James Chance and The Contortions, Seaport Music Festival, New York

This past weekend marked the 15th annual Seaport Music Festival at the South Street Seaport in New York, and we at CatSynth were there on Sunday afternoon to see James Chance and The Contortions.

James Chance and the Contortions

For those who are not familiar with James Chance, he was an icon in the New York post-punk and “No Wave” scene in the late 1970s and early 1980s. This is actually the second time we have seen him and his band, including collaborators Mac Gollehon on trumpet and valve trombone, Eric Klaastad, and Richard Dworkin on drums, in 2017, the previous being at the Knockout in Francisco in March.

For the Seaport show, they were joined by Chris Cochrane on guitar and Robert Aaron filling out the horn section on tenor saxophone.  The San Francisco performance was great, but this performance was even better.  There were the tight funky rhythms with blaring saxophone and trumpet lines along with Chance’s fancy footwork and intense stage presence that channeled James Brown, but the band as a whole was more of an imaginative musical whole.  Cochrane seemed more in tune with the rest of the band and shined on slower tune “Jaded” with a cool Robert-Fripp-like countermelody using an e-bow.  The combined horns of Gollehon and Aaron brought out the jazz and funk elements that separated James Chance from others in the No Wave scene.  And Klaastad was full and powerful on eight-string bass.

The energy of the performance fit well with the setting.  It was a beautiful late-summer day, with the Brooklyn Bridge and waterfront bathed in golden-hour sunlight, matched by Chance’s yellow blazer and trademark pompadour.

James Chance

It was also special to see him performing in New York, given his long history in the local music scene.  Later on walking in the West Village, we espied this old poster advertising one of his shows from the early 1980s on the wall of the former Bleecker Street Records (sadly, now a Starbucks).

James White and the Blacks

We would be remiss if we did not also mention the other bands we saw at the Seaport Music Festival.  The Contortions were preceded by Wolfmanhattan Project, a supergroup featuring Kid Congo Powers, Mick Collins (Dirtbombs/Gories), and Bob Bert (Sonic Youth).  They played to a quite enthusiastic audience.  The Nude Party combined sounds of hard rock scene of 1970s New York with a Southern edge from their hometown in North Carolina.  And Martin Rev (formerly of Suicide) played an energetic solo set on keyboards with backing rhythms from a variety of sources, including classic soul such as the Ohio Players.  A fine day of music on the waterfront.

[Jason Berry contributed to this article.]

CatSynth Pic: Miep and Roland D-70

Miep and Roland D-70

Our feline friend Miep is back, this time with a Roland D-70 synthesizer.  FromDennis Matana via http://www.facebook.com/catsynth .

The Roland D-70 is not as common as the iconic D-50.  You can read more about it on Vintage Synth Museum .  Interestingly, it appears to have at least as much in common with the U series as the D series, and never achieved a similar popularity to the D-50.

9/11 Tribute in Light

9/11 Tribute in Light

Last night in downtown Brooklyn, we observed the 9/11 Tribute in Light turning on across the river.  One beam was on first, and then later – following the pattern of the towers attack and collapse.

It is a somber reminder.  And it is the second time I have been in New York on 9/11 to witness it.

You can read more about the 9/11 Tribute in Light here.

Henry Kaiser Quartet Plays Steve Lacy at Piedmont Pianos

On an extraordinarily hot Saturday evening in Oakland, we and several others kept cool both physically and musically at Piedmont Pianos. The occasion was a concert of music by Steve Lacy, as interpreted by an ensemble organized by guitarist Henry Kaiser with saxophonist Bruce Ackley.

Steve Lacy is a visionary but often under appreciated musician in avant-garde jazz. He was a prolific composer especially in the 1970s with his sextet and is an influence on many of the musicians were regularly see and perform with. (You can see Jason Berry’s tribute comic to Steve Lacy in an earlier post.) Bruce Ackley and Henry Kaiser have long been interpreters of Lacy’s music. Ackley and other founding members of Rova shared a deep interest in Lacy, and connected with him in both Berkeley and Paris, ultimately recording their own album of his work in 1983. They teamed up with Kaiser for performances of Lacy’s Saxophone Special in the early 2000s and ultimately recorded the piece together with Kyle Bruckman. More recently, Kaiser and Ackley have put together a group to perform the music from The Wire, which included Tania Chen on piano, Danielle DeGruttola on cello, Andrea Centazzo on percussion, and Michael Manring on bass. The performance on this evening featured a subset of this group featuring Ackley, Kaiser, Chen, and DeGruttola.

