Music

RPM 2007: Twista Dilemma

Latest from my RPM 2007 blog:

I have been playing around with some of the loop-based sound sets that come with Emulator X2, including the “TwistaMania” bank – mostly just looking for some inspiration for the techno and beat-based sections of the album, but I found I really liked what I was playing. Plus, it's got that really addictive funky disco thing going. You can hear a brief sample here. This could be the kernel of a track for the album, possibly even the first full track after the intro – but it leads to what I am calling my “twista dilema.” Anyone else with Emulator X2 could easily do something similar, and more abstractly a 4/4 techno-dancy thing might sound trite in the context of my work.

UPDATE: since the original post on RPM, I heard an interesting, and quite timely, program on radio open source. Between the discussion in praise of creative appropriation, and my own sense of energy and enthusiasm for the funk disco sound, I think this track will be a part of the album – and it will be titled “Twistadilemma”, probably the second full track.









CatSynth pic: Freddie chilling on the Serge

Submitted by Knox Bronson at SunPopBlue:

Bronson has collaborated with Gustvo Lanzas (who provided the recent video of Apu the “Acid Cat”) on an interesting improvisation featuring the Serge (and an E-MU SP-1200!) called Where The Bees Are. Check out the free mp3.

And there is still more fun with Freddie at SunPopBlue. Check out his video Sleep (An Homage to Andy Warhol):

Ah, wasn't it only a day or so ago that we were again reminiscing about New York in the 1970s?






on civilization and it's ragged edges

It's been a lovely, warm day, one of the best since our recent deep freeze. Lots of patches of grey haze (probably fog rather than smog) amidst the blue. The melancholy beauty of California “summer,” except it's February.

it's starting to feel civilized again.

Speaking of civilization, many of us took time to help out friends (who I might through my interests in electronic and experimental music, hence this post noses itself into the “music” category) who were moving, from one side of town to the other. With so many of us coming out to help, we got the whole thing done in a fraction of a day. Would that friends and community got together for one another like this more open.

Below is a map of our home little seaside town.

On the lower left is the “West Side”, our side, of town. It's known for including the University of California Santa Cruz (UCSC), and scenic West Cliff Drive bookended by Natural Bridges state park and the main city beach. We moved our friends from nearby in the West Side over to the area called “Live Oak” on the eastern edge of the map and beyond the city limits. The area has quite a different feel, a flat patchwork of new homes, commercial buildings, rundown blocks and vacant lots. It might be strange that I like to explore places like this, but I do, it feels like being on the rundown edge of a large city. I have a similar feel when biking through the neighborhood near the main city beach, a mixture of old houses, tourist hotels and vacant lots.

It's easy to wax romantic about a place when you don't necessarily live there. Consider the fondness many artistic and cultural figures have for 1970s New York, a time when the city was verging on bankrupcy, infrastructure was crumbling and the (violent) crime rate was far higher than it is now. Daniel Henninger had a great article in the Wall Street Journal two years ago discussing this idea. Among those quoted:

The actor John Leguizamo: New York in the '70s “was funky and gritty and showed the world how a metropolis could be dark and apocalyptic and yet fecund.” Fran Lebowitz, a contributing editor for Vanity Fair: The city “was a wreck; it was going bankrupt. And it was pretty lawless; everything was illegal, but no laws were enforced. It was a city for city-dwellers, not tourists, the way it is now.”

For me, there is probably also a nostalgia for the images of childhood, like the graffiti on subway cars and crumbling concrete playgrounds (I don't think any of those exist any longer). By contrast, Giuliani's cleaned-up Times Square elicits little more than a shrug and a few seconds looking at the big screen…
Most of my recent trips to New York have been in November and December (though I did go back in June, 2005 as well). New York in winter does have its charm, but I miss the sweltering summers, the terrific oppression of the big city…






RPM 2007: First steps

Report from the first day on the RPM challenge:

The idea that I can spend a month, or even a fraction thereof, doing nothing but working on this album is laughable at best. There will be many distractions in the coming days, just as there have been today. Nonetheless, I made a point to take some first steps this evening..

Based on the “arc” and narrative form I am defining for the album, I went in search of samples to use for the introduction and some beats to use for the first full section. The intro should be an old clip from a big band or jazz recording from the 1940s/1950s – I discovered a really good collection of public-domain big-band radio recordings on The Internet Archive, and quickly settled on my intro.

Next up is selecting some initial beats for the beat-based / techo part of the album. I selected several drum-beat samples, and imported them into Emulator X. Using the beat-analysis (aka “Twistaloop” features), I created several seven-beat loops.

The initial rhythmic section will employ a 7-beat meter and combine drum loops and Proteus patterns inside Emulator X, as well as 7-beat/14-beat Indian thekas for tabla. This will probably also be the first opportunity to use the DSI evolver in a compositional setting (as oppose to live improvisation).

