In mid June, we at CatSynth were treated to a greatl concert at SFJAZZ that featured Donny McCaslinâs âBlackstarâ Band and Antonio SĂĄnchez’s group Migration. McCaslin and his quartet are perhaps best known for their collaboration with David Bowie on his final album Blackstar (which we have discussed previously), but they are a remarkable group in their own right.
[Donny McCaslin]
Indeed, our interest in this show was not just the Bowie connection, but reviews from friends who had previously seen the Santa Cruz-born-and-raised McCaslin live and were blown away by the performance. And as soon as the band started in on their first tune, âShake Looseâ from their latest album Beyond Now, we understood why. It was thunderous, aggressive, but complex and intricate at the same time. There was an intensity, and even a bit of a punk sensibility to the way they powered through the entire set, which included additional selections from the album, a new composition by McCaslin, and âLazarusâ from Blackstar. The encore was also a Bowie song, but a surprising one: âLook Back in Anger.â There really wasnât a bad moment in the entire set, and it went by quickly with the groupâs frenetic pace and energy.
While McCaslin was front and center both visually and musically – he is rather tall as well as a very expressive performer – I was also very impressed with Jason Lindner on keyboards. He freely mixed synthesizers, classic electric piano, and acoustic grand in a performance that was solid harmonically and rhythmically, but again complex and multi-linear. Rounding out the quartet were Mark Guiliana on drums and jazz multi-instrumentalist Nate Wood on bass.
The first half of the show featured Antonio Sanchez Migration performing Sanchez’s long-form composition The Meridian Suite. While the piece has classical influences in its structure, it was unmistakably jazz, and Sanchez himself told the audience that unlike classical-music concerts, the audience was encouraged to applaud between movements and anywhere else the felt warranted such a reaction. The unusually long piece moved through several styles and textures, from very sparse modern jazz to more funky riffs, all anchored by Sanchezâs versatile and precise drumming. Some of the movements included lyrics sung by Thana Alexa. The band also featured Chaise Baird on tenor saxophone, John Escreet on keyboards, and Matt Brewer on bass.
Overall, it was a concert we were happy to have the chance to see; and I will certainly be on the lookout for McCaslinâs next appearance in the Bay Area. In the meantime, we will be enjoying his newest album.