Henry Kaiser Quartet

The concert featured many pieces from The Wire as well as a few others, and demonstrated the breadth of Steve Lacy’s composition from the brightly melodic “Hemline” (dedicated to Janis Joplin) to the extremely percussive and avant-garde “The Owl” (dedicated to Anton Webern), which featured Tania Chen and Kaiser blending the extended acoustic techniques of their respective instruments.

Henry Kaiser, Tania Chen, Robert Ackley

Even at its most percussive and noisy, Lacy’s music is quite melodic and structured. Indeed, many of the pieces were intended as songs, specifically songs for the voice of Irene Aebi. The melodies often revolved around simple repeating motifs, as in “Bound” (dedicated to Irene Aebi). On some pieces, including “Deadline”, DeGruttola and Kaiser acted as a string-based rhythm section, providing a foundation for the soprano-sax to interpret the melody and the piano to fill the space in between. Other moments provided lush harmonies, with Kaiser playing long pitch-bent chords on guitar and Chen playing frenetic harmonic fragments on piano. The energy can be intense at times, but then slower and haunting as in “Clouds”. Although structured, there is a lot of room for improvisation in the music, and the ensemble had great on stage chemistry for listening and playing off of one another, leaving empty space, and allowing Lacy’s original ideas to come out even as the performers added their own. The performance also included the title track from The Wire, “Twain”, “Ecstasy” and more.

This was my first visit to Piedmont Pianos. It is a large, friendly, and inviting space, dedicated entirely to the piano. Many were rather impressive, both in terms of their quality as instruments as well as their sticker prices, including the gorgeous Fazioli grand that Tania Chen played for the concert. However, I found myself most captivated by this remake of a 1930s Bluthne PH Piano, which is a work of visual as well as sonic art.  It is based on a design by noted Danish architect and inventor Poul Henningsen.

1931 PH Piano

We look forward to seeing more shows at Piedmont Pianos now that we have discovered it, and of course upcoming shows for all the musicians involved in this evening. Nor is this our last word on the music of Steve Lacy.

CatSynth Pic: John Cage with Losa Rinpoche

Merce Cunningham John Cage tribute

A tribute to John Cage on his birthday (September 5), by the Merce Cunningham Trust.  The photo is courtesy of the John Cage Trust.

John Cage’s beloved black cat was named Losa Rinpoche.  From the John Cage Trust (on his 101st birthday in 2013):

John Cage had a very close relationship with his second black cat, Losa.  (His first black cat, Skookum, was tragically set loose on the streets of New York by a well-meaning worker on the roof. John was so bereft, Andy Culver told him we were going to have to send him back to Zen School.) One of their favorite games together was for John to put Losa under a cardboard box.  Losa would then move around the loft, the box on his back, weirdly animated.  I was horrified the first time I saw him do this. “He must be scared!” I cried. John just laughed. He said Losa liked it, and, furthermore, his new name was now Losa Rinpoche Taxi Cab.  Of course, Losa would, after a time, simply shrug the box off, look disdainfully at us both, and calmly walk away.

#Houston Updates

As the heat recedes in San Francisco and we return to something closer to normal, our attention returns to our human and feline friends in Houston and elsewhere affected by the storm.

In addition to rescuing stranded pets, one of the challenges facing animals and those who care from has been the damage done to local shelters in southeast Texas by the storm. Organizations from around the country have stepped up.  From the San Francisco SPCA’s recent Facebook post:

Rescue Cats from Texas coming to SF SPCA.

Rescue Cats from Texas coming to SF SPCA.

