I-80, which runs across the state as the Ohio Turnpike. The Ohio Turnpike is familiar from numerous cross-country trips, with the rolling hills and suburbs giving way to a much straighter road over flat terrain and farmland as one heads west. But in this instance, we continue south on I-71 towards Columbus, the state’s capital and largest city.


[Click image to enlarge.]

Columbus is in the middle of the state, and without much to get in the way it has developed the “standard” set of ring roads we see in many cities around the world: an outer beltway (in this case, I-270) and an inner belt around the downtown (a combination of I-70, I-71, I-670 and State Highway 315).


[Photo created by Alexander Smith on Wikimedia Commons. (CC BY-SA 3.0)]

Looking at the Ohio State House, it initially looks like something is missing: the dome that is ubiquitous on so many seats of government. It appears as if it has been shaved off. In actuality, this is part of the design, an older Greek Revival design that predates the current Capitol dome in Washington, DC, that was then used subsequently in most states.

Columbus does have its bridges as well, including the Lane Avenue Bridge which includes some classical elements in its otherwise modern design.

And of course I would be remiss if I did not mention Ohio State, as I have several friends who are devoted lifelong fans due to their connections to either the university of the community.

Leaving Columbus, we continue southwest on I-71 to Cincinnati.


[Photo by Rdikeman]

One stop we must make while in the city is to the Contemporary Arts Center. The CAC is perhaps most famous for its exhibition of photographs by Robert Mapplethorpe in 1990 that still resonates in discussions of “controversial art” (though honestly Mapplethorpe’s photographs themselves don’t seem that controversial anymore, I have seen on multiple occasions in recent years). But the museum is more recently known for its building with fragmented geometric sections designed by architect Zaha Hadid; and for programs that feature architecture and design.

The city is home to the Cincinnati Art Museum. It is a relatively conventional art museum with a wide-ranging collection, but it does include yet another piece by Mark di Suvero for us to encounter is this series. Atman is another large red metal outdoor sculpture, but without the typical rounded element.


[Photo by Adam Norwood on flickr. (CC BY-NC 2.0)]

Cincinnati lies along the state’s namesake river, which forms the border with Kentucky to the south. As such the city has its own set of bridges, though nothing to approach the density of Cleveland. The most interesting perhaps is the John A Roebling Bridge. One can see many of the elements that Roebling would ultimately use in New York for the Brooklyn Bridge.


[Photo by Rick Dikeman on Wikimedia Commons. (CC BY-SA 3.0)]

Another Cincinnati Bridge that has been in the news is the Brent Spence Bridge, which carries I-71 together with I-75 south into Kentucky. The bridge is featured prominently in the city skyline image above. It also one of the 15 bridges labeled by the Federal government as “structurally unsafe”, which sounds quite bad (indeed, President Obama used it as a backdrop for a speech about rebuilding our infrastructure). The bridge itself made the case in 2011 when chunks of concrete fell from the upper deck to the lower deck. Proposals are currently being considered for a replacement.

Fun with Highways: Super Tuesday Part 1 (Vermont, Virginia, Tennessee)

Ahead of the Super Tuesday presidential primaries, we at CatSynth will try to virtually visit many, though not all, of the states involved.

We begin in the Northeast Kingdom of Vermont along State Highway 114. It winds its way from the most remote northeastern corner of the state and The Kingdom State Forest eventually into the towns and lakes of the region.


[Photo by Dougtone on flickr. (CC BY-SA 2.0)]

The scenery as seen in images often is lush and green, when it isn’t brightly colored in the autumn. It is not surprising that the Green Mountains and the state of Vermont were given their verdant names. It’s also interesting to note how different the terrain and scenery is from neighboring New Hampshire. As a reader noted in our New Hampshire edition on DailyKos, the Connecticut River that divides the two states also separates radically different geological structures between the Green Mountains of Vermont (an extension of the very old Appalachian Mountains) and the younger, rockier mountains of New Hampshire. The geography lead to very different settlement patterns, different economies (farming in Vermont versus industry in New Hampshire) and perhaps into the modern political contrasts as well.

