We kick off the week with our very own Sam Sam and Big Merp doing what they do best in the studio. We also see our trusty Nord Stage “big red keyboard”, Yamaha TX802 and TX81Z FM modules, a Korg DVP-1 voice processor (also from the 1980s) and sundry other gear. We also see one of our miniatures, a replica of a Mellotron.
I love having both kitties in the studio with me when I work 😻
2024 has come to a close, so it is time for our traditional end-of-year collage and post. You might notice another kitty in the corner this year – that’s Golda, one of the wonderful cats I stayed with in Berlin. She is representing our European adventure this summer, along with Plac Grunwaldzki in Wroclaw, Poland.
It was a banner year musically. I am especially proud of the album, the best musical work I have done to date! If you haven’t heard it yet, you should. Opening the San Francisco Electronic Music Festival was a special experience. And we had numerous other musical adventures both live and recorded, and an ever growing community of musicians scattered across the country and beyond that are not just colleagues, but friends.
It was a banner year for CatSynth TV, our best to date in terms of viewership, subscriptions, and audience interaction. 50% year-over-year growth ain’t bad. January of 2024, with NAMM, was our best month on record. We even saw an uptick in blog readership, including a new cohort of loyal followers for our cat+synth posts and Wordless Wednesday.
Indeed, with CatSynth TV, I look not only at what we accomplished this year, but what was left undone. So many videos partially complete or in the ideation phase, waiting to be finished in 2025. We are particularly looking to jumpstart our interview series that was big in 2023 but took a bit of a back seat this year because of various circumstances.
The dissonance between things at a personal and CatSynth level, and at a national and world level, is deafening. The election here in the U.S. this year was tragic and heartbreaking, and this coming year is going to be difficult. This time, it wasn’t a fluke, it was a choice, and we chose…unwisely. In my usual cynical way, the best I hope for is sheer incompetence by the new regime, but even so, a lot of people will be hurt, including people who are a lot like me.
So we go into 2025 in a very strange place. The personal successes and hopes for the New Year, set against the fear and coming disasters in the world. All we have is forward motion, each other, and defiance.
It’s rare that Sam Sam ever gets up on one of the synth desks, so when she did I rushed to snap some photos. This was the best one, with her standing on our vintage Octave CAT (safely covered) and inspecting the Arturia MiniBrute and RackBrute modular setup.
A full account of synth brands in this photo can be found in the tags.
We don’t get a lot of “CatSynth pics” of Sam Sam. But she does like this cozy little corner of the studio, especially after the recent reorganization of the studio. The rack next to her has our vintage Yamaha FM modules, the TX81Z and TX802 (with the latter turned on), along with a cassette deck that comes in handy every once in a while.
We are celebrating our 500th episode of CatSynth TV! Hard to believe we have made so many of these, but we have and we’re still having fun with it.
This one features numerous synthesizers, including the Octave CAT, Pocket Gamelan, and various instruments from Arturia, Cherry Audio, Moog Music, Strymon, MOK, Buchla, Metasonix, Make Noise, and more. There is also an appearance by Sam Sam at about the 1-minute mark.
