
From our friend adrianhalo82 on Instagram.
“Frankie being disruptive. #catsynth #catsofinstagram #musicproducer”
We recently saw how Sam Sam can also be disruptive in the studio đ¸

From our friend adrianhalo82 on Instagram.
“Frankie being disruptive. #catsynth #catsofinstagram #musicproducer”
We recently saw how Sam Sam can also be disruptive in the studio đ¸
From Andor Polgar on YouTube, via matrixsynth. Rhodes, Make Noise Morphagene and cat, what is not to love?
Things used in the video: vegan sausage for taming the cat (that’s her favorite), Make Noise Morphagene eurorack module, Rhodes Mark I electric piano, Expert Sleepers Disting mk4 for the reverb effect.
http://andor.cool
https://instagram.com/andorgram
It may be time to experiment again here at HQ with the Nord and some Make Noise modules…
 
Rufus the ginger cat is relaxing in the midst of planning a new modular rack. Submitted by Kim Cash via our Facebook page.
Modular rack planning with kitty makes for a happy Sunday
Our latest CatSynth TV documents yesterday’s edition of inWooble, a monthly synthesizer meetup and jam session at LinkedIn’s offices in downtown San Francisco. I had the opportunity to join this time, and had a good time performing with everyone – I particularly enjoyed the time where we were rhythmically together or forming complex contrapuntal textures across the six modular-synthesizer setups. And the views of downtown SF out the window were pretty cool, too.
Hosts:
Franck Martin
Juan Rosales
Bryan Levay
Participants:
M.0 (Maurice Jackson)
Amanda Chaudhary
Chris Otchy
The Facebook live stream from the event can be found https://www.facebook.com/franck.martin.music/videos/1921164038148996/
Sam Sam has decided that the space under the studio console is an excellent napping spot.

This is where the Nord Stage lives when not gigging, and my main Pro Tools HDX station for music recording and CatSynth TV post-production. I am loath to move her when I find her there, so I usually just wait a little bit. After all, even napping cats rarely stay in one place for long.

If the studio looks a bit messy and chaotic, that is because it is. Between gigging, travel, and probably too much gear, it has been hard to keep in order during the second half of the year. The latest dismantling was for my recent performance at VAMP, which came before I had replaced everything from my New York trip. The Nord keyboard usually makes it back in place quickly, sometimes it takes the ever-expanding collection of synths a little while longer. Hopefully in the next few quieter weeks will get it organized and better than ever…
By hplindstrom on Instagram.
hplindstromLook ma… no hands!! đž @synthstrom #lindstrom #synthstromaudible #synthstromdeluge #sequencer #catsynth #synthcat #catvideo #cat #lookmanohands #nomilktoday
I was not familiar with the Synthstrom Deluge. You can read more about it here.

From our friends at Eevo Lute Music & Technology via Facebook.
That Moog gig bag does look like a comfortable lounging spot. Hopefully, Sam Sam does not discover my Sub Phatty gig bag đ¸
You can see Eevo Lute’s other CatSynth-pic contributions here.
Recently, John Lee, the creator of bayimproviser.com donated a portion of his extensive record collection to Outsound. And our friends at VAMP are helping us sell them to fund our continuing mission of promoting new music in the Bay Area and beyond. To launch this effort, Outsound held a benefit concert at VAMP on December 1.
I performed a solo set with my trusty Nord Stage EX, modular synth, and Casio SK-1.

As with most of my current solo performances, I try to combine both idiomatic jazz and funk elements with more experimental electronics. I opened with White Wine (instrumental) with the extended solo section morphing into a more free-form electro-acoustic improvisation that also included the garrahand drum. It moved from sections of disco and bossa nova rhythms to noise to complex harmonies from the drum and Make Noise Echopon module. It was a fun set with an appreciative audience of both attendees and record-store patrons.

After my set, Tri-Cornered Tent Show took stage. Anchored by bandleader Philip Everett on clarinet and electronics and Ray Schaeffer on bass, the band explored a variety of sounds and styles from noisy electronics and percussion to R&B grooves to psychedelic serenades featuring Valentina O on vocals. Anthony Flores rounded out the band on drums.

It was interesting to see how both sets explored the intersection of avant-garde electronic and acoustic sounds with more familiar idioms. Soul, funk, and R&B were present in both sets, but then we each veered off in different directions. Between us, we might have covered many of the genres in VAMPâs record bins!
It was a fine night of music and fellowship, and itâs great to see an independent (and idiosyncratic) store like VAMP flourishing in downtown Oakland. You can find out more about them here. And please visit Outsoundâs website to find out about upcoming programs and how you can help support our work bring new music to our community.
Szarik that cat returns in this video from From KATOD’s upcoming album. via our Facebook page.
HQ audio: https://katodmusic.bandcamp.com/track/haunted-single
Track from new, upcoming album (2018)
used instruments:
– Yamaha DX7
– Ambika synth
– electric guitar Jackson DK2S
– drums played on pads and written
– Atari 1040ST (as MIDI sequencer)Written & directed by Mariusz Wasilewski
Cast:
Girl #1 – Daria Cieniak
Girl #2 – Iwona Szylin
Boy #1 – Konrad Domaszewski
Boy #2 – Jakub Gryzowski
Cyborg cat #1 – Kamila GĂłrka-Czarska
Cyborg cat #2 – Ilona Baran
Cat – Szarik cat
Camera operators: StanisĹaw Patejko, Mariusz Wasilewski, Marcin Czerwienny, Tomasz Kowal, Artur TymaĹski
Edited by Mariusz Wasilewski
Music performed by KATOD(Mariusz Wasilewski) – “Haunted” track from upcoming album (2018)
Make up & stylist, Catering & drinks – Sylvia Katarzyna, Kamila GĂłrka-Czarska
Special thanks:
Mateusz Raginia (Fiat 125p owner), Sebastian Tawgien (VW Golf 1 owner), Krzysztof GrudziĹski (Taxi driver & help)
Produced by Mariusz Wasilewski
There is definitely a 1980s theme in the aesthetic as well as the instrumentation đş