Personal

An Update on Luna

Luna on the sofa

We wanted to give you all an update on Luna and her health. But first, she wants to say hi to everyone.

She is definitely lower energy, though still very affectionate and every so often has a burst of energy and runs like a kitten. She continues to walk with a bit of a limp. Her appetite is good, though she now prefers wet food almost exclusively. It’s hard to tell changes in the cancer area – it doesn’t seem any worse, but it wasn’t good to begin with. Overall, she is better than she seemed over Labor Day weekend, when things seemed measured in days. Days have now turned to weeks. As long as she continues to seem happy and content, I am content to make sure she stays that way.

And she still gives of herself. In the midst of this perennially busy season and the current stresses, I broke down early on Saturday amidst depression and fatigue. Luna recognized this and came over to set with me and purr loudly, groom me and give head butts. She is the sweetest creature I have ever known, and I hope we can enjoy a bit more time together.

R.I.P. Don Buchla (1937-2016)

2016 has not been a good year for our musical heroes. And we have just lost one more, Don Buchla.

Don Buchla at SFEMF 2010
[Photo by Michael Zelner]

Don Buchla was producing his first synthesizers about the same time that Robert Moog released his earliest models. But he took a very different approach, eschewing keyboards and other traditional interfaces to make a truly radical instrument. This led to some describing “East Coast” and “West Coast” schools of synthesizers – something that we at CatSynth largely reject. But there are nonetheless characteristics that set apart Bucvla’s instruments, such as the use of metal plates as controls; the ubiquitous use of low pass gates (LPGs) as sound units; the crispier/crunchier sound compared to Moog-inspired synths; and the visual beauty and oddness of the instruments. Indeed, they have appeared on CatSynth many times – follow this link to see a few.

In addition to his synthesizers, Buchla also created numerous controllers, such as the Thunder, Lightning, and Marimba Lumina. Indeed, I was introduced to Buchla’s instruments and the man himself through David Wessel at CNMAT, who used the Thunder extensively in his performances. My personal memories of the two of them together mostly revolve around the wine-and-beer-fueled gatherings after formal events at CNMAT, ICMC conferences or elsewhere. They would talk endlessly but anyone else could chime in, and occasionally Don and I would have a sidebar, less often of a technical nature than lamenting strictures in one institution or another, or non-musical scientific concepts. Overall, however, he was often a laconic presence, off in a corner or just off frame, but then fully engaged when the moment arrived.

Buchla and Roger Linn
[Buchla sighting at Roger Linn’s NAMM booth in 2015]

It was rare to see him perform. I did get a chance to do so at the