In terms of life in The Northeast Kingdom, I often turn to the blog meeyauw, who has over the years mixed great photography from her nearby landscape with cats and mathematics. I did enjoy these recent pictures from the author’s home near Barton Mountain, not far from Highway 16.

We can follow VT 16 back to Interstate 91, the main highway in and out of the “The Kingdom”. Heading south on I-91, the terrain looks a lot like eastern New York, hilly and forested. We turn off the highway onto US 2 and head west to Montpelier, the state capital. It has the distinction of being the smallest state capital in the U.S.


[By Jared C. Benedict [GFDL or CC-BY-SA-3.0], via Wikimedia Commons]

It is in Montpelier that we turn onto Interstate 89, which crosses the state diagonally from New Hampshire in the southeast to the Canadian border in the northwest. Along the way it connects the capital to the largest city, Burlington. Although I-89 never enters the city, it is easy to connect to the downtown via US 2.


[By Jared and Corin (Church Street, Burlington, Vermont) [CC-BY-SA-2.0], via Wikimedia Commons]

Probably more than any other place in Vermont, Burlington defines the state’s current political reputation. It is home to Bernie Sanders, onetime socialist mayor of the city and current U.S. Senator. We at CatSynth have long been fans of Sanders, not only for his political views but also his strong Brooklyn accent. Burlington is also the birthplace of Ben and Jerry’s Ice Cream. The city itself is on Lake Champlain, and one can look out from its waterfront across the lake to New York State.

Lake Champlain contains several large islands, particularly in its northern half. US 2 traverses most of these, including Grand Isle via a network of bridges and causeways before heading west at the north end of the lake, where Vermont, New York and Quebec all meet.


[Photo by Dougtone on flickr. (CC BY-SA 2.0)]

The islands themselves have small bays and interesting geography, including one bay called “The Gut.”


From Vermont, we jump to Virginia, the other state that begins with the letter “V”. We begin just south of Washington, DC at the notorious Mixing Bowl Interchange.


[Click image to enlarge.]

The Mixing Bowl, also known as the Springfield Interchange, connects I-95, I-495 (the Capital Beltway) and I-395. The latter heads north into the center of Washington DC, while I-495 casts a wide circle through the suburbs. The interchange is complex-looking enough and well-known enough to have even gotten its own “Fun with Highways” article back in 2009. While the interchange in its current configuration is complicated, the aerial view is even more so because of the “ghosts” of ramps that were removed during a massive reconstruction project.

We can stay in Virginia on I-495 heading “west” (though what is west on a circular highway?) and turn west on I-66. The highway is quite crowded in the growing suburbs of northern Virginia, but starts to quiet as one moves westward. Along the way, one passes Bull Run and Manassas of Civil-War battle fame. There was not one but two major battles here. I am pretty sure there are more Civil War sites in Virginia than any other state, and many in the northern part of the state like Manassas are likely getting absorbed into the expanding suburbs. I-66 continues west towards the Appalachian Mountains, specifically the Blue Ridge Mountains that form the eastern edge of the range. Before its end, we can turn southward to Shenandoah National Park and tour the Skyline Drive.


[Wallygva at en.wikipedia [GFDL, CC-BY-SA-3.0 or CC-BY-2.5], from Wikimedia Commons]

Skyline drive runs for 105 miles and offers spectacular views of the mountains. I have heard (and seen photos) that suggest it can at times get quite foggy as well, though. Nonetheless, doing the entire drive seems like it would be rewarding if one is not in a hurry. In addition to the views, there are details such as the rather narrow Mary Rock Tunnel. The southern end of Skyline Drive connects to I-64. One can head east towards Charlottesville, home of the University of Virginia and one of the country’s shrines, Thomas Jefferson’s home Monticello.


