Outsound GearExplore at Chamber Music Day

Back in mid-October, a few of us from the crew at Outsound Presents participated in Chamber Music Day at the De Young Museum in San Francisco.

There were over 140 musicians participating, with performances and demonstrations scattered around the museum. And “chamber music” was defined quite expansively to include a wide variety of instrumentation and genres, ranging from traditional classical music to experimental avant-garde ensembles and crossover groups. Our contribution was a demonstration of electronic-music gear – a mini version of “Touch the Gear Night” from the Outsound Music Summit. I primarily focused on software-based sound generation, with an iPad and a Monome connected to a MacBook running Open Sound World. Matt Davignon presented his setup featuring drum machines and effects pedals. CJ Borosque demonstrated her input-less effects change where the noise in the signal chain is the source for sound manipulation; and Rent Romus demonstrated live sound processing with a setup that included a Korg Monotron.

There was quite a large turnout overall for Chamber Music Day, and we had a lot of traffic at our demonstration table. Reactions ranged from mild curiosity to deep technical conversations. We were a particularly big hit with children, who are naturally attracted to hands-on demos and electronic gear.

[Amar Chaudhary and Matt Davignon demonstrating gear for young attendees at Chamber Music Day. Photo by Scott Chernis.]

This trio of young ladies spent a lot of time at the table exploring the various devices in great detail.

[Exploring the gear. Photo by Scott Chernis.]

They were particularly interested in the iPad. Here they are trying out the Korg iMS-20 app.

[Playing the iPad.  Photo by Scott Chernis.]

I would like to think that some of the kids (as well as a few of the adults) went off and downloaded some music-making apps for their devices and started playing. Or perhaps a casual guitarist found a new way to make sounds with his or her pedals.

Overall it was a great experience, and an opportunity for us to share what we do with musicians outside our small “new-music” community and with the general public. Thanks to the San Francisco Friends of Chamber Music (SFFCM) for inviting us to participate. To find out more about Chamber Music Day and their other events and programs, please visit their website.

[All photos in this article by Scott Chernis and provided courtesy of SFFCM.]

Weekend Cat Blogging and Photo Hunt: Two

For our combined Weekend Cat Blogging and Photo Hunt theme of two, we present a pair of Hipstamatic photos of Luna. A single pose, but two sets of lens and film effects:


It’s a sleepy morning for us, after I recover from two music performances over the past two days, and Luna basks in some sunshine after a wet and rainy Friday.


This weekend also marks the 400th Edition of the Carnival of Cats. That is quite a milestone, and we are happy to help celebrate! It is hosted by Mog, we has been the “Carnival Caretaker” over the past couple of years There is a history of the Carnival posted by last week’s hosts Nikita and Elvira of Meowsings of an Opinionated Pussycat.


Photo Hunt #291 is hosted by tnchick. The theme this week is two.

And the Friday Ark is at the modulator.

11:11 on 11/11/11

At 11:11 on this day 11/11/11, I snapped screenshots of both the iPad and iPhone featuring Luna.

Of course, the symmetry and homogeneity of the date and time is quite attractive, and unique (at least within a given century). The number 111111 is also interesting when you decompose it into primes:

111111 = 11 * 13 * 3 * 37 * 7

I find the prime factorization quite poetic.

We can also factor the date and time together (11:11:11 on 11/11/11):

111111111111 = 11 * 13 * 3 * 37 * 7 * 101 * 9901

Note quite as poetic as the previous example, but still interesting. In particular, 9901 is interesting as the greatest prime factor for any repeating series of 12 numbers. Other related properties can be seen at the site Prime Curios.

#OccupySF march in San Francisco, November 5

In this article, we follow the #OccupySF march in San Francisco yesterday through some Hipstamatic photos, with nods to some of the city’s architecture and icons that we passed along the way.

We began at the base of Market Street, the main thoroughfare of the city. It runs diagonally and separates two separate street grids that run at 45-degree angles to one another, some thing confuses not only visitors but many locals as well.

An impressive line of police ran parallel to the march. This was primarily to separate the marchers from traffic, which continued on the other side of Market Street. The interactions my group had with the police were quite cordial. One even helped us with info from the announcements at the front of the march which we could barely hear from our position.

For those who criticize the Occupy movement for not having any sort of focus, it should be noted that yesterday’s march and events were squarely focused on the banking industry and the largest banks in particular. It coincided with “Bank Transfer Day” in which large numbers of people moved their accounts from the large banks to either credit unions or community banks. San Francisco remains a large banking center. Wells Fargo still has its headquarters at the corner of Montgomery and California. We had a demonstration in front of the building.

Bank of America used to have its headquarters in San Francisco as well, at 555 California Street. 555 California is the second tallest building in San Francisco, a large imposing structure of brown granite. It is often derided, but I kind of like it as an example of modernism in an architecturally conservative city. It has a large plaza above street level common for commercial buildings from the 1970s. The march stopped here for an extended sit in.

From there we continued up California Street towards Chinatown. Here you can see the marchers passing one of our iconic cable cars.

We then turned north on Grant Avenue, the main street through the center of Chinatown.

Grant Avenue always feels a bit touristy, though it does have some great dive bars hidden away. For good inexpensive Chinese food go one block over to Stockton Street. We did, however, briefly chant in Cantonese, with the majority of us non-speakers responding with the word “Unite!”, which translates to 团结 (tuan jie in Mandarin, but I can’t find a written pronunciation for Cantonese).

At the informal boundary of Chinatown and North Beach, we turned east onto Broadway. Broadway in North Beach is about as close to a traditional red-light district as we have in San Francisco. As Broadway heads down the hill towards the Embarcadero, the neighborhoods feel a bit more ambiguous and nondescript. I have walked in the area countless times, it’s usually quiet with small buildings and lots and the shadows of the financial district and Telegraph Hill to either side.

On reaching the Embarcadero, we headed south along the wide palm-tree lined boulevard.

It is interesting to note that 25 years ago, this location was the underside of a somewhat industrial double-decker freeway, the Embarcadero Freeway, that ran from the Bay Bridge to Broadway. It was torn down after the 1989 earthquake.

And ended up back at the official #OccupySF camp at Justin Herman Plaza. The camp is at the south end of the plaza. The north side is another iconic modernist space that many people in the city love to hate – but I am quite fond of it. It includes the