Forced Togetherness Fridays: Working to death, and when long hours work well.

One of the most commonly cited factors in workplace stress and dissatisfaction is long hours.  Long hours and late nights can cause many problems, some of them are direct impacts on the mind and body of the worker, but then it also ripples out to others through work-family balance, evening and nightlife industries, art, and more.  In an interview about his new book, Jeffrey Pfeffer describes these issues and how they are literally killing American workers.   We will discuss his book in more detail once I have read it – but something in the interview particularly spoke to me: the insidious ways that companies and leaders turn long hours into a virtue, or even a “cause”, rather than a business necessity, and make resistance a question of character instead of productivity.

Companies also play to our egos. They say, “What’s wrong with you? Aren’t you good enough? We’re a special organization. We’re changing the world and only certain people are going to be up for the task.” Who wants to admit they’re not good enough?

I have certainly come across examples of long-hours-as-cultural-virtue in my career.  It is especially appalling when the pressure for long hours in the office involves a lot of play time.  I have felt stuck with an office full of people who stop working but just won’t leave – instead, they start playing games, goofing off, but together as a team.  The pressure to at least pretend to conform by sticking around is strong and also stressful on mind and body.

But there are times when long hours of work are necessary, and when it’s necessary for getting things done, it can be made into an experience that is not only lower stress but even enjoyable its own way.  I illustrate this with an example from own recent experience and then unpack why it worked out well.  Our CEO had a major demo for a group of potential investors and business-development opportunities that was scheduled on short notice.  There was a specific list of features and improvements needed to our mobile app and they were needed in about 48 hours.  With this deadline and set of goals in hand, I made the decision – with the support of the VP of Engineering – to take it on myself because it played to my strengths and style: quick, efficient, targeted.  I got to work on it immediately and was able to focus – in part because the VP (who was also my immediate boss) ran interference for me on some of the usual distracting nonsense.  I enjoyed the challenge of working towards the goals and getting the tasks done one after another in sequence on my own.  Indeed, I didn’t notice at first that it was getting late and that the office was quiet and nearly empty except for myself, my boss, and two other colleagues who generally shifted their work days later than the rest of us (I don’t know why, and I also don’t care why).  When one of them distracted me, my boss ran interference again, and I was able to get things in a good place by the time I left at 8:30 PM.  I wasn’t physically and emotionally drained the way I had felt in other times at other jobs, but tired in a satisfied sort of way, as one does after a music performance or exercise.  The next morning, I came back refreshed and completed things around noon, with the somewhat slapstick scene of my loading it onto an iPhone and my boss and I wading into the middle of a busy San-Francisco street to hand it to the CEO as he rode by in an Uber (or Lyft, it doesn’t really matter here).  The aftermath was positive affirmation both from myself and my superiors.  At least for the remainder of that day.

So what made this instance of long hours work?  First, it was targeted towards specific goals that were challenging but doable.  I had autonomy to figure out how I was going to get them done – how to set up the challenges for myself – and to then execute.  And I was largely left alone to complete them.  The long hours were a side effect of my own choices, not something forced by social pressure or a sense of workplace virtue.  And when I found myself working late, it was quiet and those that were there were there for the sake of work, not because the team was their life.

What extrapolate from this personal story is that one of the ways we may be able to improve the workplace and make it physically and emotionally healthier is through more autonomy and less “team virtue” and social coercion.  We all what to get things done – most of us, at least – but we need to be able to figure out for ourselves how best to do that.

Wordless Wednesday: California Modernism (Pacific Heights)

To me, this modernist home in the Pacific Heights neighborhood of San Francisco represents the height of “California Cool” of the 1950s and 1960s (even if it was probably built more recently).  It stood out from the more conservative brick-and-stone mansions to either side.

The Return of Wild Cats on Earth Day

 

After several years, we at CatSynth are resuming our tradition of sharing wild cats on earth day.  Those who follow our Facebook page are regularly treated to photos and videos of wild cats.  We share a few favorites, along with some of our own.

