Farewell to 2017

2017 in review

Once again, it is time for our end-of-year collage and review. So many images to choose from in such a busy 2017 that took us in so many directions at once, both outward and inward.

At the end of 2016, I was still reeling from the loss of Luna and the election.  But I did welcome Sam Sam into my life and also promised myself that I would prosper and thrive in the new terrifying Trump era.  And we did, focusing on moving forward with the things from 2016 that did go well.  Lots of new music as a solo performer, with my new band CDP, and with Vacuum Tree Head.   There are now three CatSynth-branded apps for both iOS and Android, and a fourth on the way.  We launched CatSynth TV, with 22 videos under our belt since October.  And Sam Sam has blossomed into a sassy and thoroughly spoiled cat whom we love dearly.

If there is a word of caution on the personal and professional fronts, it is perhaps that 2017 was too much.  After a strong first half of the year through July, I scaled back on live performance to focus on other priorities.  I regret that, but it was also the reality of the many things going on.  I wish the apps, blog, and video channels were progressing faster, but it’s as fast as we can go with our myriad other responsibilities.  The last couple months, while still rich with experience, have been an exercise in paring back and trying to focus on the highest priorities; and also focus on health, self-care, and well being.  These are all very challenging, but I’m grateful to have the help of loved ones.

We cannot ignore the fact that our rebound in 2017 after two difficult years took place amidst a dark pall over the country and world.  Many friends have suffered amidst the monumental forces of hurricanes, flooding, fires, and human foolishness.  The latter is most visible in the face of the current regime that continues to embarrass and threaten us.  These are things we have to be vigilant about as we move in 2018.  I do feel personally in the cross-hairs on multiple fronts, so I hope we can continue to survive and prosper as well as we did in 2017, and maybe at the end of 2018 we will look back and saw how the world became at least a slightly better place.

It is also interesting to look back to our end-of-year post from 2007, ten years ago.  It was a dark, cold time amidst major life changes – I couldn’t have imagined then what life would be like now.  Will we feel the same way in 2027?  And will there still be a CatSynth then?  Only time will tell…

CatSynth Video: Make Noise Morphagene + Rhodes piano + Poes the cat = weird music

From Andor Polgar on YouTube, via matrixsynth. Rhodes, Make Noise Morphagene and cat, what is not to love?

Things used in the video: vegan sausage for taming the cat (that’s her favorite), Make Noise Morphagene eurorack module, Rhodes Mark I electric piano, Expert Sleepers Disting mk4 for the reverb effect.

http://andor.cool
https://instagram.com/andorgram

It may be time to experiment again here at HQ with the Nord and some Make Noise modules…

New CatSynth TV: inWooble December Edition

Our latest CatSynth TV documents yesterday’s edition of inWooble, a monthly synthesizer meetup and jam session at LinkedIn’s offices in downtown San Francisco. I had the opportunity to join this time, and had a good time performing with everyone – I particularly enjoyed the time where we were rhythmically together or forming complex contrapuntal textures across the six modular-synthesizer setups. And the views of downtown SF out the window were pretty cool, too.

Hosts:
Franck Martin
Juan Rosales
Bryan Levay

Participants:
M.0 (Maurice Jackson)
Amanda Chaudhary
Chris Otchy

The Facebook live stream from the event can be found https://www.facebook.com/franck.martin.music/videos/1921164038148996/

Outsound & VAMP Present A Holiday Pop-Up Benefit Show

Recently, John Lee, the creator of bayimproviser.com donated a portion of his extensive record collection to Outsound. And our friends at VAMP are helping us sell them to fund our continuing mission of promoting new music in the Bay Area and beyond. To launch this effort, Outsound held a benefit concert at VAMP on December 1.

I performed a solo set with my trusty Nord Stage EX, modular synth, and Casio SK-1.

Amanda Chaudhary setup for show with Nord and modular

As with most of my current solo performances, I try to combine both idiomatic jazz and funk elements with more experimental electronics. I opened with White Wine (instrumental) with the extended solo section morphing into a more free-form electro-acoustic improvisation that also included the garrahand drum. It moved from sections of disco and bossa nova rhythms to noise to complex harmonies from the drum and Make Noise Echopon module. It was a fun set with an appreciative audience of both attendees and record-store patrons.

