Visiting the 9/11 Memorial in New York

My trip to New York included a visit to the to 9/11 Memorial. As stated on the website, the memorial is “A national tribute of remembrance and honor to the men, women and children killed in the terror attacks of September 11, 2001 and February 26, 1993.” At its most essential level, it is a space rooted in tragedy and loss and remembrance. But it also is a positive space, in harmony with the modern urban landscape, the changes happening as the area is rebuilt, and a prototype for ways to think about public urban spaces for the future.

The memorial is located on the World Trade Center complex, and occupies a large portion of the original site. It is anchored by two large square waterfalls and reflecting pools, each approximately the size and location of the footprints of the original twin towers.

In this photo, one can see how the pools are situated with respect to the other architectural features of the landscape. Behind this pool on the footprint of the original south tower are (from left to right), the existing buildings from the World Financial Center in Battery Park City, the new One World Trade Center building still under construction, and the September 11 Museum (also still under construction).

At the center of each reflecting pool is a dark square hole whose bottom cannot be seen from the sides and into which water from the pool falls.

The trees visible in the above photo are swamp oaks, and form an important part of the memorial. Although orange and rather spare in late November, they form a green canopy that will shade much of the space during the spring and summer and add a sense of life to the space. They are also an integral part of the green design, with the shade helping to reduce stress and energy on the underground parts of the complex (including the major transit hub at the site). Conversely, the paved walkways are designed in such a way as to support the trees and not put undue stress on them or their roots (visit the website for more detail on how that works).

The sides of pools are lined with bronze onto which are inscribed the names of all the people who died in the attacks on September 11, 2001, as well as the six people who died in an earlier attack on the World Trade Center in 1993.

It is somewhat reminiscent of the names on the Vietnam Memorial in Washington, DC, and indeed I did see some people making rubbings of particular names.

The architecture of the pools, with the concentric squares and footprints, grounds the memorial in the architecture of the original site. The museum facade also takes on elements from the long lines of glass and steel structure of the original towers. Even the cascading water into the pools seems to have been designed to reflect the original architecture. The pattern of the water as it cascades over the edge strongly reminds me of the two-story lobbies of the original towers.

Visits to the memorial is still very controlled, and one has to book passes for a particular date and time well in advance. But we were able to get a good time during what is presumably a busy week. I am glad I had a chance to visit at this time, with the overall site still in progress. I would like to see it again in the future as the buildings and the museum move forward.

Preparing for Omega Sound Fix

The Omega Sound Fix gets underway tonight at the Alfa Art Gallery in New Brunswick, New Jersey.  I am planning to be present tonight as well as tomorrow and as with other larger music and events I will be probably be live tweeting @catsynth.

I have been busily preparing for the performance (along with everything else one does for a long-distance trip).  The basic setup features the iPhone, iPad, MacBook, monome, DSI Evolver and Korg Kaoss Pad.

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The iPhone will primarily be running Smule Ocarina, while the iPad will be used for the new Smule Magic Fiddle, the Korg iMS-20 (pictured) above, the Bebot, and sundry other instruments.

One thing I have noticed is that although the main musical items have shrunk in size, the entire rig remains large, primarily because of the ancillary elements such as cables, stands, etc., so it ends up still being quite cumbersome and heavy, especially when loading it into airline-friendly suitcases.  I ran into similar challenges with previous performances in New York as well as the one in Shanghai last year.

Musically, I will be doing three pieces.  I will reprise the music-plus-video piece featuring Luna that I did at the Quickening Moon concert in February, but using the iPad with Magic Fiddle and the iMS-20 to replace the Octave CAT (which I will not take on the road).  I will also perform a couple of the other current standard solo pieces, such as the prayer bowl with Evolver plus Smule Ocarina, and the live-sampling piece featuring the monome and a variety of Indian and Chinese folk instruments.  I have two new Indian instruments to use tomorrow:

The first is a dotara.  Although the name implies two strings, this instrument actually has five.  I have not played it before, so we will see what happens.  The second is a new gophichand.  My other gopichands are fine, but it’s nice to have a few (if only as spares, as they are quite delicate).  I will be freely mixing them with Chinese percussion instruments as well as my iPad-based model of a Chinese guzheng that I first used at the Luggage Store Gallery in September.  I like the idea of mixing elements from different traditions together into something new.


For those interested in attending for following, here is the full info on the Omega Sound Fix festval:

Sonic Architecture Unveiled by Electronic Composers and Human-Robot Band at Underground Music Venue
Electronic Music Festival resonates in New Brunswick art gallery

Over twenty innovative international and local musicians will perform at the bleeding edge of sound on Nov. 20 & 21 at Omega Sound Fix. Headlining performers have performed with the likes of John Cage, David Tudor, Steve Reich, Lydia Lunch, Faust, and Throbbing Gristle and are exploring new territory this fall.

