Big Merp loves attention and always wants to be where the action is. So it’s fairly common to find him on this spot between the MacBook Pro and the Modular system. And in this instance, he struck a particularly handsome pose 😻. You can see quite a few of our Eurorack modules, including our prized Metasonix yellow and silver tube modules in the upper left corner of the case, as well as many others that have appeared in our recordings and videos over the years. A full list of brands is in the tags.
This is also where we shoot a lot of our hardware demo videos, so it often ends up cluttered. But we always make sure there is space because you never know when Merp is going to jump up and say hi.
Today we feature our very own Big Merp in the studio. He was assisting with our recent video on the Yamaha RX5 – specifically the “RX5USB” cartridge. We also one portion of our modular collection, including Metasonix modules, Rossum Morpheus, E350 Morphing Terrarium, Benjolin, Expert Sleepers, Sputnik Modular, Mordax, 4MS, Make Noise, Pittsburgh Modular, Koma Elektronik, 2hp, Folktek, and more.
This is the video we were working on at the time.
We also have a detailed tutorial for the RX5 itself
Nala working with a Koma Field Kit + Field Kit FX, some pedals from Chase Bliss, and a large modular system. If that modular looks familiar, that is because it’s the same one that Tweek and Satie use. Nala shares the modular as well as a human with them.
Today we have CatSynth pics with our very own Big Merp, who loves to jump up on the desk. Here we see him with our Yamaha RX5 drum machine and our massive modular system. The Metasonix modules are easy to spot, as are the Make Noise modules. We also have MOTM, Rossum Electro-music, Sputnik modular, 4MS, Malekko, Folktek, Mordax, and more as we get into the second grouping in the distance. We also see a bit of the Arturia MiniBrute 2 and Moog Mother-32. A fuller accounting can be found in the tags.
This cat is quite engrossed in this performance featuring a KOMA Field Kit and Field Kit FX, and a vintage gramophone record player. We see a contact mic on the speaker feedback into the Field Kit, and more interesting things going on.
This cat is posing purrfectly with a Koma Field Kit and Field Kit FX, Arturia BeatyStep Pro, and modular synthesizer. I espy a Qu-Bit Chords and a Mutable Instrument Plaits (right between the ears).
From Jared Grim via the Facebook group KOMA Field Kit Users. Update: this handsome cat’s name is Gucci Boy.
If you haven’t done so already, please check out our intro to the KOMA Field Kit.
Passover is, perhaps, the most “visible” Jewish holiday for me. After all, we have featured the Matzoh Man in many photos and short video clips here on CatSynth, and now twice in a row for CatSynth TV.
For this year’s episode, we took audio output from our mechanical friend via a contact mic and sent it into the KOMA Field Kit. We then split the signal into audio, which was run through our modular synthesizer – specifically, the Rossum Electro-music Morpheus – and the Field Kit’s own envelope follow and actuator section, ultimately driving the solenoid. It was a fun little demo both to make and to watch.
Matzoh Man joins the synthesizers in a ritual of devotion and irreverence.
I also included a little demo of the ritual diet, with matzoh, prepared horseradish, and Kedem grape juice. But beyond that, anything is fair game for me during Passover as long as there are no piggies or shellfish, or leavened bread. No beer allowed, but non-kosher wine and spirits are fine. It becomes a bit of a game to see if for eight days I can follow these simple rules. To someone more Orthodox, or even the least bit devout, this simple approach could be transgressive, or even blasphemous. But from my point of view, not only is it plenty but I also sometimes wonder why I both at all. It’s not like I believe in the literal truth of the Biblical story, or have any fear of or respect for any religious authorities.
Somehow, though, I still feel compelled to participate. And not just participate, flaunt it, reminding friends that I can’t share pastries or bread products over the week because I’m Jewish. That feels important to remind people of. And it sometimes makes its way into my music, through titles like Kislev and Donershtik (Yiddish for Thursday) or organizing structures in stories. It’s fun. It’s “cool”. But also it feels more urgent, as the world around us seems more anti-Semitic now than it did during my youth. I’m deeply bothered by the attacks that seem to be increasing against Jews, both verbal and violent. But I’m also concerned with an increasing religiosity and sense of obedience among many who identify as Jewish. If being Jewish is just about being religious, or being obedient to a text or patriarchal authorities, then it does truly become time to ask “why bother?”. But for now, we do our best to both persevere and enjoy.
Being immersed in music technology does not mean one forgets the joy and beauty of acoustic sounds, whether a finely crafted violin or the incidental collisions of everyday objects. Our friends at KOMA Elektronik introduce the Field Kit, which brings these worlds together in a single box.
The Field Kit fits quite a bit in a small space. There is a four channel mixer at the heart of the unit, which accepts input from contact microphones or other audio sources, with gain, mix level and tone controls. A radio section generates audio and CV from AM, FM and short wave signals. A DC section can be used to control outboard electronics such as motors, solenoids and LEDs. A signal generator section allows all of these tools to be used to generate more conventional signals for modular synths and other gear. It also includes utilities such as an LFO generator and envelope follower.
What makes this unit intriguing to us at CatSynth is the ability to use it an interface to physical objects, as shown in the photo above, with springs, marbles and other items used as input and output. It can be hard to wrap ones head around how that works in practice. This video from KOMA Elektronik’s Kickstarter page makes it more accessible.
We at CatSynth would love to get our hands on one of these, even for a couple of upcoming shows in February. It would be great to combine the visual and physical nature of the devices musical possibilities with video. Unfortunately, it isn’t shipping to the general public until May. We look forward to then.
