
Geometric and texture study from the Port of Long Beach, 2014. You can read more and see more images from my visit here.

Geometric and texture study from the Port of Long Beach, 2014. You can read more and see more images from my visit here.
At the southern edge of Los Angeles County lies the Ports of Los Angeles and Long Beach, the two largest and busiest in the United States. They are in some ways an entire separate city, with their own network of bridges and freeways beyond the regular network of Los Angeles and its environs.
We begin our exploration in a quiet and somewhat industrial section of Long Beach along Willow Road. Seemingly in the middle of nowhere, we encounter the northern California Highway 103, the Terminal Island Freeway which is a major truck route to the port. It might be the heavy truck traffic that accounts for its being in rather poor shape.

Heading south on CA 103, we pass through a flat, industrial landscape. It is a bit desolate, but beautiful in its way. There are only two interchanges, one of which is with CA 1. Continuing past the interchanges, the freeway transitions to California Highway 47 and crosses the Cerritos Channel to Terminal Island the ports on the Commodore Schuyler F. Heim Bridge. This is a massive lift bridge that can accommodate large ships accessing the port.

It has an old industrial and dystopian feel to its architecture, particularly on the foggy morning when I visited. Since then, the bridge has been decommissioned and is in the process of being replaced.

I left the freeway at New Dock Street to get a closer look and to take more photos of the bridge and other details of the ports. Photographing around the working port has its challenges with a great many areas fenced off, and a no doubt a heightened suspicion of odd people wandering around with cameras. I did get a few, some of which are shared here. They have also appeared in Wordless Wednesday posts (and will continue to do so).


CA 47 turns onto the Seaside Freeway runs east-west and bisects Terminal Island. Heading east, the freeway (also known as Ocean Boulevard) the graceful Gerald Desmond Bridge, becoming I-710 heading north through Long Beach.

You can read about our separate adventure along I-710 is this article.
Following CA 47 west along the freeway, one winds up and down between elevated and surface sections before ascending to the photogenic Vincent Thomas Bridge.


There is a small park on the west side of the bridge, which affords one a change to get out, walk, and view both the bridge and the channel. There are families and others here, many probably from the adjacent community of San Pedro. We have in an instant left the industrial landscape of the port and entered the residential landscape of greater Los Angeles. It is appropriate the CA 47 ends here and the freeway turns north as I-110, the Harbor Freeway. But that is a story for another time.

Cat posing with Moog Mother-32 synthesizer and patch cords. Submitted by virtualflannel via Instagram.
You can also follow CatSynth on Instagram and submit your own pics to be featured on the blog.

From ducks_cluck on Instagram
Pilar is ready to make some beats. #catsynth #volcabeats #synth #drummachine #korg
We have a Korg Volca Beats at CatSynth HQ and are quite fond of it, as it plays nice with both our modular/CV and MIDI gear as well as sounding like classic disco and house 😺

From the Facebook feed of Cats on Synthesizers in Space.
“Furbie Hancock” sent in by Paul Brocklehurst
It’s not every day that one of our greatest musical heroes is turned into a CatSynth pic 🙂

Luna has been doing well with her current treatment. The pill-based chemotherapy has brought the disease to a standstill so things aren’t getting worse, and it hasn’t caused her any noticeable side effects. And she has been happy and healthy otherwise. She plays, basks in sun spots, and particularly likes curling up on soft surfaces like the blanket in the photo above.
As was the last about a year ago during her initial treatments, I am also recovering from my own medical adventures. Nothing that would cause concern, but it has required a lot of rest and a lot of patience (which has never been my strong suit). Luna’s health, vitality, and affection have been tremendous comforts as I recover. We truly help each other.
Today we look back at Pitta of the Mind’s set at Word Performances, which took place at the Lost Church in San Francisco. It was, in our opinion, one of our best performances. You can see and hear for yourself in this video.
[Video by Todd Siegel]
It was a short performance, but very tight, mixing the poems with piano, theremin and acoustic elements. I like using the percussion instruments along with the electronics, as it adds to the timbre and theatrics. We will definitely do more of that.
The evening featured readings and dance in addition to music. Our host Cybele Zufolo read some of her writings while dancing flamenco with Damien Alvarez.

Colleen McKee read another of Cybele Zufolo’s pieces about her adventures as a show girl in Japan, in addition to some of her own writing. She even featured some singing in the set.

Daniel Berkman performed a solo set on kora a visually and sonically beautiful instrument.

Every set featured performative elements. For her reading, Zarina Zabrisky appeared as a super villain.

Overall it was a fun night, and we had an overflowing crowd. Many thanks to Cybele Zufolo and Todd Siegel for hosting us and all their work putting these shows together, and to the Lost Church for providing such a unique space in San Francisco.