A personal favorite of ours is the fishing cat (Prionailurus viverrinus).  It is unique in that is adapted for swimming and hunting in the water.  The sleek fur, streamlined shape, and folded ears attest to this adaptation.


[By Bernard Gagnon [CC BY-SA 3.0 or GFDL], from Wikimedia Commons]

The fishing cat has discontinuous populations in rainforests of South Asia and Southeast Asia. It is listed as Vulnerable, primarily due to habitat destruction. The Greensboro Science Center in Greensboro, North Carolina, recently posted this video featuring a mother fishing cat teaching her kitten their aquatic heritage.

Another lesser-known cat is the oncilla (Leopardus tigrinus).  It is among the smallest of wild cats, similar in appearance to but significantly smaller than the well-known ocelot.

oncilla
[By Groumfy69 [CC BY-SA 3.0], from Wikimedia Commons]

The oncilla lives throughout Brazil as well as the highland tropical forests of Colombia, Ecuador, and Peru. There is even a recorded separate population in Panama. It is listed as Vulnerable in IUCN classification, mainly due (once again) to habit loss.

Both of these cats and many others have a similar spotted look that works well in their forested environments. Our old pal the Pallas cat (Otocolobus manul), also known as the manul, is quite a different beast altogether. It has a squat shape, fluffy fur and a gray color that are suited to its cold rocky environment in Central Asia. Here is a manual I encountered at the Prospect Park Zoo in New York some years ago.

pallas cat

pallas cat

More recently, we attended the Feline NightLife at the California Academy of Sciences, and got to see many wild cats courtesy of Safari West, including this beautiful serval.

serval

While not endangered, servals have been frequently been captured and bred as exotic pets.  They do, however, remain wild predators and their domestic captivity usually goes badly for human and feline alike.  As our host from Safari West said, “they do not make good pets, but they will eat good pets.”  Below is a “cat” that actually is not a cat at all, but a separate genus, the genet.  If they had not told me, I might have guessed it was a fishing cat.

genet

Sadly, Safari West was affected by last year’s devastating Tubbs fire in Sonoma County.  Several structures burned, and the co-founders lost their own home.  Fortunately, most of the property was spared and the animals all made it through the conflagration safely, and Safari West reopened for tours and programs in late November.  You can read more about their experience (and find out how to support them) here.

We conclude with our friends at ISEC Canada, an organization dedicated entirely to the conservation of small wild cats.  They have many projects underway, including a study of the black-footed cat, another lesser-known small wild cat from southern Africa.  It’s esimated range covers parts of Namibia, Botswana and South Africa.


[By Patrick Ch. Apfeld, derivative editing by Poke2001 [CC BY 3.0], from Wikimedia Commons]

The black-footed cat is adorable, and its face closely resembles many housecats.  But once again, this is a wild animal and does not belong in a domestic setting.  We applaud the work of ISEC Canada and other organizations who study and help to preserve them in their wild habitats.

When in Rome: A Weekend in Portland

A week ago, I found myself back in Portland for the first time in four years.  Officially, I was there to headline the Volt Divers Cat-tastic Edition show, but geat many other experiences large and small framed the main event.  There were synths, cats, food, drink, and rain.  Lots of cold rain.  And wind.  This is not unusual, but it did limit outdoor activities such as industrial and architectural photography.  Instead, we enjoyed some of Portlanders’ favorite indoor activities, starting with brunch.

Bloody Mary at Jam on Hawthorne

Portland may be an even “brunchier” place than San Francisco, Oakland, or Brooklyn, judging by the lines I observed at popular spots, including Jam on Hawthorne, not far from my home base in Southeast.  Fortunately, as a solo patron who doesn’t mind squeezing into a tight spot at the bar, I didn’t have long to wait to get served.  I quite enjoyed the spicy bloody-mary variant with Jam’s proprietary “aardvark sauce”, as well as the rancheros.

