CatSynth Pic: Loki and Waldorf Streichfett

Loki poses with a Waldorf Streichfett synthesizer in a beautifully composed photo.  From Nicky Skolagava via the Facebook group Synthesizer Freaks.

The angle makes the Streichfett look large, but it’s a rather compact little box with an interesting story.  From the Waldorf website:

Streichfett combines the best of the previously extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section, which is essential for recreating classic movie sounds from the 70s and 80s. The Ensemble Effect provides depth and movement to the String Section, while the Effects section adds adjustable Phaser and Reverb. Additionally, the Animate Effect can be used to modulate the strings registration, allowing spectacular sound morphs.

NAMM 2018: Korg Prologue and Waldorf STVC

We would be remiss if we didn’t visit the Korg booth at NAMM, especially as Waldorf was there as well.  We took some quick peeks at some of the new offerings, which you can see in this video.

The Korg Prologue synthesizer was among the most hyped instruments leading up to NAMM, so we of course had to check it out.

Korg Prologue

It is quite pretty, with a sleek black front panel and wooden side panels.  The analog synth was not that exciting to us, as we at CatSynth are rather spoiled by the offerings of Dave Smith Instruments such as the Rev2 or Prophet 6.  And it doesn’t fill the niche of the Minilogue as an affordable polyphonic analog synthesizer.  What intrigues us is the open architecture for the digital oscillators that will allow advanced users to add their own programs.  At NAMM, it is difficult to impossible to explore this, but we look forward to learning more about in the future.

Waldorf STVC

By contrast, the Waldorf STVC string synthesizer and vocoder was fun to play and sounded great on our first test.  The vocoder played more smoothly with my voice than the Roland VP-03 that I frequently use (including in the opening for CatSynth TV).  But it does require dialing in the exact right patch for one’s voice.  When we returned to the booth to record our video segment, it took a while to find something that worked, and it wasn’t quite as good as that first time.  But we know this is part of the deal with vocoders, and they require practice to play well.

 

CatSynth Video: Enter The Dragon theme cover by KATOD – live on C64 :)

Szarik that cat returns in this video featuring a variety of synths and vintage 1980s computers. By KATOD_music on YouTube. Submitted by KATOD via our Facebook page.

In the memory of Bruce Lee… greatest dragon!
My version on amazing “Enter The Dragon” theme music by Lalo Schifrin.
Lead and solo parts live played on Commodore 64. The rest of tracks sequentially recorded.
instruments:
– modified C64 + Mssiah cartridge synth software
– bass guitar
– Waldorf Blofeld synthesizer module
– Korg R3 synthesizer
– Dreamblaster tiny module (drums)
– Atari 1040 STE (MIDI sequencer)
Arranged, recorded, mixed and mastered by KATOD
Video-clip recorded and assembled by Katod.
Track: Enter The Dragon theme cover
My fanpage: http://www.fb.com/KATODmusic
My album you can find here:
SPOTIFY:
https://play.spotify.com/album/0mi4SY…
GOOGLE PLAY:
https://play.google.com/store/music/a…
EMPIK:
http://www.empik.com/7-cats,p11136393…
and also many other online music providers…
CD you can buy here:
http://www.generator.pl/p,katod-7cats…

NAMM: Waldorf Zarenbourg and Blofeld

I have to admit I was a bit dejected at first when I started my systematic wandering of NAMM Hall A. A lot of solid recording and computer gear, but one can only feign so much interest in one soft synth and digital mixer or latest incarnation of a popular digital workstation. My mood lightened when I came to the Waldorf Zarnenbourg.

Yes, it is just another digital modeling synth, albeit in a pretty package reminiscent of a Rhodes suitcase piano. But it was very playable, and immediately left behind the initial overstimulation and monotony by firing up the Wurlitzer electric-piano model and playing jazz/blues/funk riffs for a few minutes. In some ways it was even more convincing than my workhorse Nord Stage (although that remains an excellent electric-piano model, too). The electric-pianos were physical modeling synths, while the acoustic piano was sample-based. The effect sections are also more versatile, in particular the auto-wah. The Blofeld was connected to the Zarenbourg’s audio input so the instruments were mixed together in the piano’s built-in speakers for a fun combination of classic 70s riffing and esoteric electronic sounds. The Blofeld can get a bit intense at times, and it seems like one of the booth agents was having a little fun with the next unsuspecting soul who tried turning it on.