[By YF12s (Own work) [CC-BY-SA-3.0 or GFDL], via Wikimedia Commons[]

The geometric aspects, symmetries and design are quite interesting, as are some of the inventions and features inside. One can tell it was a labor of love (and obsession) for its owner. For some reason, one thing that stuck with me when visiting is the idea of “a home within a home”, a much more modest actual living space almost self contained within the grander designed building.

Back on I-64, we can head west onto Interstate 81 which runs along much of the Appalachian Mountains. It passes through hills, valleys and towns along the way, and is indeed a major corridor for the interior eastern US, connecting the northeast with the south. As such, it connects to our next state.


We continue on I-81 into Tennessee, where it ends at I-40. Here we leave the interstate and head south first on TN 66 and then US 441 to the Great Smoky Mountain National Park. It has the distinction of being the most visited national park in the U.S. It offers great views of the southern Appalachian mountains, both scenic vistas of the mountains and details such as streams and waterfalls.

The other thing I remember from a visit as a teenager was encountering black bears. Even as one is cognizant of the fact that the bears are potentially dangerous wild animals, there is something quite endearing about them.

We did also go to the top of Clingman’s Dome, the highest point in the Smokies and the highest point in Tennessee.

We can west from the park on US 441 to the city of Knoxville.


[By Kg4ygs – Jeffrey Paul Prickett (Own work) [CC-BY-SA-3.0-2.5-2.0-1.0], via Wikimedia Commons]

I do like the Sunsphere, though it looks quite out of place, a future retro design from a past era (or maybe a disco ball). It’s the sort of thing one expects to see abandoned as in the New York Worlds Fair, in a delightfully dystopian setting like Alexanderplatz in East Berlin. However, the Sunsphere sits in a well-maintained green park and has been reopened with an observation deck, cafes, and what I am guessing must be quite unique office space .

Continuing westward on I-40 through the state, our focus shifts to music. Nashville is of course a major music-industry center, both in terms of records and musical instruments, and is synonymous with country music (though in fairness the city is home to other types of music as well such as alternative rock). But I think I would identify more with its neighbor to the west, Memphis. Memphis is home to important early blues, but I think it is the later Electric Blues, early Rock-and-Roll and Memphis Soul (as epitomized by Stax Records) that most interest me – even as a mostly “experimental” composer, the sounds of these genres are a strong influence. I can’t personally speak to an I-40 musical rivalry between Nashville and Memphis, but perhaps some readers may be able to contribute here.

Indeed, I-40 is named the “Isaac Hays Memorial Highway” on its eastern approach to Memphis. Long before he was Chef on South Park, Isaac Hays was a leading figure in Memphis Soul on Stax. I-40 and I-240 together form a beltway around this city’s outer neighborhoods, but its downtown and many of its most famous landmarks lie further west, between I-240/I-69 and the Mississippi River. Just off this highway south of downtown is the Stax Museum on McLemore Avenue. Further north on off I-240/I-69 is large exit for Union Ave, which carries several number designations all at once (US 51/64/70/79). Union Avenue was once home to Sun Records which produced many of the earlier Rock-and-Roll artists of the 1950s. Union Avenue also provides access to Beale Street.


[Photo by ChaseGorden on flickr. (CC BY-NC-SA 2.0)]


[By Jack E. Boucher [Public domain], via Wikimedia Commons]

It is a major tourist destination now with blues clubs, based on its historic significance in the development of the music. But it did go through a rough period before it was revitalized as the original music industry and the area in general went into decline in the 1960s. Consider this picture.

The Daisy Theater is still visible, but other than that the street looks run down – but somehow “authentic.” It is perhaps best to think of the new revitalized touristy street as just another phase of its history.


Because we are attempting to visit many states at once, each one will inevitably get less attention (this is true of the political process that is happening in parallel). As always, it is great to get feedback and ideas of places we missed. So please don’t be shy about leaving us your comments.

In tomorrow’s installment, we will explore a few more states, in particular Ohio and Idaho.