The sharper cheese sprinkled on top gave the dish an almost Italian quality, but it retained the hearty beans, spicy sauce, and simple eggs that made it perfect for a cold morning.  The view out to Hawthorne Boulevard displayed some of the local flavors, including that Charlie-Brown-inspired van in the first photo.

Then it was back to our temporary “CatSynth HQ” to relax for a bit.  Buddha, one of my hosts, made sure I felt at home.  He was rather friendly, and even demanding of attention.  I was happy to oblige.

Buddha the cat

After some quality cat time, it was back out to Hawthorne, this time headed over the bridge to downtown.  Downtown Portland is somewhere between the downtown sections of Oakland and Brooklyn in terms of cityscape and vibe, though on a smaller scale than the latter.  It has a regular grid cut by the I-405 freeway and Burnside Street, and a mix of contemporary, mid-century and older buildings.  It was at the base of one of the older buildings that I found a small hair salon that was able to fit me in for a last-minute blowout – the weather was not kind to my hair, and I needed to look purrfect for the show that evening.

The next stop took me eastward from downtown to the ragged edges of the city along SE 82nd Avenue (State Route 213).  I was here to pick up a borrowed Nord for the show.  A mixture of auto-shops, low-rise apartments, and shopping centers made this area feel more like Los Angeles (except for the weather) or the far eastern sections of Queens.  But it was still fascinating in its way, and there was an interesting row of shops, bars, and eateries along Stark Street – I wish I had a chance to stop at The Country Cat, but time did not permit this.

With hair done and keyboard secured, it was time to prepare for the show, which back in the industrial section of Southeast along the river at The Lovecraft Bar.

Inside the bar, it was dark.  Really dark.  It took me a few minutes before my eyes adjusted and I could see everyone else busily setting up their mostly modular rigs.  It was all business after that as I set up for the show, but I did have some moments to check out the Lovecraft and horror-themed decor.

I will be covering the show itself in detail in a subsequent article.  But we already have a video published on CatSynth TV, which you can view below.

The next morning I found myself in the Hollywood neighborhood.  It was actually the first time on this particular trip that I found myself north of Burnside in the northeast sector of the city.  Sandy Boulevard was lined with a diverse collection of low-rise businesses.  I crossed I-84/US 30 into the adjacent Grant Park district, which reminded me again of residential neighborhoods with larger lots at the edges of New York City into Westchester and Long Island.  I had some personal appointments that morning but then remained in Northeast to visit House of Dreams cat shelter at their secure undisclosed location.

House of Dreams is a no-kill shelter specializes in cats that have difficulty finding homes and has space dedicated for FelV-positive cats (i.e., those with feline leukemia).   Our show the night before raised funds for their shelter and work, and I of course wanted to come visit the kitties.  We will dedicate an upcoming article and video entirely to House of Dreams, but for now here is a cute picture of Flicka, one of the many sweet cats I met there.

Flicka from House of Dreams cat shelter

We then hopped onto I-84 back west towards the river, passing the convention center and on to Mississippi Street, a trendy area of boutiques, pubs, and restaurants.  This is also the home of Control Voltage, a premier shop for synthesizers of all sorts.  It was relatively easy to find with the sidewalk signage.

Among the many keyboard and modular displays was this rack featuring modules from FolkTek, one of several local makers in the Portland area.  They do have a gorgeous design.

I chatted with the staff and shot some video for an upcoming CatSynth TV, but also walked away with one of the FolkTek modules, a quad envelope follower that I know will come in handy for some upcoming music projects.

FolkTek quad envelope follower

I wandered a few blocks south on Mississippi to StormBreaker Brewing, which I had remembered from a previous trip. In addition to their beer offerings, they had several suggested beer-and-whiskey pairings, which I of course had to try.

