modular

NAMM 2018: Pedro Eustache Plays a WMD Synchrodyne

NAMM is full of serendipitous moments. One of those occurred as we passed the WMD booth and saw a live performance unfolding with flute and woodwind virtuoso Pedro Eustache performing on a vintage wind instrument controlling a WMD Synchrodyne module.  We featured it on CatSynth TV.

Eustache informed us that his wind instrument was an unusual one from the 1970s, and that he was using it as a CV controller for the Synchrodyne.  He found the combination to be quite expressive and complete, and we can certainly hear that in his performance.

WMD Synchrodyne

The Synchrodyne is intended to be a complete synthesizer voice in a module, and it has the combination of sawtooth VCO, filter, and VCA that are the building blocks of subtractive synthesis.  But it also includes a built-in Phase-Locked Loop (PLL) controlling the VCO, which adds a variety of new sound and control dimensions.  PLLs can be challenging to use – the concept implies stability but often includes chaotic phases – but controls on the PLL for dampening, speed and input influence provide more musical control.  Additionally, the VCO provides support for frequency modulation.  Finally, there is a wavefolder on the front end of the filter that provides additional non-linear signal processing and distortion options.  WMD puts it succinctly in their description of the module:

Containing several pieces to a traditional synthesizer voice, the Synchrodyne is a powerful addition to any subtractive oriented system. However, it is designed primarily as an experimental sound source/filter, intended to push the limits of modular synthesis…WMD style.

This is not your classic subtractive analog synthesizer voice, as one might find in a Moog synthesizer or the Korg Prologue that we reviewed in an earlier article.  It is a beast, but with practice, we see how it can be an expressive musical instrument on its own. We look forward to trying it out ourselves one of these days.  And we thank Pedro Eustace for being so gracious after the performance and sharing with us his process making music with the Synchrodyne and his wind controller.  From his official website:

“In Pedro’s own words: ‘I simply hope–and I really work hard at this, through ‘active submission’–that someday, whenever I see my Creator I would be able to give Him an answer worthy of the ‘package-of- grace’ he entrusted me with.'”

 

http://wmdevices.com
http://pedroflute.com/

NAMM 2018: Rossum Electro-Music

Rossum Electro-Music Assimil8r.

We visited our friends at Rossum Electro-Music at NAMM and were treated to an in-depth demonstration of their Assimil8or module by Marco Alpert.

We are grateful to Marco for his demonstration, not just because it made our video awesome, but because it helped better understand what is a complex module.  The Assimil8or is a sample engine with many of the features one found in classic E-MU samplers, and more (Dave Rossum being the mastermind behind E-MU’s popular instruments).  One particularly intriguing advance was the timed switching among samples, which allows one to move between different tracks seamlessly while remaining in time (the Cars example in the video demonstrates this quite well).  There is also “virtual tape-scrubbing” of audio.  Of course, everything is CV controllable.

Combining the Assimil8or with the Morpheus module (which we at CatSynth own and enjoy) and the Control Forge, one can assemble something akin to an E-MU sampler on steroids, with vastly more complex and rich control options, including at audio rate!  Even the Morpheus on its own is rather overwhelming, but having seen the modules in action by the folks who made gives us ideas on how to use it better.  We look forward to more experiments with these modules from Rossum Electro-Music!

More info can be found at http://www.rossum-electro.com.

(Disclosure: Amanda Chaudhary of CatSynth used to work for E-MU Systems, several of whose principals are now at Rossum Electro-Music.)

NAMM: Qu-Bit Electronix New Modules

Qu-Bit Electronix modules

One of our first stops at NAMM 2018 was to visit our friends at Qu-Bit Electronix to see what they are up to.  They have three new modules, Synapse, Nebulae MK2, and Scanned.  We had a chance to try them out for ourselves – you can see a bit of our experience in this video.

We at CatSynth own and enjoy using the original Nebulae module, but the MK2 is a significant improvement, with more versatile and expressive controls for pitch, speed, and granularity (rate, window, etc.).  The main speed button traverses quite a range both forward and backward, and features a quick reset to unity by pressing.  Similar functionality is available with the pitch button.  The granularity features go beyond the original, including the ability to freeze the sound in place to create a steady timbre from any section of a recording.

The Scanned module is perhaps the first hardware implementation of scanned synthesis technique pioneered by Max Matthews and others.  The simplest way to describe it is as a system that provides the control of a struck or plucked string, but with a far greater range of sound than a vibrating string, such as any wavetable source.  The module has independent controls for pluck, tension, and many more parameters, of course all individually controlled via CV.  With pitch and gate input, it becomes the starting block for a rich modular instrument.

Although not included in the video demo, the Synapse is an interesting and handy module for mixing, switching, and otherwise routing a variety of CV sources to various destinations all from a single module.  It makes your CV sources more like a mixer with cross-fades and such.

Qu-Bit Electronix

 

It’s always fun to check in with Qu-Bit, and we look forward to seeing more of these modules.

NAMM Classics: Bastl Instruments and Bitwig Studio

That most wonderful time of year known as NAMM is fast approaching!  As we prepare to cover this year’s show, we’re sharing some of our past NAMM videos on CatSynth TV!

