Surplus 1980 and Fred Frith Trio, Brick and Mortar

A couple of weeks ago, Surplus 1980 joined the Fred Frith Trio at the Brick and Mortar in San Francisco from a night of energetic avant-rock and jazz. It was a show we have all been looking forward to for quite a while.

Surplus 1980 went on first, with a set that combined songs from our recent album Arterial Ends Here with older selections. In addition to Moe! Staiano and myself, the band includes Bill Wolter and Melne Murphy on guitar, Thomas Scandura on drums, and Steve Lew on bass.

Surplus 1980
[Photo by Michael Zelner.]

For this set, we expanded our Fred Frith cover “Cap the Knife” into a full medley featuring excerpts for some of his other songs. In a brief exchange back stage, it sounded like he appreciated the gesture, and even suggested that his group perform a “Moe! Staiano medley”, which would have been fun. But overall, it was our strongest performance as a band to date, with rhythms and phrasing much tighter as well as more sophisticated use of all parts.

After Surplus 1980 was done, Fred Frith took the stage with his trio that included Jordan Glenn on drums and Jason Hoopes on bass.

Fred Frith Trio
[Photo by Michael Zelner.]

It was quite a contrast, going from post-punk to avant-jazz. The trio played through longer pieces that moved between fast intricate sections and more familiar idioms with ease. The polyphonic sections were certainly impressive, but I do find when technically strong musicians play in unison or at least synchronous rhythms, it leaves a more memorable impression. Frith deftly filled up the otherwise sparse texture of the music, but not so much that one would get lost or overwhelmed.

Overall, it was a successful show, with a good turnout. Surplus 1980 is now looking forward to our next show in December, but I hope we get to play with the Fred Frith trio again.

CatSynth in New York

CatSynth NYC

It’s time once again for the annual pilgrimage to New York. In addition to family and friends, there will be much art-seeing and urban exploration, and two electronic-music performances. If you are in New York over the next two weeks, I invite you to come check them out.

Tuesday, November 26, 7:30
Ambient-Chaos presents Schyuler Tsuda, Amar Chaudhary (San Francisco), John Dunlop, RMA Trio

121 Ludlow St, Second Floor, New York

Robert L. Pepper (PAS) presents a night of Ambient-Chaos featuring Schyuler Tsuda, Amar Chaudhary (San Francisco), John Dunlop, RMA Trio. THE EVENT STARTS EARLY!. So please be there by 7:30 to settle in and enjoy the frequencies.

Saturday, November 30
Rachel Mason, The Use, and Amar Chaudhary at Harvestworks
Harvestworks, Broadway&Houston, New York

5.1 Surround surround performance at Harvestworks with Rachel Mason and The Use (Michael Durek), additional A/V element from Jay Van Dyke; and a set from Amar Chaudhary a.k.a. CatSynth.

I did want to include some analog modular elements in these performances, so I put together a miniature version of the rig featuring a cross section of modules, with an emphasis on live processing (Make Noise Echophon) and chaotic oscillation.

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The best way to keep up with CatSynth in New York is via Twitter @catsynth. But you can also follow us on Instagram. And of course we will continue with periodic blog posts.

Weekend Cat Blogging with Luna

There are times when I envy Luna’s ability to just relax.

Luna napping in sun puddle

After several weeks of hyper-activity and a bit of tumult, we are enjoying a quiet weekend at home, with plenty of sun puddles.

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I of course have quite a few things to do – preparing for my annual New York trip and getting out a couple of gig reports for this site – but time with Luna is definitely a priority.

APAture 2013 Music Night

The 2013 APAture festival concluded with a diverse evening of music, ranging from avant-garde jazz to metal to rap. The event took place at SUB/Mission in San Francisco. Featured artist Karl Evangelista opened the evening with a group that included Francis Wong, Margaret Rei Scampavia, Cory Wright, and Jordan Glenn.

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[© 2013 Karen Ng/Kearny Street Workshop]

The music was a frenetic style of avant-garde jazz, which moved freely in and out of more conventionally harmonic sections. Many of the pieces were inspired by Evangelista’s own personal history and his Filipino heritage. It was also fun to see Francis Wong, whom I usually encounter in more rarefied venues, at punk club in the Mission.

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[© 2013 Karen Ng/Kearny Street Workshop]

The Evangelista group was followed by something completely different both sonically and visually. Bestiary, a solo project of Rai Yin Hsu featured experimental noise guitar and a rather unique black-and-white suit.

bestiary

There were a variety of long sounds processed through effects, with a few sharper elements as well.

Some of the evening’s entertainment happened in between the official musical acts, with our hosts Rupert Carangal Estanislao and Jennifer Chu keeping the crowd energized.

Jen and Rupert
[© 2013 Karen Ng/Kearny Street Workshop]

Next up was The Residuals, a self-described “hardworking, Do-It-Yourself metal band.”

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[© 2013 Karen Ng/Kearny Street Workshop]

As expected, they were quite loud, and Joshua Lykkeberg provided vocal fry. But the group, which also featured brothers Anand Jobanputra and Rohan Jobanputra was quite tight, with unisons and fast syncopations.

From metal we then moved to rap, with a set by Joal Vargas that focused on community issues as well as his experience as a teacher.

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[© 2013 Karen Ng/Kearny Street Workshop]

The diversity of the evening continued with a cabaret style performance by Bellows, featuring chanteuse Kyle Casey Chu and Rachel Waterhouse on keyboards.

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[© 2013 Karen Ng/Kearny Street Workshop]

After the fast energy of the previous two sets, the mellow and expressive style was welcome, and their stage presence was a lot of fun.

Bellows was followed by Little Sister, an East Bay rock trio featuring Erica Benton, MonBon and Nada Diaz.

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[© 2013 Karen Ng/Kearny Street Workshop]

They had a contemporary rock sound that was quite moody and a bit melancholy at times, but they still had a warm stage presence. Benton and MonBon traded off guitar and bass duties during the course of the performance.

There was still more music to come in this rather long event. I unfortunately had to depart after Little Sister, but glad I had the opportunity to be there for most of it and hear such a cross section of music in the Bay Area.

(For a review of the APAture opening-night event and gallery show, please visit this link.)