Beer and Whiskey pairing oat StormBreaker Brewing

One of the daily specials, a cream-of-asparagus soup, was perfect for that cold and rainy afternoon.

Cream of Asparagus soup

Although this trip took me to quite a few corners of the city, I still felt there was much undone, especially meeting more of the local synth community, and spending some time outdoors.  So I do expect to be back much sooner than last time.

See more of Portland, Oregon and many other fascinating places in our Highway☆ app, available on the Apple App Store and Google Play Store. 

Highway☆ on Apple App Store .   Highway☆ for Android

#KSW45 and CatSynth: A Personal History

As Kearny Street Workshop gets ready to celebrate its 45th anniversary, we at CatSynth look back in the many ways our histories have intertwined in the past decade, from a shy outsider writing reviews to becoming Board President!

In August 2009, I attended a guided tour of the Present Tense Biennial, an exhibition co-curated by the Chinese Cultural Center and an intriguing-sounding organization named Kearny Street Workshop – it seemed an apt name for organization hosting an exhibition on Kearny Street.  I wrote an article about it which was seen by the folks at KSW including then-executive-director Ellen Oh, who invited me to cover their flagship program APAture the next month.

I did go to several of the APAture programs, including the opening night and visual-arts showcase and the music showcase, writing more articles, making new friends, and probably drinking a bit too much.  This was an entirely new community quite apart from the experimental-music and jazz circles in which I traveled, or the other contemporary visual artists I was meeting.  I went on to attend KSW’s rollicking SF Thomassons Performance Tour in January 2010, and also befriend Truong Tran (himself a former executive director) at the opening of his first solo exhibition Lost and Found.

It was during these and other events that I became more acquainted with the history of the organization beyond the art and artists it was currently supporting.  I learned about the Asian American movement, about the history of the neighborhood from which KSW derived its name and about the fall of the I Hotel.  Kearny Street Workshop was not simply an arts organization, or eventhe “oldest organization in the U.S. focused on Asian American artists”, but a multi-generational group dedicated to local activism and community through the arts.  I became a regular donor and continued to attend events, including A Sensory Feast, and continued to write and share reports.  But in many ways, I was still an outsider looking in.

That all changed in 2013 when APAture returned after a four-year break and I was a performing artist for the opening night.

I performed an experimental electronic set with tabletop and modular synths and a dotara (Indian folk stringed instrument) for a large and diverse audience.  I felt more connected to the KSW community, but that was about to become even more so as then program director (and later executive director) TJ Basa invited me to get more deeply involved, recruiting me to join program committees, including the ever-popular Dumpling Wars.  This led to joining the board of directors in 2014.

During this time, KSW was in a process of rebuilding from its board down to its individual programs and partnerships, and returning to its activist and community-focused routes.  Under TJ and new programming manager (now Artistic Director) Jason Bayani we began to focus programming in this direction, including the resurgent APAture festival (which I performed at again that year).

[2014 Kearny Street Workshop / Antoine Duong]

Later that year, I became Board President and Chair as we grew the board into its strongest and most active team in many years.  It was quite an unexpected turn that I would never have anticipated when I first started attending events five years earlier.  KSW became a family, and I was now about as much an “insider” as one could be.  I learned a lot about individual and institutional fundraising, forging relationships with other groups, and the herding of cats that is a small and scrappy but ambitious arts non-profit.  But I still found joy in participating directly in events and writing reviews, including for last year’s APAture festival.  It coincided with the launch of CatSynth TV, and we featured the opening night and book-arts showcase in two of our early episodes.

https://www.youtube.com/watch?v=TNn1zasnv6w

Tomorrow night is our 45th Anniversary Gala, to be held at the Chinese Cultural Center, where I first encountered KSW nine years earlier.  In a way, it is coming full circle.  But instead of writing a review, I am writing a speech to recognize the 45 years and multiple generations of history.  If you are in San Francisco tomorrow evening and wish to join us, there are still a few tickets available for the general program.

 

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