Our little ‘Stormtroopers’ (15 pups and 15 kitties) are resting peacefully after arriving last night from a galaxy far, far away (also known as Texas). We will be providing frequent updates over the next few days and they should all be available for adoption by the end of the week. Stay tuned here and on our adoption pages for news and pictures. Thanks again to our partners–Muttville Senior Dog Rescue, The Milo Foundation, MAD Dog Rescue, Charlie’s Acres, PetSmart Charities and Austin Pets Alive!–for helping bring the ‘Troopers back to the Bay Area so we can help find them new homes. The people and pets of Texas still need your help so please consider making a donation to Austin Pets Alive or any of the other organizations that are on the ground in the Houston area helping to make a difference.

Speaking of Austin Pets Alive, they continue to be on the ground helping their friends to the east, including the hard-hit city of Beaumont.   From APA’s latest update:

– We are not only taking owner-surrendered dogs. Best Friends Animal Society opened their temporary shelter at the Montgomery County Fairgrounds on Thursday, and the City of Austin and City of Houston have both opened facilities in the past 48 hours to help take in strays and lost animals. So, we have transitioned back to working with animals who are not waiting for an owner and need to work towards adoptions – which is what APA! does every day back in Austin.

– Thankfully, the city of Beaumont has set up the Ford Center to accept stray animals – so they have a safe, albeit warm, place to be. It is important to us that the pets coming to our facilities also come with the most information possible, as we need to know whether to help animals find forever homes or reunite with their families.

Best Friends Animal Society continues to also be on the ground helping rescue and reconnect animals with their humans.

We are happy to say that our human and feline friends at Mad Macedonian and Opinionated Pussycat are safe in Houston, although perhaps a bit soggy.  This Instagram post was from the storm itself last week.  The waters have receded since then.

Others are not so fortunate. Arun Chaudhary has been documenting the devastation in and around the Houston area in exquisitely detailed but distressing sometimes terrifying photos. This first one is along I-10.

One of the big issues now with the flood waters is the pollution and toxicity unleashed by the area’s massive energy-production industry. It is impossible to get a sense from the images of just what is coming.

Laura Moser, founder of Daily Action and Congressional candidate, continues to work in the communities on the north and west of the city, including Katy. The scenes from there are pretty devasting.

You can see the entire series of photos in this Tweet thread, which features photos by Arun Chaudhary. She also made this call for specific supplies needed:

Several of us have been going back and forth to 8503 Mesa Drive with supplies. There are now 3 drop-off locations for people who want to drop off contributions: my house (in WU off Kirby), my dad’s office (in Village), and a friend’s house in RO. Please PM me for addresses. We have a few new needs, too, for people still going to the store:
Antibiotic ointment, Benadryl, Benadryl for kids, Band-Aids, first-aid kits. A lot of people are still living in these ruined houses with their kids, who already have asthma. We also have an ongoing need for formula and also BOTTLES.

For those far away (like us), the best way to help humans and animals continues to be money that organizations can use for whatever needs arise, but if you are in a position to provide specifically-needed materials, this list is a good place to start.

Sam Sam, The Sunset, and San Francisco

I-280The geography of San Francisco is complicated, and the east and west sections of the city can sometimes seem quite divided. This is even more so when one is transporting a cat across the city, as I did on Thursday to bring Sam Sam from CatSynth HQ in the downtown area to our longtime vets at Especially Cats Veterinary Hospital in the western Sunset District. There are several tall hills in between, and the most efficient route is to hop on I-280 around the southern portion of the city and then up into the Sunset.

CA 35 The Sunset is an interesting and intriguing place, almost a separate city. From 19th Avenue (CA 1), the alphabetically arranged streets and numerically arranged avenues slope gently down towards the Great Highway and the ocean. The Great Highway should be CA 35 all the way up to its northern end, rather than ending in the southern corner of the city along Sloat, but it does. Especially Cats is on Taraval Street, one of the main east-west strips in the neighborhood.  It even boasts a streetcar line down to the sea.