That will probably be all I get done tonite, as I take some time to relax while writing this blog entry and getting some “kitty love” from Luna (she's snuggling in on my chest as I write this).










RPM 2007: Getting ready to begin…

Here's the first entry from my blog documenting my participation in the RPM Challenge to conceive and record an album within the 28 days of February:

Well, it's the eve of RPM 2007. I have taken the organizers' advice and will not begin either composition or recording until tomorrow. But that doesn't mean I won't start planning in advance. I have an overall idea for the structure of the album, with the pieces fitting together as a single unit, and moving in an arc from more beat-based music to more free-form and experimental, though I haven't decided how it should end up. I am also preparing things technically for the project. Most of the work will be done on the computer using software synthesizers and sequencers – I will likely use some hardware instruments and acoustic samples as well.

The goal is to do the creative work (and hopefully much of the recording) in 2 1/2 weeks to mirror the appromixately 2 1/2 years it took to complete my last album Aquatic…

For those interested in following this effort, you can check in here and at my RPM page all throughout February.




New tracks up at MySpace

Well, I have managed do to something productive with my time out bicycling and hanging at the cafe (can one really refer to anyplace as “the cafe” in Santa Cruz?). I have uploaded some new and extended tracks for MySpace Music:

I don't really have the time or patience to figure out how to really embed the player here, so a pretty picture and link will do for now.

I have gotten a lot of feedback during the time I have had a Myspace Music page to have longer clips – but this needs to be balanced against the need to protect my work, especially those that are commercially available. Anyhow, I figure the longer versions of The Wooden Fish and East Bloc Call to Prayer can only help. I also uploaded a clip from Dorian Grey's Box, the recent art installation, for the enjoyment of those who prefer Myspace over podcasts.

Hey, I actually got a couple more dollars in royalties from iTunes Europe today, might even pay for this fine coffee drink here…




The 2007 RPM Challenge

This week I signed up for the 2007 RPM Challenge to record an album in 28 days during the month of February. Here is a quote from my mission statement as a participating artist:

It took 2 1/2 years to complete my first album, Aquatic. It was well worth the time and in the end I had a beautiful product of which I am proud. But I would like to see what I can do with just 28 days. I will record some new experimental electronic tracks, maybe with some beats thrown in for good measure. Of course, I have to use at least one cat sound or two.

I will posting articles on my artist page at the RPM challenge documenting my progress (or lack thereof), and various other thoughts related to process of recording this new album. Of course, all articles will be cross posted here at CatSynth.



Dorian Grey's Box: Art Installation at Pajaro Valley Arts Council

My sound art installation described in previous posts is now on display at the Pajaro Valley Arts Council as part of the current exhibition “The Human Condition: The Artists’ Response.” The exhibition is “an artistic articulation of the connection between
the individual and world challenges, the exhibit
brings together artists responding to political and social tensions in today?s world”, and features 22 artists (according to my best count). The pieces in the exhibi are all of great quality when compared to recent gallery exhibits I have visited. Many are overtly political or social, dealing with many of darker subjects in current events and recent history. Some are quite realistic, others more abstract.

Dorian Grey’s Box, the piece on which I collaborated with local artist Michael Carson, is one of the more abstract in the exhibition. The main element is a large black cube with newspaper clippings in various patterns and sections of redder coloring. Surrounding the main cube are several small wooden “alphabet blocks”, some of which have also been painted black.


The sound (my contribution to the piece) is on a continuous loop that visitors can hear via headphones. The material is primarily ambient noise, gitches, percussive effects and sounds that only “hint” at speaking voices, arranged in a collage inspired by the sculptural part of the piece.

]The exhibition continues through March 4, and I strongly encourage anyone in the greater Bay Area during this time to check it out. It’s great to see such quality contemporary art locally (Santa Cruz-Watsonville-Monterey area).

I have posted an excerpt from the sound installation on the podcast for those who are interested in the piece but unable to visit in person.










Guess the Electronics

Inspired by a discussion on the Bay Area New Music maling list about electronic-acoustic music as well as different electronic tools/technlogies (e.g., MAX, CSound, etc.), I present the Guess the Electronics game.

Simply listen to each of the challenges below and leave a comment on how you think each was one created. You can also take a guess as to which examples include acoustic material.

It's fun for the whole family ?

challenge 1
challenge 2
challenge 3
challenge 4
challenge 5




E-MU Introduces Beta Mac OS X Drivers For 0202 And 0404 USB 2.0 Interfaces

I suppose on the eve of MacWorld, I can take a moment to brag about a recent Mac-related accomplishment of mine:

E-MU® Systems has announced the release of a Beta Macintosh OS X driver (Apple CoreAudio) for its 0202 USB 2.0 audio interface and 0404 USB 2.0 audio/MIDI interface…
…E-MU's new Beta Macintosh OS X driver is now available for free download at www.emu.com.