Zelda the Gray returns with her friend Murphy Brown and a modular system. I see a Moog Mother-32 along with offerings from Roland, Mutable Instruments, Sputnik, Make Noise, and more, housed in a 6U Arturia Rack Brute case. From zeldagraymurphybrown on Instagram.
I was just on an airplane with my 0-Coast hooked into a battery pack with patch cables everywhere and the flight attendant was super cool with it and everything. So I jammed. I even ordered a sparkling water during the set. It was refreshing. AUM + BLEASS Reverb + Perforator + Vatanator for the steady beat. I don’t want to pay for SoundCloud pro right now so I put some psychedelic cat footage over top and I think it works. Let me know what you think!
We at CatSynth love it and are in fact inspired to do another cat-centric synth jam of our own 😸
The signal path: Poes rings the service Bell for food, the microphone picks up the sound, which then goes through a stereo volume pedal (it’s for attenuating the chewing sounds). Make Noise Maths is used as an envelope follower, which controls the sound of the Erica Synth Black Wavetable Oscillator.
It seems to be the week of the Elektron Octatrack, as we have two or three of them in today’s pic. Also featured are the adorable cat Lucy, and a large modular synthesizer system. I recognize a Make Noise Tempi and Rene on the bottom row – we have that pair here at CatSynth, too.
Purim is the “most synthesizer-y” of Jewish holidays, given that one of it’s central rituals is noisemaking. This year we created a synthesizer demo running sounds from a gragger through several modules.
The demo uses a mixture of pre-recorded gragger on the QuBit Nebulae and live sound via the Mikrophonie and Make Noise Echophon. The full list of modules used in the Purim demo is:
Make Noise Echophon
Qu-Bit Nebulae (v1)
Rossum Electro-Music Morpheus
Make Noise Maths
Make Noise Tempi
Malekko Heavy Industry Noisering
I do wish I already had a Qu-bit Nebulae v2 for this project. You can see our review of v2 from NAMM 2018 here.
Purim is a holiday that commemorates the saving of the Jewish people in the ancient Persian Empire from the king’s wicked advisor Haman, as told in the book of Esther. Traditionally, the gragger is used to mask the name of Haman when said out loud during readings.
From Andor Polgar on YouTube, via matrixsynth. Rhodes, Make Noise Morphagene and cat, what is not to love?
Things used in the video: vegan sausage for taming the cat (that’s her favorite), Make Noise Morphagene eurorack module, Rhodes Mark I electric piano, Expert Sleepers Disting mk4 for the reverb effect.
It may be time to experiment again here at HQ with the Nord and some Make Noise modules…
Recently, John Lee, the creator of bayimproviser.com donated a portion of his extensive record collection to Outsound. And our friends at VAMP are helping us sell them to fund our continuing mission of promoting new music in the Bay Area and beyond. To launch this effort, Outsound held a benefit concert at VAMP on December 1.
I performed a solo set with my trusty Nord Stage EX, modular synth, and Casio SK-1.
As with most of my current solo performances, I try to combine both idiomatic jazz and funk elements with more experimental electronics. I opened with White Wine (instrumental) with the extended solo section morphing into a more free-form electro-acoustic improvisation that also included the garrahand drum. It moved from sections of disco and bossa nova rhythms to noise to complex harmonies from the drum and Make Noise Echopon module. It was a fun set with an appreciative audience of both attendees and record-store patrons.
After my set, Tri-Cornered Tent Show took stage. Anchored by bandleader Philip Everett on clarinet and electronics and Ray Schaeffer on bass, the band explored a variety of sounds and styles from noisy electronics and percussion to R&B grooves to psychedelic serenades featuring Valentina O on vocals. Anthony Flores rounded out the band on drums.
It was interesting to see how both sets explored the intersection of avant-garde electronic and acoustic sounds with more familiar idioms. Soul, funk, and R&B were present in both sets, but then we each veered off in different directions. Between us, we might have covered many of the genres in VAMP’s record bins!
It was a fine night of music and fellowship, and it’s great to see an independent (and idiosyncratic) store like VAMP flourishing in downtown Oakland. You can find out more about them here. And please visit Outsound’s website to find out about upcoming programs and how you can help support our work bring new music to our community.
Winter Modular Eloquencer is the main sequencer with all 8 tracks used for: bass from Verbos Harmonic Osc, 4 drums from 2 Erica Pico Drums.
The chords are formed by Intellijel Shapeshifter, Mutable Instruments Elements and Braids, through Makenoise Erbe-Verb and Erica Black Hole DSP.
The lead and blips are from Tiptop Z3000 and Malekko Anti-Oscillator, triggered by the Varigate 8+.
Other modules, vcas, mixers etc: MI Veils, Doepfer A-132-2, A-143-2, A-134-1, A-138b, A-138p/o, Waldorf KB37, Low-Gain Submix7, Makenoise Maths and Optomix.