From Rob Robinson via Facebook.
Quite by accident, starting a new tune with Oberheim SEM Pro and Oberkorn SL16. Puss is helping.
From Rob Robinson via Facebook.
Quite by accident, starting a new tune with Oberheim SEM Pro and Oberkorn SL16. Puss is helping.
It’s been a little over a week since the Battery Powered Orchestra Workshop (BPOW!!!) occurred in Portland. Today we look back at the workshops, which were in many ways the central components of weekend.
During the Saturday morning session, I attended a workshop on electronic textiles hosted by Cat Poole of Cacophonous Creations. The skill was to learn how to use conductive thread to embed both light and controls into clothing for future performances. But for the workshop, the task was to simply sew an LED and its associated circuit onto a dinosaur patch:
Of course, we at CatSynth approve of Cacophonous Creations’ chat noir logo! As for the task itself, the biggest challenges related to general sewing and laying out elements to properly fit (at least for someone with little sewing experience beyond repairing buttons). But I got through the threading of the circuit. It would be great to incorporate something like this into costuming for future performances.
In the afternoon, I attended a session presented by Steve Harmon of Synthrotek. It centered around DIY electronics and the ubiquitous 555 integrated circuit. But that then merely building an Atari Punk Console with a 555, we stepped it up with Synthrotek’s 4093 NAND Synthesizer.
The 4093 includes three square waves, based on a dual 556 integrated circuit. I was quite intent to complete it and be able to use it for my performance that evening. The soldering of the components went quite smoothly – it helps to both see other people soldering and to have access to a good iron. It was a quite a rewarding moment when the synth was complete and making sound.
My only disappointment was the pots not quite fitting and ending up a bit lopsided. But it worked great in the performance and will certainly be used again in the future. The additional confidence on soldering will also be valuable for future projects.
Additional workshops in the afternoon included an introduction and demonstration of modular synthesizers by Jeph Nor. He demystified modular for a general audience by presenting the fundaments (oscillators, filters, amplifiers) and adding additional elements.
[Image from the BPOW Facebook page.]
Attending all the workshops on Saturday would have been impossible, especially if one wanted to complete the associated tasks. In particular, I was also interested in the Raspberry Pi which was presented by Edward Sharp.
Sunday’s workshop sessions opened with a demonstration of “squishy circuits”. It turns out that homemade play-doh is quite a good conductor of electricity, and can be used to quickly prototype circuit ideas. It also serves as a very accessible medium for introducing principles of electronics to children.
We also got to see other non-traditional conductive media including ink and paint that can be used to integrate electronics into artwork without the use of wires.
Then everyone scattered for an electronics scavenger hunt to find electronic toys and various media to use in projects during the afternoon. The participants reconvened later in the day and got to work.
Our host Travis Feldman of Molecule Synth hacked the interior of an Atari console with both audio and video modifications, attaching it to a Moog pedal.
Other creations included a circuit-bent toy keytar and a tactile surface used to control audio and video on a laptop.
Overall, the workshops at BPOW were a rewarding experience. In addition to new inspiration and a few new skills, I liked seeing the wide variety of interests and disciplines that others brought to creative DIY electronics for music, video and performance art. If the event does recur next year, it will be interesting to see how technologies and the skills of participants have further evolved.
In addition to the workshops, BPOW also featured performances in the evening. We will look at those in a subsequent article.
From kj6bbs on YouTube, via matrixsynth.
“Discovered something new tonite.” [sic]
That is indeed part of the fun of modulars, of electronic music in general. Did you spot the cat in the video?
via matrixsynth:
“Adapter build workshop.
This is a simple passive universal adapter allowing interfacing of a Eurorack or Serge with other gear.
“What do I get ?”
You get the pedal box with holes in it, all the jacks, some wire, directions, help building & a place to build it for 3 hours. (it really shouldn’t take more than 2 hours).
Free modular synth performance @2pmPS: Yes you can use it to interface your eurorack with your Moog or Serge , or even your home stereo or VCR! Yes its a pocket mult, Yes its a pocket adapter a banana stacking mult/adapter.
To sign up contact steve.t at robotspeak dot com”
It’s in San Francisco, it helps with Eurorack and other gear, and their ad has a cat in it! How could I not attend?
Submitted by Davor Gazde via our Facebook page. This cat definitely owns the synths and is ready to defend them with his laser eyes!
flickr by Luchs Later, via matrixsynth.
You can read about my encounter with the Moog Sub Phatty at NAMM here.
From DJjondent on YouTube, via matrixsynth.
“Dark Energy 303 acid Jam
I’m using a basic single voice Doepfer A111-5 for this patch.
Its a modular version of the Dark Energy.The basic patch can be broken up as follows:
Audio section:
VCO sq wave (out) — (in) VCF303 (out)—- (in)VCA – Doepfer A132 (out)— (in) mixer.Clock:
LFO sq wave — (in) RCD (out) —- Multiple (x4) —– Brains —– Rene (xClock) —– Envelope Generator(ADSR gate of A111-5/dark energy) —– Env Trig (of VCF303)
Voltage control:
ADSR (out) —- CV1 in of VCA
Top row of Pressure Points —– Xmod Rene (controls Slide)
2nd row of Pressure points —– ACcent in on VCF303 (Controls ACcent)
3rd row of PP —– VCF 303 CV (sequenced filter cutoff)Remember to set Rene to Snake mode & activate slide.”