Richard Lainhart is an award-winning composer, author, and filmmaker renowned for his individual work and collaborations with John Cage, David Tudor, and Steve Reich. His compositions have been performed worldwide with his earliest sonic forays predating Brian Eno’s ventures into ambience.

Philippe Petit of Marseilles, France is an innovative composer, who considers himself a “musical travel agent,” and assembles “sound-images” with turn tables and digital wizardry. He has performed across Europe and the Americas with Lydia Lunch, Faust, and Throbbing Gristle.

Octant, a one-man and multi-robot band, will plumb the depths of cybernetic accompaniment on Sunday, Nov. 21. Mathew Steinke serves as the band’s Gepetto and sole human member. “I would go out of my way to see an Octant show…” writes CMJ magazine.

Tickets are $6 for one day, $10 for a two-day pass. Doors open at 6 p.m. on Saturday and 4 p.m. on Sunday.

About Omega Sound Fix:
Local musicians, Mike Durek and Mark Weinberg, spawned the idea of an innovative and eclectic music festival during a mini-golf match last summer. Durek and Weinberg expressed frustration with the lack of a new music scene in New Brunswick and sought to fill the void with innovative sounds and talented performers. Click here for more info.

UPDATED List of Performers:

Day 1: Saturday 11.20.10 @ 6:30pm
Brendan Byrne
Zilmrah
Richard Lainhart
Philippe Petit
PAS
Pots and Powercells

Day 2: Sunday 11.21.10 @ 4:30 pm
Blithe (doll)
Borne
Octant
Ezekiel Honig
Trinitron
Amar Chaudhary (Catsynth)

Omega Sound Fix, Alfa Art Gallery, New Brunswick NJ, November 20-21

On Sunday, November 21, I will be performing a solo set at the Omega Sound Fix festival at the Alfa Art Gallery in New Jersey.

“What is the Omega Sound Fix? It’s a new music festival in New Brunswick, New Jersey. It features 12 bands over two days, some international acts, and some local. It will showcase the underground explorers, the Magellans of the music world…foregoing the known in search of new lands and new sounds. They are all on the bill because they offer something unique to the music world.”

Click on the digital dinosaur picture above to see the flyer featuring the full festival line-up.  I am excited to be a part of this event.  To help us fully fund the festival and make it a success, we have launched a Kickstarter campaign. Check out this video from festival organizers Mike Durek and Mark Weinberg, and donate something if you can. We have discounted tickets, CDs, DVDs, and other neat things to offer as rewards (I wouldn’t mind the housecleaning myself).

The Forbidden City

The first stop on my weekend trip to Beijing was the Forbidden City.

The Forbidden City was the Chinese imperial seat of power from the Ming Dynasty to the Qing Dynasty. It is really is a “city” rather than a palace. It is huge and contains hundreds of buildings, and in three hours I was only able to cover part of it. This article presents only a small sampling of what I saw.

The Forbidden City is surrounded by a moat and walls, with towers at the corners:

Inside the walls are a patchwork of courts and buildings, of which Hall of Supreme Harmony is the largest and most iconic:

The people in the crowd (which is relatively modest for China) should provide some sense of scale for the size of the buildings and the courtyard. At this scale, the architecture seems relatively streamlined and spare, but a closer look reveals intricate details in the buildings, as well as the networks of stairways and paths.

The above architectural details are more intense, in terms of color and complexity, than those I had seen previously in the other cities. Other imperial and religious buildings in Beijing share a similar style.

Views such as this may be recognizable to some readers who have seen documentaries, or films like The Last Emperor. Another image I did recall from seeing film many years ago was the imperial throne:


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It was actually a challenge to get a good look at the throne or other significant building interiors, much less attempt to photograph them, because of the ubiquitous crowds:

One could escape from the crowds for a bit by staying out in the middle of the courtyards, or venturing into the maze of side buildings. Wandering the side areas was quite interesting, around a narrow corridor one could easily find another whole court and buildings, “palaces within palaces”, such as Palace of Heavenly Purity with it’s golden lions in front:


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Tucked inside the warren of side courts were numerous gardens, similar to those I saw in Suzhou and Wuxi. Some were similarly small an intimate, and seemed like pleasant oases. There was also the imperial garden, which contained this rather large rockery topped by a pavilion (closed to the public), which like it could be at home in a Lord of the Rings movie as much as a Chinese imperial palace.

Scattered throughout the complex were numerous statues, such as the lions protecting palace, entrances and dragons, and other artifacts from the imperial courts:


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I would have liked to try out those bells.

At the southern entrance is Tiananmen Gate, which now bears the portrait of Chairman Mao:

I of course could not resist having Zip pose for a “Mao and mao” photo (one of a few I have taken during my trips to China).


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