Amanda Chaudhary

After my set, Tri-Cornered Tent Show took stage. Anchored by bandleader Philip Everett on clarinet and electronics and Ray Schaeffer on bass, the band explored a variety of sounds and styles from noisy electronics and percussion to R&B grooves to psychedelic serenades featuring Valentina O on vocals. Anthony Flores rounded out the band on drums.

Tri-Cornered Tent Show

It was interesting to see how both sets explored the intersection of avant-garde electronic and acoustic sounds with more familiar idioms. Soul, funk, and R&B were present in both sets, but then we each veered off in different directions. Between us, we might have covered many of the genres in VAMP’s record bins!

It was a fine night of music and fellowship, and it’s great to see an independent (and idiosyncratic) store like VAMP flourishing in downtown Oakland. You can find out more about them here. And please visit Outsound’s website to find out about upcoming programs and how you can help support our work bring new music to our community.

CatSynth Pic: Chord Kitten (Qu-Bit Electronix)

Seen on matrixsynth today 😺, featuring modules from our friends at Qu-Bit Electronix.

Just a random synth cat pic via @quebitelectronix.

“Chord kitten from @catsonsynthesizersinspace 💙🐱”

Makes you wonder what it was hearing. Or maybe it was reading MATRIXSYNTH.

CatSynth Pic: Cat on Modular

WunWun atop a modular

Cats find the strangest places to sit. Here, we see WunWun the cat sitting atop a two-row modular synthesizer setup. From flohrdumal on Instagram.

flohrdumal All modules used in a smoke free pet free studio
#studiokatze #noboundaries #crazykitty#synthcat #catsynth #modular#eurorack #cat #katze #gato #chatphoto by @sirbananamonkeymowgli

 

flohrdumal At least now I know that WunWun is 3u x 104hp

 

Yom Kippur 2017, Meditations and Reflections

Star of David

Fast, reflect, and question. These are our personal mandates on Yom Kippur this 5778 (2017). Fasting is pretty self-explanatory – I don’t do it every year, but this year it feels important to do so. Sam Sam does not have to fast. The questioning centers around “what does it mean to be Jewish in this time and place”, an especially complicated and treacherous question for those of us who are secular Jews. Yom Kippur is described in Leviticus, the one book of the Torah that I have not been able to get through in its entirety (mostly because it’s extremely dense and about as riveting as the phone book). But I still celebrate independent of that, based on heritage and family tradition. You are a Jew if your mother is a Jew, end of story. I extend this rule to my cats.

Sam Sam enjoys a snack on Yom Kippur
[Sam Sam is exempt from fasting]

For an excellent read on the topic of secular Jews on Yom Kippur, especially secular Jews committed to activism and social justice, please read this article by Dania Rajendra [Full disclosure: Dania is my sister-in-law.]. For me, part of my plan for this holiday was to compose a track based on sounds from a short-wave-radio synth module an, idea I formulated during a reflective moment last night.


[Cover image taken during Yom Kippur 2016, see this article.]

The track was recorded as a meditation of sorts, getting into a heightened, focused state while turning the knobs of the Eowave short-wave module, tuning into stations that aren’t there. The other “master” of the track was the Wiard/Richter Noisering, which I let control the Rossum Electro-Music Morpheus module. Both focus on chance and working with elements very much outside my control. I also did not want to spend much time outside the meditation-recording process itself. There is no editing save for some tapering at the beginning and end of the track and the obligatory EQ and compression.

I am both doing too much, and too little at the same time. I can’t save all the shelter cats; I can help everyone suffering through one disaster after another in North America and Carribean. But I can try to make a little bit of a difference in each. When I focus on all things “CatSynth”, sometimes my music suffers – I’m overdue booking new gigs for my band CDP and I do feel a need to atone for that. In short, the challenge in 5778 and beyond is to find a way of doing all the things that matter most while minimizing time and resources on the things that don’t. No easy task for someone who tends to say “yes” to everything, hates to disappoint others, and has a difficult time letting go of things. But that last one is another aspect of this holiday, and so it is as good a time to begin as any…