This year’s show starts on January 25.  Please let us know in these posts about anything specific you would like us to investigate or review while we are there.

Farewell to 2017

2017 in review

Once again, it is time for our end-of-year collage and review. So many images to choose from in such a busy 2017 that took us in so many directions at once, both outward and inward.

At the end of 2016, I was still reeling from the loss of Luna and the election.  But I did welcome Sam Sam into my life and also promised myself that I would prosper and thrive in the new terrifying Trump era.  And we did, focusing on moving forward with the things from 2016 that did go well.  Lots of new music as a solo performer, with my new band CDP, and with Vacuum Tree Head.   There are now three CatSynth-branded apps for both iOS and Android, and a fourth on the way.  We launched CatSynth TV, with 22 videos under our belt since October.  And Sam Sam has blossomed into a sassy and thoroughly spoiled cat whom we love dearly.

If there is a word of caution on the personal and professional fronts, it is perhaps that 2017 was too much.  After a strong first half of the year through July, I scaled back on live performance to focus on other priorities.  I regret that, but it was also the reality of the many things going on.  I wish the apps, blog, and video channels were progressing faster, but it’s as fast as we can go with our myriad other responsibilities.  The last couple months, while still rich with experience, have been an exercise in paring back and trying to focus on the highest priorities; and also focus on health, self-care, and well being.  These are all very challenging, but I’m grateful to have the help of loved ones.

We cannot ignore the fact that our rebound in 2017 after two difficult years took place amidst a dark pall over the country and world.  Many friends have suffered amidst the monumental forces of hurricanes, flooding, fires, and human foolishness.  The latter is most visible in the face of the current regime that continues to embarrass and threaten us.  These are things we have to be vigilant about as we move in 2018.  I do feel personally in the cross-hairs on multiple fronts, so I hope we can continue to survive and prosper as well as we did in 2017, and maybe at the end of 2018 we will look back and saw how the world became at least a slightly better place.

It is also interesting to look back to our end-of-year post from 2007, ten years ago.  It was a dark, cold time amidst major life changes – I couldn’t have imagined then what life would be like now.  Will we feel the same way in 2027?  And will there still be a CatSynth then?  Only time will tell…

CatSynth Video: Make Noise Morphagene + Rhodes piano + Poes the cat = weird music

From Andor Polgar on YouTube, via matrixsynth. Rhodes, Make Noise Morphagene and cat, what is not to love?

Things used in the video: vegan sausage for taming the cat (that’s her favorite), Make Noise Morphagene eurorack module, Rhodes Mark I electric piano, Expert Sleepers Disting mk4 for the reverb effect.

http://andor.cool
https://instagram.com/andorgram

It may be time to experiment again here at HQ with the Nord and some Make Noise modules…

New CatSynth TV: inWooble December Edition

Our latest CatSynth TV documents yesterday’s edition of inWooble, a monthly synthesizer meetup and jam session at LinkedIn’s offices in downtown San Francisco. I had the opportunity to join this time, and had a good time performing with everyone – I particularly enjoyed the time where we were rhythmically together or forming complex contrapuntal textures across the six modular-synthesizer setups. And the views of downtown SF out the window were pretty cool, too.

Hosts:
Franck Martin
Juan Rosales
Bryan Levay

Participants:
M.0 (Maurice Jackson)
Amanda Chaudhary
Chris Otchy

The Facebook live stream from the event can be found https://www.facebook.com/franck.martin.music/videos/1921164038148996/

Outsound & VAMP Present A Holiday Pop-Up Benefit Show

Recently, John Lee, the creator of bayimproviser.com donated a portion of his extensive record collection to Outsound. And our friends at VAMP are helping us sell them to fund our continuing mission of promoting new music in the Bay Area and beyond. To launch this effort, Outsound held a benefit concert at VAMP on December 1.

I performed a solo set with my trusty Nord Stage EX, modular synth, and Casio SK-1.

Amanda Chaudhary setup for show with Nord and modular

As with most of my current solo performances, I try to combine both idiomatic jazz and funk elements with more experimental electronics. I opened with White Wine (instrumental) with the extended solo section morphing into a more free-form electro-acoustic improvisation that also included the garrahand drum. It moved from sections of disco and bossa nova rhythms to noise to complex harmonies from the drum and Make Noise Echopon module. It was a fun set with an appreciative audience of both attendees and record-store patrons.

Amanda Chaudhary

After my set, Tri-Cornered Tent Show took stage. Anchored by bandleader Philip Everett on clarinet and electronics and Ray Schaeffer on bass, the band explored a variety of sounds and styles from noisy electronics and percussion to R&B grooves to psychedelic serenades featuring Valentina O on vocals. Anthony Flores rounded out the band on drums.

Tri-Cornered Tent Show

It was interesting to see how both sets explored the intersection of avant-garde electronic and acoustic sounds with more familiar idioms. Soul, funk, and R&B were present in both sets, but then we each veered off in different directions. Between us, we might have covered many of the genres in VAMP’s record bins!

It was a fine night of music and fellowship, and it’s great to see an independent (and idiosyncratic) store like VAMP flourishing in downtown Oakland. You can find out more about them here. And please visit Outsound’s website to find out about upcoming programs and how you can help support our work bring new music to our community.