It’s been a busy – and cold – time at CatSynth HQ. So it’s not surprising that human and feline alike are seeking warmth and comfort. Sam Sam has taken to sitting on my side of the bed, even rushing to grab the warm spot when I get up.
In the photo above, we see her enjoying a bit of posh comfort on fluffed-up bedding. It’s good to be the cat!
She especially likes it when I leave dirty clothes there, as it adds my scent. I came home after a long day at work to find her curled up on top of them and quite contented.
I suspect she was a little lonely during the day, and perhaps a bit cold as well. It’s been a dreary February, as we have stated before. But it drawing to a close next week, and the skies are becoming a bit brighter. We at CatSynth look forward to the arrival of spring (honestly, it can’t come soon enough).
Murder (we’re sure there must be an interesting story behind her name) gets ready to perform on a Korg EMX2 Groovebox. From Jackies Fridge via our Facebook page. Part of a series of posts on our page this week celebrating black cats.
Scene featuring two art pieces in a niche at the Hilton Anaheim while running around between parties and other social gatherings on the last night of NAMM. It was a quiet and arresting tableau amidst the chaos and cacophony.
Some may be quick to deride “hotel art”, but these two pieces would look very much at home at CatSynth HQ regardless of provenance.
For more “wordless” fun, please check out our completely wordless latest video.
It’s a three-day weekend here in the U.S., and our cats demonstrate how to best enjoy it.
Sam Sam is a cat who knows how to relax. In addition to the blankets, one of her favorite spots of late has been the patch in front of our (mostly de-commissioned) E-MU 1U modules.
But she also knows how to have fun, as in this Instagram where she makes a game of playing with her new toy, washing, and finishing up with a scratch’n’roll.
We’ve been busy, too, doing another video with an original soundtrack featuring both hardware and software synths (including the new MOK Waverazor virtual instruments). And of course our little cat buddy makes a cameo.
On the other side of the bay, Big Merp is enjoying his extended weekend, too.
This portrait brings out the character and soul in his face. He has had a great many experiences in life. But he loves his home comforts.
The tears around his eye seem to happen when he goes out for one of his multi-hour outdoor adventures. It clears up fairly soon after coming back indoors. We are figuring that it is some sort of allergy.
We hope you are all enjoying your three-day weekend, or your Monday wherever you are.
One of the most talked-about releases at NAMM (at least within our circles) was the new MicroFreak from Arturia. So, of course, we at CatSynth had to check it out.
It is a unique-looking instrument. The panel is etched with a variety of iconography; and then there is the flat PCB in place of the traditional keyboard. No moving parts here. But it is quite expressive, including polyphonic aftertouch.
Beyond its looks and keyboard, the main feature of the MicroFreak is its digital oscillator. There are several different “types” for the oscillator, including wavetable, sampling, physical modeling, virtual analog, and something called “texturizer”. Within each there are selections for parameters labeled wave, timbre, and shape, that do different things in different types. These can be selected in real time via the knobs, and wave and timbre can also be destinations for modulation.
The digital oscillator followed in the signal chain by an analog filter, specifically an Oberheim SEM-style filter, which sounds quite good when the oscillator is set to a rich source. There also the usual array of modulators, including envelope (one-shot and cycled), LFO, and arpeggiator. The sequencer includes a bunch of compositional functions with cute names like “Spice” and “Dice” to help build and modify patterns, which then can be routed via the modulation matrix.
It is quite a powerful instrument, but attempting to play it was a bit intimidating at first. Unlike the MiniBrute (analog) or even the Sequential Prophet 12 (hybrid), the knobs weren’t quite as intuitive for someone used to a lot of subtractive or semi-modular synthesizers, especially the oscillator with its various modes and the composition functions. I suspect it was an easier first-experience for those who use beat and sample boxes like those from Elektron. Indeed, I was able to get more out of it by turning on the arpeggiator and then turning knobs. You can see a bit of my initial attempts in our recent video.
In order to really understand what this little beast has to offer, a deep dive in the studio would be required. We at CatSynth hope to be able to arrange that in the not-to-distant future, and will report back here and on CatSynth TV.