Taraval Street

Sam Sam with sockThis photo was from 2015 when I brought Luna in for her biopsy. It was a normal overcast gray summer day in the Sunset. Sam Sam’s visit was on a hazy sunny and warm day at the start of the current heatwave. The return to Especially Cats was a warm experience as well, albeit a bit emotional as it was our first reunion since Luna passed away. Fortunately, Sam Sam received a clean bill of health and charmed the staff with her cuteness. And she was remarkably well behaved on the trip over, just complaining a little bit. We decided to take the more geometrically direct but hilly and windy route back, taking Taraval to its eastern end a swanky neighborhood around Laguna Honda, and then over Portola and Market back to our corner of the city. The spot where Market and Portola meet is among my favorite in the city, with commanding views of downtown and beyond. And in between, there are dips and valley with unexplored roads and walks that I need to come back to when I don’t have an impatient cat in a carrier.

Elizabeth Street, San Francisco

The whole of the city used to be mine, as I regularly moved from neighborhood to neighborhood for work, fun, or errands. Downtown San Francisco can be a bit of a gravity well when one both works and lives there. It’s a fine situation, in truth, but I can sometimes get a bit restless to move about rest of the city again. Especially some of the older sections, or the more industrial spaces that formed the backbone of my visual art (and “Wordless Wednesday”) but are rapidly disappearing. When will the last dilapidated warehouse give way to a banal medium-rise apartment building?

Finding this balance, doing all we want to do, and have to do, is perhaps this moment’s biggest challenge. But on this day I was happy to simply do right by a loved one while exercising a bit of the wanderlust.

Please check out our Highway☆ app, available in both the Apple App Store and Google Play Store!

Steely Dan: My Old School 1973 – RIP Walter Becker

On the news of Walter Becker’s passing, we post this classic live performance of Steely Dan.

Steely Dan seems to be one of those bands that elicit strong emotions, people seem to love them or love to hate them. While I had a soft spot for a long time that I had to occasionally defend, there had faded into the background until Aja became part of the rotation of albums I listened to during my recovery last summer. This was a deeper listening beneath the slick production to hear the chord progressions and the dark but clever lyrics. And as I write more lyrics in my music, I hear the influence of their words.

I do get the sense that the polarizing reaction to Steely Dan does tend to cleave along similar lines to other musical divisions of the 1970s, most notoriously the anti-disco crusaders from the hard rock world. But that is a story for another time…

Weekend Cat Blogging with Sam Sam: ¡Que Calor!

It is hot here in San Francisco. In fact, yesterday was the hottest day on record in nearly 150 years. From The Examiner;

Hours after this post was originally written, a new downtown San Francisco temperature record was set at 106 degrees, according to the National Weather Service.

I love heat. Indeed, my ideal temperature is higher than some friends and colleagues’ comfort zones. But this is too hot for even me. Which means it’s a bit unbearable for poor Sam Sam.

Sam Sam in the shade

She has been strategically lying in spots that are shaded, as in the photo above where she is lying underneath a small table and a mounted crash cymbal. She does love her sunshine, though, so keeps going back to the window to bask for a few minutes.

As the temperature continues to climb inside of CatSynth HQ, I have also set up space with a towel and cold pack for her.

Sam Sam resting with a cold pack

The heatwave is expected to diminish a bit tomorrow. In the meantime, I suspect we are going to be taking it easy for the remainder of the afternoon.

CatSynth Video: Live Jam #101 – Techno / Minimal – Eurorack, Volca Sample, tc electronic Skysurfer, The Prophet

From Monotrail on YouTube, via matrixsynth.

“And we go on!!! I bought two guitar pedals, mainly for live use. They are sturdy, look good, and are cheap. I thought I would do a Live Jam with some knob tweaking before I place them out sight.
PS: Sorry for the wobly[sic] camera, I don’t have a tripod, but use a bongo instead…

If you are still interested in obtaining one of the 50 tape’s, or a digital version of the 100th Live
Jam release, please visit my bandcamp: https://monotrail.bandcamp.com”

Nice integration of Korg Volca Sample and TC Electronics with the Eurorack modular. And we like the trick of running the Volca Sample through the Doepfer A-119. Spot the kitty 😺